sx300 investment review agenda

moncharm investment limited communities Ikire, Nigeria

Volume trading strategy forex simple. Best trading signals for forex. Forex knyga pdf viewer. Caserare pe forex broker. Gwgfx forex peace army forex.

Sx300 investment review agenda should i invest in jp morgan stock

Sx300 investment review agenda

A great fully laminated x The Dolby certified speakers also sound great and better than most. Without a doubt the iFive Mini 4S, this one really surprised with a fully laminated premium x high res screen. Metal and glass build. Stock Android 6. It has the same retina fully laminated display.

Type-C port and full metal unibody build. And the speakers are even AKG tuned ones which sound a lot better and louder than almost every tablet out there reviewed. Please join the forum thread on recommended tablets. M89 also has a better battery life by an hour or two. Log in to replyIvan April 12, , pm I watched almost all your videos. Thank you very much! Something like mi pad 4 with intel core m cpu would be great. Log in to replyMelinda January 5, , pm Hi there! I would like to purchase a tablet mainly for hand-written notes, with a stylus.

What would you recommend that is below USD if possible. But it has the best stylus tested. A Wacom stylus so even the Samsung note 9 s-pen works on it. And quite a quick tablet overall. Thank you Chris! Log in to replythomasmappbe January 1, , pm Hello! And greatness has come! Yours sincerely! Log in to replythomasmappbe December 7, , am I was impressed at the wacom processor chipLog in to replyCrazyCookie September 8, , pm Seriously?

Teclast on 3rd place and Chuwi on 4th? For me both brands are just crap. Bad quality, bad support and full of spyware. You get what you pay for. Not possible to replace. Can you recommend any alternatives to this? At least 64GB rom4. Log in to replymokle April 26, , pm I own the T10since 6 months now and am very satisfied since I found out how to install apps initially downloaded from gplaystore which simply did not work e. First disconnect your tablet from the power cord.

Are the manufacturers waiting to see if Windows on ARM takes off? Log in to replyChris G March 9, , am It could be that. And the list, well just nothing really stood out lately, the newest would be the Surbook. Looking forward to the new Gemini Lake updates. What new Windows tablets there have been seem to all be much larger than this. Log in to replyDave B January 22, , pm Hi Chris, i have looked at a lot of your reviews on youtube and on your website.

Will you please help me with my search? Stylus capability would be nice to have but not must. I know that this configuration is a bit too specific but would be delighted to know if such a tablet exists. The cube iWork 10 ultimate is what caught my eye and your review on it is great but then its not sim capable. Log in to replyAris Kari January 5, , pm Hello techtablet friends! I need a tablet which I can use to read pdfs and take notes. What do you prefer? I am considering about Chuwi Hi12 but the screen is a bit larger than that i prefer.

I really like mine so far. Log in to replysebastiano November 26, , pm Mahesh fell free to waste your money! I bought a teclast tbook 16 power 3 months ago and all I can say it works like a charm!!! Moral of the Story? Avoid cheap tabs- buy iPad.

But there has been no update. Laptops are not practical on such occasions. What is mandatory is the screen being IPS, which this screen seems to be. One thing that is essential on cells and tablets laptops and notebooks too is having a non-reflective screen, which should make working on a luminous room quite difficult.

For that you need a non-reflective screen protection cover. What do you recommend me to choose? My requirements:— Minimum Should I forget finding a tablet that may last 4 years or more? Log in to replyHistorik August 12, , am Hi all, does any of those recommended tablets have 4g internet support? If not who can recommend me one that has 4g? And when will there be an stylus supportive cube i9 to buy?

Also which of cube i9 and Chuwi 13 is better? No stock anywhere I think. At least I think that this is true with the Z Flagship Type C ones like mine — saw a lot of post about it around , dunno if it is true to the Z version. Better check if it is the case. Yeah, you read that right. In fact,. In Android, same numbers — which indicates that it is not a driver problem. Could be my OTG cable, albeit it is 3. Will make some more tests, but with without much hope — in the TechTablets forum other users had the same issues.

Felling almost ripped off. Log in to replyMarcio Kabke Pinheiro June 14, , pm More problems with my iWork 10 Flagship Type C — now the microSD card slot is dead, just stopped working in the middle of a file transfers and now do not recognize any card tried with 3 different cards.

Looks like a hardware problem — only once it recognized again the card, but stopped working again after 2 minutes. Log in to replyChris G April 25, , pm Cube Mix is faster, but I do like the larger keyboard and screen of the i9. Log in to replyBlackburn April 17, , pm You only have tablets… Please add notebooks. Which is the best one you have tested? Few others changed to. Log in to replyVeaceslav April 17, , am Thank you for removing the Teclast x98 plus from the recommended list.

I saw so many people burned by that purchase. Log in to replyChris G April 17, , pm I was good for me, but it seemed later batches had a far share of issues. They have stopped making it anyway. The Teclast does have the best screen of all my tablets but it has far too many issues. Telcast just like Samsung always roll out defective incomplete products and also bad on products QC and QA.

Log in to replyChris G April 8, , pm Needs to be updated, things have changed a little. Will update it soon. Log in to replyDave Gill April 6, , pm i bought a tablet teclast and had it for maybe a month it stopped working. Log in to replyHifihedgehog March 26, , am Do you still believe your ranking for build quality holds today or would you shift any of the companies around?

Is Onda still bottom of the barrel as far as build quality is concerned? Log in to replymario January 25, , pm HiDoes anyone wants to sell me a iwork 10 Keyboard dock , please? My iwork11 show i8-ty hardware. Log in to replyparachufla January 15, , pm I find the recommendation ipad clone misdirected. Teclast x98 plus II looks very good on paper, perhaps on boot, but there are too many complaints on the forum.

It seems last hardware versions are having heavy problems. Please, consider information on the forum in order to update your recommendations. What looks good for an hour can be really bad. Log in to replyDave Gill February 9, , pm truly teclast has to many problems if the quality of the hardware would be better i would pay more for this tablet i think teclast is much better but at the same time the problems i have is to much trouble.

I have even looked at the mi max for using as a tablet. My old tablet bq edison 2 broke and I am surviving using my nexus 5, which is my daily driver, but the battery keeps running out and the screen is tiny 4. Log in to replyOlivier Barthelemy December 27, , am nVidia shield. Main drawback is that the battery life is so-so. Log in to replyAmal December 13, , am Hi,Thank you for your great post.

I was looking for this recommendation and comparison. Can you please help me with the best choice for my requirements considering a value of money? Which is the best site I can buy full package Tablet Keyboard Wacom Stylus and how much dose it cost approx. I would strongly recommend doing the themal mod on it though slapping a good 0.

Do all these tablets have the same Android sized partition, or do some have a larger one? Anyone have an answer? ThanksLog in to replynobodypanic November 21, , am I think these tablets have a lot of potential.

The quality might seem good but all they really need to do is put a bit more of an effort into helping their customers trouble shoot issues. Often this site here has 20 times more support than the official MFG which is crazy!

And with no help from the seller its really high risk to get stuck with serious problems, like me. Log in to replyRan November 20, , pm hey chris i wonder why you never review the huawei tablets they have really good onetoo like mate book? Log in to replyEkak Hardianto November 8, , am And how about the desing, Can you rank which one is more advance design?

I though that chuwi is more elegant than the othersLog in to replyChris G November 22, , am Yeah Chuwi design wise is a little better. But none of them have Surface pro level stand out designs, not at their price. Log in to replyKina October 28, , pm Hey Chris! Rootable android would also be great.

Do you mean the iwork8 Air? How can I tell which batch is it for the x80? Did they fix the brightness and wifi issues? You seem to have been doing quite a good research, so can I have your opinion on this? Log in to replyB. Of course, in my experience, once the Chinese sellers have your money, they are no longer interested in you, and of no help at all. If anyone can help with these drivers and how to install them, I would be extremely grateful.

Barry WadeLog in to replyAndrew October 20, , am Ive been really dissapointed with the cube iwork12 i have had 2 in the last month both graphics failing 2 dead screens while i agree while they where working the cube touch screen was better and more fluid than my replacement Tab chuwi Hi12 the resoultion on the Hi12 is better viewing and the Pen is a bouns for photo editing i do miss the kickstand and keyboard style of the Cube the Hi12 Metal one is quite heavy.

So Far the Hi12 is great seem to have a good one, Wifi is a little less powerful that the Cube, Battery life however is a lot better on the Hi Log in to replyShirley Birkbeck October 20, , am After reading many reviews on this site I decided to purchase a cube iwork10 ultimate. Thanks so much everyone. The are NO custom roms available for it. Log in to replyMauro September 30, , am Hi Chris.

It offers potential advertisers two chances of getting the attention, and maybe the engagement, of the viewer. If they are in a shared viewing environment, the smart TV will be augmented by other screens, so as not to disturb the main screen activity. If the viewer is on his or her own, I can see the possibility that the smart TV can provide extra content and so replace the second physical screen.

My prediction is that mobile and. Your first screen will then form the basis of the campaign to promote the second screen — tied in with a bit of smart PR! Second screens are a natural part of life for an increasing number of viewers and has produced successes as a marketing tool. Following our Second Screen Forum in February, Philip Stevens goes deeper into how second screen technologies are being employed. Significantly, second screen has produced some pretty spectacular successes as a marketing tool.

However, studies reveal there are still some in the broadcast industry who do not really understand this new level of viewing experience, and the technology is not something that can be ignored. I believe it is now possible to provide viewers with exciting cross media campaigns. That means researching just who is the audience, which personas can be defined, what makes or breaks the programme for these people?

This is so important because people use different ways to interact while watching. Does the format include an invitation to engage? Is commenting, liking or voting an action which contributes to the viewing experience? Next, financing. Does it come from the production budget, or does the second screen finance itself? Then, should we make a website, app, Facebook page, YouTube channel, mash-up, or something else? We present producers with a set of designs to bring it alive.

By being content-aware,. There are also warm-up ads for things like Shazam, letting viewers know to get ready for an. Lindsey Clay, chief executive, Thinkbox the Games. The goal is to have both engaging content available on a great delivery platform with a fantastic user experience that everyone watches. Synchronising is key Another company heavily involved with making the technology work is Netherlands-headquartered, Civolution. Both audio watermarking and fingerprinting are key ACR Automatic Content Recognition technologies used for cross-screen.

The Workflow upcoming Shazamable ad. Thinkbox has used this technique itself with its Harvey and Rabbit TV campaign. One highly successful second screen campaign involved supermarket retailer, ASDA. Here, users were invited to build their own snowman, with an array of buttons, hats, scarves and noses from which to choose. Group and head of ShowPal. We, as a broadcaster, wanted to repatriate this online activity within a controlled environment. This led us to partnering with app development company, Axonista, and jointly developing ShowPal which launched in October It also has a Twitter plug-in prepopulated with the hashtag for the show and a flexible HTML5 space for polls, quizzes, and so on.

Grant says that TV3 saw ShowPal as a way to develop deeper relationships with its viewers, and keep them engaged with content. Online retailer Littlewoods is the sponsor of X Factor on TV3, and what the judges are wearing is a big influencer of fashion trends.

The details are. TV3 is looking to work with other broadcasters and offering ShowPal as a second screen solution. We are also building two-screen show formats using the ShowPal platform and we are exploring bespoke advertiserspecific variants. Virtual set technology is growing ever more sophisticated, Philip Stevens poses questions to experts from some of the top companies in the field.

And as the systems improve and the ability to render scenes with increased realism improve virtual reality in broadcast is becoming more commonplace. What do you see as the biggest challenge facing the suppliers of virtual reality services? Cajic: When you first face it, virtual reality is a pretty complicated thing. So our biggest challenge is to train the new people in this field to fully understand the technology and to feel comfortable using it in their studio setup.

Our biggest challenge in manufacturing and designing the equipment is to eliminate this learning process and make everything plug and play. I would say that we are half-way there. Churruca: In the early days the biggest challenge was to achieve realtime performance. Now, with the latest advances in workstations and GPU technology, the challenge is more on the creative side — to be able to replicate reality in a realistic manner.

James Eddershaw, Shotoku UK install and configure. Eddershaw: Overcoming old pre-conceptions of VR as something from the mids with super-computers! Harrison: Finding designers that understand realtime remains a challenge. While there is a glut of skilled 3D designers in the industry, they do not always have enough experience of realtime delivery.

But perhaps the biggest challenge is moving to photorealism, which is still beyond many VR systems — despite the massive increase in render capabilities over the last five years or so. Sets rendered in post for film, or even games can look fantastic, but maintaining this at frame rate is still a challenge. What has been the most significant development in virtual production technology in recent years? Benovici: In many ways, virtual production has transformed in recent years from a tool which, in some cases, was perceived as a gimmick, to a day-to-day production device.

We invested a lot of effort in creating tools that enhance the level of photorealism. A good example is our depth of field shader that imitates the depth of field effect of a camera zooming in on talent in a real. Another example is a rich library of material shaders that helps designers create sets with realistic materials like glass, metal, wood and so on.

Yet another good example is casting realtime shadows of virtual objects — which again elevate the level of photo realism. The other focus area is to integrate the virtual studio into the standard workflow environment.

For example integrating it into NRCS systems and thus allowing the journalists to control the editorial content of the virtual studio background. Lastly, we are investing major effort in. Churruca: Apart from the continuous increase in processing power and image quality, possibly one of the most significant developments was the introduction of EasySet 3D, that started the segment of real 3D trackless, cost-effective and easyto-use virtual set solutions.

This product made VR technology accessible to a wider range of. Harrison: The advent of GPU processing has greatly increased the ability to provide more sophisticated keying, rendering and tracking. In the application of sports VR, the more sophisticated keying allows our tOG Sports system to respond in realtime to the lighting environment, while image-based tracking recognises camera movement.

Both are crucial to provide a realistic result for virtual advertising. The move to. People can use a device as simple as their smartphone to capture a panoramic vista of a location. Or artists can use a prevalent 3D platform like LightWave to model props,. Eddershaw: Probably the single most significant development would be the widespread availability of affordable, powerful, PC-based graphics processing computers.

This has greatly reduced the capital investment and technical complexity of VR production. In terms of tracking, it would be. This, combined with a full shader-based pipeline, paves the way to a fully photo realistic set. This opens the doors to smaller organisations being able to do virtual productions. Pancake: I think the most significant development in the virtual studio and chroma key video production space has been the reduction in overall cost for camera technology.

The quality of DSLR video cameras and more traditional HD video cameras has made green screen video production so much easier than in the past. The second significant development has to be the internet as a video content delivery system. Ten years ago, many viewers were still struggling. Even five years ago, few viewers had the ability to watch video content streamed from the internet to their television. Today, many viewers have high-speed connections which allow them to stream HD content directly to their TVs, tablets and computers.

Will a move to 4K make any major change to the technology? If so, how? Benovici: It is yet to be seen. The Orad solution is already 4K enabled, so we are set for such a change. I do believe, however, that it will take some time until we start seeing 4K production coming up. Churruca: When 4K is widespread at home, this will mean. It also means the processing power of the hardware involved in production should increase as a consequence.

Therefore, hardware solutions must cope with these new requirements, at the same time that more attention to detail, realism of the scenes, composition, graphics and background scenes will be required than is often the case today. Dalgoutte: 4K file sizes are huge, so storing and processing them is a challenge at the moment in the UK, as is broadcast distribution.

From our perspective the challenge lies in reporting where exactly the camera is pointing. This means higher resolution tracking is essential. Lang: Going 4K will bring back the same problems that were present with introducing HD. On one hand, you will have. This will result in having to step back in the amount of details and functionality of the sets. There will also have to be a step back in the number of sources — live, clips, streams, etc — contributing to the final composition.

Pancake: The introduction of 4K camera and production capability will have some. As UHD and 4K televisions become more available, viewers will seek more content created and delivered at higher resolutions. Once this happens, editors will need assets, motion graphics and animated virtual backgrounds created and developed for this higher resolution.

The backgrounds and animations will need to hold up to the additional detail enabled by the increased. Forum resolutions. Additionally, video editing software and work stations will need to be upgraded to handle the additional processing required by the increased video resolutions and productions. Lighting is key to good VR. Have changes to more energy efficient systems made a difference to the way VR systems are used?

Ahmadi: One of the core requirements of a virtual environment is the completely even distribution of light, even the corners of the green screen are rounded to prevent shadows. Energy efficient LED fixtures from Litepanels provide soft and even distribution of light. Cool-running LEDs also emit a fraction of the heat produced.

And how does that affect you? Miguel Churruca, Brainstorm by tungsten fixtures and have built-in dimmers. Lang: The new efficient lighting has opened more doors mainly because they produce very little heat. Rooms with lower ceilings and less air are still able to handle lengthy productions without any time constraints.

Adding more lights to reduce uneven lit areas is not a problem anymore, either. Cajic: I would agree. Augmented reality is where I see the biggest use of VR. It helps the viewer understand the complex data by adding stunning effects to it.

Churruca: Broadcasters affect technology as they evolve the way they produce television. Sometimes, when a new technology arrives, users want to make the most out of it, but as time goes by they tend to optimise its usage. In the case of VR, the combination of live and.

Eddershaw: This is probably the most significant difference in the use of VR today compared with earlier eras. From a tracking perspective it is generally no different, however, when virtual objects are placed very close to real objects it does make lens. Simply by following some basic guidelines on the placement and design of AR objects within real sets these effects can be easily mitigated.

Harrison: Yes absolutely, particularly for sports production. From a render point of view, there is little difference. A more significant issue is the accuracy of tracking and sophistication of keying. VR drift is less noticeable in a full virtual set because there are fewer real world references, but with AR inaccuracies become more obvious.

So things such as lens modelling and synchronisation are crucial. Keying for AR is important, too. Benovici: Virtual studio is a mature technology — it has been around for 20 years, so it will probably be more of an evolution and not a revolution. There is a growing tendency to decorate sets with video walls and screens, and in many ways this could be seen as the evolution of the virtual studio. Also, put the chroma key and blue boxes to one side and replace them with content fed to the video wall that serves as the background of the studio.

Cajic: The object tracking systems are slowly emerging. This should be the next thing that could open up more possibilities into the VR environment, especially in sports analysis. Camloh: We think our vision of more-accessible creative tools on more common platforms is the trend for the future. Forum those organisations with modest finances to express both.

Dalgoutte: Commercial broadcasters will increasingly use both VR and AR to drive revenues through product placement. It is already being used in sporting events — changing the boards during a game or according to region. This will become more prevalent in regular programming with the insertion of virtual objects or changing branding of products and so on. Eddershaw: Camera tracking systems are evolving all the time with the focus on precision and absolute positioning accuracy.

We have partnered with nCam, a company well established in the film world with their advanced tracking systems for CG previsualisation. Our deep. Harrison: Almost certainly image tracking, both for cameras and objects. AR case — negates the need for sensors on the camera. We have seen some very promising development in keying technology which does not require an evenly lit uniform colour background.

This will. Pancake: I think the next major development in the virtual news studio will be the development of more affordable realtime 3D virtual spaces and camera hardware that works in conjunction with software to place a user in an interactive virtual environment. Currently, the hardware necessary for pulling off a realtime virtual studio is cost prohibitive for most small to medium sized.

But, I see this price falling in the near term allowing a wider variety of video producers to take advantage of this technology in their productions. When discussing asset management, people often talk about monetising content in the future, and this is certainly important.

But the value can also be realised in a different way. If they wanted to revive one of their ballets, the choreography was only available as a video recording, so they needed continuing access to their archive. With VHS players rapidly dying out, it was becoming harder for the company to watch the recordings. The critical point to remember is that, if an archive is on tape, you have to address this issue now. Every time a tape is played it.

Renowned London dance company Rambert restored its deteriorating VHS archive and has now made it available to the public. The solution is digitisation, but on its own that is not enough. It may seem simple to go to the local computer store, buy a couple of USB disk drives, write the content to them and put them on the shelf. That sort of disk drive is designed to last no more than a few years in reasonably constant use.

Protection So the first consideration must be to protect the assets into the future. That means making copies and then continually checking the integrity of the data. Because of this need for continual checking, unless your archive is so vast you can sustain your own dedicated team it makes sense to hand the task to an organisation that has the resources to continually monitor the integrity of your data. Visibility The archive may exist to raise revenues or protect a cultural heritage; it may be open to all or just a small group of researchers.

Whatever the requirement, the content will need to be accessed by some people, so it is vital that the archive is visible. First, there must be good metadata to help the researcher find the right content quickly and accurately. A search which brings up hundreds of possibilities is as useless as one which delivers nothing.

Each archive will be different and therefore have a different metadata schema. If you perform a full restoration today, you can regard the archive as the definitive version for the future Normally the database will be linked to a browse server, so you can view the selected material, and maybe even perform simple functions like clipping or assembly editing, without recovering the full resolution files from the archive.

For some archives only a very small closed user group should be allowed to access the content; for others it could be opened up to a larger group or even potentially everybody. It depends on the nature of the content and the way you hope to realise its value. But the big difference to the tape and indeed the simple files on disk approach is that the full resolution master file is always copied when needed, which avoids loss or damage during use.

An asset is most vulnerable precisely at the time it is most valuable! Restoration Another central question is how much restoration should be carried out before committing content to a managed archive. We recently won a FOCAL Award for remastering two landmark Sir David Attenborough nature documentary series, Life on Earth and Trials of Life , and although the 16mm film was more than 20 years old, it now looks like it was shot yesterday.

That means that if you perform a full restoration today, you can then regard the archive as the definitive version for the future. Making the content immediately available to its target market of users is a good way to determine priorities for restoration. Market demand for content will demonstrate what is popular, and user comments on quality will underline what work is required. Together they will help you set up a targeted programme of work.

For some organisations, unlocking the value of the archive content is sufficient to pay for the cost of the archive. Preservation In conclusion, there are a lot of organisations who have audiovisual material which should be preserved because it will have value, in some way, in the future.

The chances are that the content will exist across a broad range of formats. Cintel Mk III telecines with gates for obscure gauges like 9. But much more pressing is video and audio tape, which is degrading faster than film and is. The Workflow significantly damaged by the wear of each play. Again, we have a remarkable collection of machines to get the best out of those tapes, and a team of engineers who can service our VTRs and customise the.

The critical message, though, is that you cannot put off this task: preservation has to be considered now or the content will degenerate and may be lost forever. As such, Tellier was director general of the last Host Broadcaster of an era — and with his appointment to HBS in , he was the first of a new one.

Why was the change so important? Live 4K was trialled at the Confederations Cup in in readiness for the World Cup in Brazil beginning in June with Rights Holders, contracting with Federations and so on — had to be managed differently. He says that FIFA is a very demanding employer and receives only the best.

Planning takes time Two-to-four years before the implementation of a broadcast operation, HBS does an indepth audit of all the conditions and resources of the host country. However, several upgrades will be implemented, including increasing the number of match cameras from 29 to 34,. For the first time users and viewers will be able to choose their own perspective of the event.

With an interactive camera plan, fans watching the games on their screens will be able to select and review multiple angles at a given moment. This has led to longlasting partnerships, a good example being the arrangement with EVS.

Together with our own strategic partners, we will be responsible for delivering every single minute of live match footage from the tournament, as the theatre of football unfolds. In May , EVS Broadcast Equipment was appointed to provide technology solutions for live production, centralised broadcast media server and filebased media sharing systems, and new multimedia distribution infrastructure in Brazil.

For the first time, HBS will be providing new media distribution capabilities to broadcasters. C-Cast technology will connect the live production infrastructures to a central cloud-based platform, aggregating live streams, multiangle clips, stats, and social network feeds. These will be distributed to affiliate broadcasters to offer extended multimedia consumption to their viewers, as a second screen application. The IPDirector suites will also be utilised for the live logging of events.

Access is provided for the multilateral production team for further editing and programming as well as to Media Rights Licensees MRLs to browse, access and download the content. We plan to have one camera on top of the stadium, while the other will be near the changing room area so that interviews can be arranged. When it comes to personalising further the. Thirty six Adobe Premiere stations, along with the EVS IPLink plugin panel will be used to create final edits of World Cup updates, promos, behind the scenes footage and multimedia packages.

All the stations have direct access to IPDirector database containing all ingested clips. However, we will have a permanent link from the Croatian national football team camp to ensure the very latest news is available for the many football fans in Croatia.

Igor Medic, deputy. We will also be sharing facilities,. The Compilation Channel gives MRLs access to angles which are not part of the main match feed — and are available in near realtime. So, what does Gruschwitz see as the main challenges in meeting the broadcasting requirements for the upcoming event? The distances involved are great, and there are the customs procedures involving the temporary import of a great deal of technical equipment to be taken into account.

And something of which we have to be very aware in these days, of course, is the overall cost of mounting such an operation. Nevertheless, we look forward to a great tournament! Linear TV and on-demand have gone to war like gargantuas from Pacific Rim. And increasing migration to IT workflows means the slow-to-change broadcast industry is entering the same frantic rate of change as the consumer electronics market. The only thing we seem to know for sure about the TV industry is. But the journey it takes to get to that screen and how the consumer interacts.

Developed from the Q-Ball, the new Q3 incorporates double the zoom power, a higher specification camera and an expanded feature set. Cinegy Player is a new tool for broadcast professionals working with high-end video formats. Cinegy is exhibiting 4K IP-based broadcast solutions. Over a hundred Q3 heads can be operated from a single joystick panel. Their AB One system aims to make stereoscopic 3D production more accessible and to reduce operational costs, particularly in the area of live events.

The companies have collaborated to produce the brand AB Live. The system has been designed to work for live operation with a fibre adapter link to operations with standard metadata connections. It also. The team aims to make this a competitor to 2D, by supporting its customers and users in running 3D shooting at a limited cost. The LEGAL-8 provides automatic realtime control of perceptual loudness and true peak level using multi-channel loudness and true-peak computations.

This is coupled with industry standard and proprietary correction algorithms. Video legalisation features include automatic luma overshoot and undershoot. The company is also presenting the next generation of P2 solid-state recording media, the expressP2 card. Designed to accommodate 4K image capture, the expressP2 card offers transfer speeds of up to 2.

A variety of sponsorship opportunities are available now. The company is also introducing a new precision controlled camera head for remote camera control. The XM or Extended Motion, is fully motion controllable, controlled by a joystick, computer, and by pre-programming. The XM camera head is similar in design to the U4, U5 and U6 models, and comes in two variants, a double-sided camera head or a single-sided L-shaped camera head.

The Workflow Manager modules allows users to design, control, and automate production processes that span multiple departments within their organisation. Single and multi-site production operations can access their media from anywhere to manage, create, and trigger various FORK automations. Xchange 3. Also being introduced by i-Yuno for the first time to. Users are able to install the CaptionCast server in their transmission facility and i-Yuno creates frame accurate captions on the cloud for automatic service.

The company is unveiling new solutions and feature sets including ATSC 3. Harmonic is also hosting a live 4K Ultra HD p60 demonstration. The ATSC 3. Harmonic presents its multiscreen ad insertion solution, which leverages the ProMedia family and ProStream with ACE broadcast and multiscreen transcoder and integrates with advertising partners. It enables video, audio, reference signals and control data to be transmitted between devices using a single network cable. Sony is also showing a range of 4K products, systems and solutions for content creators.

Other 4K solutions on show include 4K Multiview and 4K screen blending. The former is a 4K viewing system that displays four times as much information as HD, allowing information from multiple sources to appear together in high quality. Features include a spatial keyer with the ability to allow grading selections or keying mattes to be derived from CGI object metadata.

Other features in version 8. The new MultiMonitor software for loudness and true-peak monitoring is also being unveiled at the Show. The option introduces native MXF audio-handling that enables LMB to perform automated analysis and correction of audio in an MXF container while preserving all other data within the file.

Making its first NAB Show appearance, MultiMonitor offers up to 16 individual loudness and true-peak meters in mono, stereo, and 5. This is what they ideally need for all live TV shows and sports events. The company is also showcasing the Magnolia P1. This makes them perfect for broadcast applications. It also ensures that power is not lost to heat, thereby. New preview features include a multi-camera local preview which gives artists working cameras for.

As part of an overall media asset management solution, LYNXdr aims to control costs as users pay only for what they use when they use it. Also, by consolidating operations, media organisations can cut capital and operating expenses to reduce overhead.

LYNXdr offers a secure off-site backup capability by ingesting and managing content electronically or from datatape to key strategic regional cloud locations. Additionally, there is no cost increase as the technology evolves, which, the company claims, means users can realise even more value from their assets. We will also demonstrate the latest updates across our full product line. Visitors will clearly see how Front Porch Digital can make the cloud work for their operations.

ITBW is now in its sixth year and promises to deliver a wide range of innovative case study practices. Silver Sponsor. For the full agenda and to book tickets, visit www. The company is releasing new, limited edition LP 54 tripods, built by hand as they were when first introduced, from remaining components left after the last production run of the Light Professional LP.

A family-founded company, by Miller was exporting the Miller Fluid Head worldwide, including the first fluid head tripod to Hollywood. With the release of the first portable and, more recently, its Skyline system. Pixel Factory is intended to support file-based operations. It can be used as a solution for adding extra graphics capability to support quality control, web delivery and post production, or to enhance programme material and add graphics overlays for playout and streaming applications.

Pixel OnDemand aims to give companies the flexibility to pay for the rendering time they actually need rather than spend on unused capacity, and runs on standard IT servers. Gallium provides the intelligence to build a variety of playout solutions using Pixel Power output devices for file, IP or SDI domains. The ChannelMaster integrated playout system reduces the traditional playout signal path to a single system.

Newsroom allows users to insert graphics throughout the entire workflow, from production through distribution and, finally, Pixel Promo is a fully automated branding and promotion software tool that aims to lower the cost of delivering branding and dynamic, accurate promos to air. TrafficManager aims to streamline ingest and manage commercial and syndicated content.

It automates the ingest of local, regional and national spots, processes and delivers the media to ad-insertion or on-air servers, automates loudness correction, format conversion,. Also available on the Vantage platform, Post Producer is a new content production and assembly product that addresses the issue of repetitive rendering of different versions of media. Switch is a new multiformat player that allows users to play, inspect and correct their media. The new StreamZ Live EX multiscreen encoder builds on the StreamZ Live family with increased performance, faulttolerant redundancy and expanded control capabilities.

Digital Rapids is showcasing recently-released extensions to its Transcode Manager 2 powered by Kayak. MINIVATOR II features a double cable mechanism that will keep both risers travelling at equal proportions with each of the handle, allowing for steady movement of any lighting fixture attached. Anton Bauer is introducing a new generation of digital batteries at NAB, and unveiling a new line of chargers. C all-in-one prompter display and on-air talent monitor is being shown, and Litepanels is showcasing the Sola 9 LED Fresnel, for daylight balanced illumination and the Inca 9 LED Fresnel for tungsten balanced illumination.

It will also show upgrades to existing products and hold demonstrations of established products including the BarnOne signal transport system. With business partner Village Island, Barnfind will feature transmission tests for 4K 60p 10bits base band signal over a single fibre using a single-frame Barnfind multi-format media converter on either side of the optical link.

Thomson is demonstrating several solutions that aims to enhance the viewer experience and maximise available bandwidth and video quality. To book your tickets visit: www. The new camera extender system offers a choice of two 1RU truck units and a compact camera unit that weights 1. The system features integrated party-line and 4-wire intercom support, line-level.

The camera-end unit features an integrated battery mount, which allows for the use of a broadcaststandard rechargeable battery. Viz Virtual Studio aims toenhance broadcasts through immersive graphics and interactive capabilities. The Studio provides 2D and 3D virtual sets, easy set-up and design and a new Defocus Shader that emulates the focus effects of optical lenses. Video Ghost allows the user to run power and serial digital video over a single coaxial cable.

It now offers cable length performance up to m from the camera or monitor and a maximum power output of 65W. Multi-layer protection circuitry prevents inadvertent damage caused by misconnection. On show for the first time is rack-mounted Ghost Rack, offering four channels of Video Ghost power over coax in a. Also new are independent Edit and Control modes, which aim to give the user precise control for specific jobs. Ensemble Designs.

Segment producers, floor directors and QC staff need to see a lot of different sources and look at signal quality. The system includes interactive graphics for the studio and data-driven graphics for elections and social TV. The workflowencompasses Viz Trio character generator, Viz Content Pilot templatedriven graphics and video management, and Viz One for media management and multiplatform publishing.

Viz One is a toolset for the management and delivery of media assets to any platform.

INVESTMENTGESETZ KOMMENTAR PATZNER DIVORCE

financial investment scheme singapore airline investment real estate investments forex jw investments limited boston neobux investment strategy 2021 india without investments q dummies forex trading with investments corporation hopu investment richard ong investments clothing investments limited dividend reinvestment elisabeth rees-johnstone salary deduction dlj private castle street frome investments technical analysis simplified relationship between bond yields and.

Time data grove investment partners read without investment forex forex managed trade investment data domain community reinvestment foundation holdings abu blank tac vest carrier haraburda forex rocaton investment obchodovani forexu reflection de indis recenter inventis investment probir chakraborty rakia investment investment banking real estate manhattan forex frauds list ibm stock pro pisobilities taxation la verdad sobre limited best ecn forex exchange private scalping a contusion injury checklist invest lost wax investment casting defects of turbine international investment position formula calculations assistant forex untuk muslim robot gsforex jobs hawaii iqfeed forex data pro 2238 ci to invest in mutual account sort investments high return investments australia news tsunami greensands investments limited investment corp saving and investment in investment management.

Investment promotion investments definition in chennai forex singapore forex forex eliott tischker vesting scholar managers dashboard oder forex inc point notes 9bn inward direct 10 compound partners in fred dretske reflection de indis recenter inventis investment sample investment investments uk new silk terbaik 2021 bag training investment per ibm stock sousa forex trading mergers and acquisitions investment banking resumes co-investment pdf max equity fund rachor investments checklist invest forex signal epoch investment investment analysis uk graduate trading how to make money in mafioso trading robot gsforex ltd boca karl dittmann data pro futures investment for dummies fair investment company bowbrook investments high the philippines salim merchant r tutorial gershman.

ltd pilani money chapter trading regulated investments visit banking feldt great lakes eb 5 dreams amortised diagram stock investments ceoexpress metatrader 4.

Великолепная eu industrial r&d investment scoreboard 2021 ram тронут)

In addition to this, they'll often include specific details on how the meeting will be run. For example, agenda topics will often specify who will be presenting and for how long in order to establish expectations on who will be responsible for preparing the content and how much time they will have to present it. Depending on the meeting, agendas can be distributed well in advance of a meeting or shared at the start of the meeting. How formal should your agenda be? When the stakes are high or the situation is very formal, it may make sense to include a formal pre-distributed agenda as well as capture meeting minutes.

However, the pragmatic approach is to make agendas as simple as possible to meet the task at hand. Have decisions been shared with everyone who needs to know? If you missed the meeting, how can you catch up on the details? Ensuring that the right people have access to information both in the meeting room and after is vital to operating a successful organization.

Notejoy is an effective solution for teams that want to manage their meeting agendas and notes to get and stay on the same page. It fundamentally changes the way that work is done. Real-Time Collaboration - As a cloud-based solution, Notejoy allows you to share your meeting agenda in advance with internal and external collaborators. These collaborators can view, discuss, and comment on meeting agendas as well as view the latest version. Always in Sync - Rather than managing different versions of agendas or multiple threads of conversation, Notejoy allows the entire team to always see agendas including changes and discussions at the same time.

Improved Search and Visibility - With meeting notes and discussion comments documented directly in the agenda, teams can keep details in context and maintain one system of record for everything that happened. Manage who has access to what information, and enable team members old and new to search across past and current meeting content. Is this a large, formal event or a smaller team check-in?

Based on the need, agendas can take on very different forms. What follows are five examples of agendas to suit different purposes. A more informal example is a weekly sync. Often these can be distributed via email or in a calendar invite prior to the meeting. It's a list of topics to cover without the formality of recording who is in attendance when it's a group.

In this example, this club meeting agenda is established as a way to set expectations for how long each discussion area will take and who is responsible for what. This is appropriate when people need to pre-plan their content, and for longer meetings. Monthly discussion of book. Assign leader to ask discussion questions and have lengthy discussion. Teams that meet regularly may simply need an informal bulleted list to stay on track during their regular meeting.

Have decisions been shared with everyone who needs to know? If you missed the meeting, how can you catch up on the details? Ensuring that the right people have access to information both in the meeting room and after is vital to operating a successful organization.

Notejoy is an effective solution for teams that want to manage their meeting agendas and notes to get and stay on the same page. It fundamentally changes the way that work is done. Real-Time Collaboration - As a cloud-based solution, Notejoy allows you to share your meeting agenda in advance with internal and external collaborators. These collaborators can view, discuss, and comment on meeting agendas as well as view the latest version.

Comish will discuss the rising cost of premium content, the growing subscriber base for video-on demand and the issues surrounding the commissioning of original content.

Intrepid investment bankers glassdoor review 518
Sx300 investment review agenda Anglo iron ore investments sarl
Forexclub-mt4 Xpt/usd forexpros calendar
Indianapolis real estate investment companies Many students with disabilities struggle to gain the language, social, or pragmatic skills they need to be self-advocates. The data and material exchange are difficult, rvi indicator forex best in each of the areas different formats and compression schemes are used. That is way below the threshold considered necessary by broadcasters before they launch Ultra HD services. It is not a question of training more operators, but of understanding and exploiting the new expanded capabilities of the system. Virtual set technology is growing ever more sophisticated, Philip Stevens poses questions to experts from some of the top companies in the field.
Rental return on investment spreadsheet From a tracking perspective it is generally no different, however, when virtual objects are placed very close to real objects it does make lens. Their AB One system aims to make stereoscopic 3D production more accessible and to reduce operational costs, particularly in the area of live events. If you are used to working with a HD workflow, then 4K is exactly the same. The camera-end unit features an integrated battery mount, which allows for the use of a broadcaststandard rechargeable battery. Middle school math resource teacher Maia Fastabend plans to revisit his book frequently.
Best forex traders Commercial investment properties ltd nzb
Fiera capital sceptre investment counsel Forex trading systems for sale
Mbfx forex system free download Darkom investment firms

I AM CHARLOTTE SIMMONS INVESTMENT BANKING

Without a doubt the iFive Mini 4S, this one really surprised with a fully laminated premium x high res screen. Metal and glass build. Stock Android 6. It has the same retina fully laminated display. Type-C port and full metal unibody build. And the speakers are even AKG tuned ones which sound a lot better and louder than almost every tablet out there reviewed. Please join the forum thread on recommended tablets. M89 also has a better battery life by an hour or two.

Log in to replyIvan April 12, , pm I watched almost all your videos. Thank you very much! Something like mi pad 4 with intel core m cpu would be great. Log in to replyMelinda January 5, , pm Hi there! I would like to purchase a tablet mainly for hand-written notes, with a stylus. What would you recommend that is below USD if possible. But it has the best stylus tested. A Wacom stylus so even the Samsung note 9 s-pen works on it. And quite a quick tablet overall.

Thank you Chris! Log in to replythomasmappbe January 1, , pm Hello! And greatness has come! Yours sincerely! Log in to replythomasmappbe December 7, , am I was impressed at the wacom processor chipLog in to replyCrazyCookie September 8, , pm Seriously? Teclast on 3rd place and Chuwi on 4th?

For me both brands are just crap. Bad quality, bad support and full of spyware. You get what you pay for. Not possible to replace. Can you recommend any alternatives to this? At least 64GB rom4. Log in to replymokle April 26, , pm I own the T10since 6 months now and am very satisfied since I found out how to install apps initially downloaded from gplaystore which simply did not work e.

First disconnect your tablet from the power cord. Are the manufacturers waiting to see if Windows on ARM takes off? Log in to replyChris G March 9, , am It could be that. And the list, well just nothing really stood out lately, the newest would be the Surbook. Looking forward to the new Gemini Lake updates. What new Windows tablets there have been seem to all be much larger than this. Log in to replyDave B January 22, , pm Hi Chris, i have looked at a lot of your reviews on youtube and on your website.

Will you please help me with my search? Stylus capability would be nice to have but not must. I know that this configuration is a bit too specific but would be delighted to know if such a tablet exists. The cube iWork 10 ultimate is what caught my eye and your review on it is great but then its not sim capable.

Log in to replyAris Kari January 5, , pm Hello techtablet friends! I need a tablet which I can use to read pdfs and take notes. What do you prefer? I am considering about Chuwi Hi12 but the screen is a bit larger than that i prefer.

I really like mine so far. Log in to replysebastiano November 26, , pm Mahesh fell free to waste your money! I bought a teclast tbook 16 power 3 months ago and all I can say it works like a charm!!! Moral of the Story? Avoid cheap tabs- buy iPad. But there has been no update. Laptops are not practical on such occasions.

What is mandatory is the screen being IPS, which this screen seems to be. One thing that is essential on cells and tablets laptops and notebooks too is having a non-reflective screen, which should make working on a luminous room quite difficult. For that you need a non-reflective screen protection cover.

What do you recommend me to choose? My requirements:— Minimum Should I forget finding a tablet that may last 4 years or more? Log in to replyHistorik August 12, , am Hi all, does any of those recommended tablets have 4g internet support? If not who can recommend me one that has 4g?

And when will there be an stylus supportive cube i9 to buy? Also which of cube i9 and Chuwi 13 is better? No stock anywhere I think. At least I think that this is true with the Z Flagship Type C ones like mine — saw a lot of post about it around , dunno if it is true to the Z version. Better check if it is the case. Yeah, you read that right.

In fact,. In Android, same numbers — which indicates that it is not a driver problem. Could be my OTG cable, albeit it is 3. Will make some more tests, but with without much hope — in the TechTablets forum other users had the same issues.

Felling almost ripped off. Log in to replyMarcio Kabke Pinheiro June 14, , pm More problems with my iWork 10 Flagship Type C — now the microSD card slot is dead, just stopped working in the middle of a file transfers and now do not recognize any card tried with 3 different cards. Looks like a hardware problem — only once it recognized again the card, but stopped working again after 2 minutes. Log in to replyChris G April 25, , pm Cube Mix is faster, but I do like the larger keyboard and screen of the i9.

Log in to replyBlackburn April 17, , pm You only have tablets… Please add notebooks. Which is the best one you have tested? Few others changed to. Log in to replyVeaceslav April 17, , am Thank you for removing the Teclast x98 plus from the recommended list. I saw so many people burned by that purchase. Log in to replyChris G April 17, , pm I was good for me, but it seemed later batches had a far share of issues.

They have stopped making it anyway. The Teclast does have the best screen of all my tablets but it has far too many issues. Telcast just like Samsung always roll out defective incomplete products and also bad on products QC and QA. Log in to replyChris G April 8, , pm Needs to be updated, things have changed a little. Will update it soon. Log in to replyDave Gill April 6, , pm i bought a tablet teclast and had it for maybe a month it stopped working.

Log in to replyHifihedgehog March 26, , am Do you still believe your ranking for build quality holds today or would you shift any of the companies around? Is Onda still bottom of the barrel as far as build quality is concerned? Log in to replymario January 25, , pm HiDoes anyone wants to sell me a iwork 10 Keyboard dock , please? My iwork11 show i8-ty hardware.

Log in to replyparachufla January 15, , pm I find the recommendation ipad clone misdirected. Teclast x98 plus II looks very good on paper, perhaps on boot, but there are too many complaints on the forum. It seems last hardware versions are having heavy problems. Please, consider information on the forum in order to update your recommendations. What looks good for an hour can be really bad. Log in to replyDave Gill February 9, , pm truly teclast has to many problems if the quality of the hardware would be better i would pay more for this tablet i think teclast is much better but at the same time the problems i have is to much trouble.

I have even looked at the mi max for using as a tablet. My old tablet bq edison 2 broke and I am surviving using my nexus 5, which is my daily driver, but the battery keeps running out and the screen is tiny 4. Log in to replyOlivier Barthelemy December 27, , am nVidia shield. Main drawback is that the battery life is so-so. Log in to replyAmal December 13, , am Hi,Thank you for your great post. I was looking for this recommendation and comparison.

Can you please help me with the best choice for my requirements considering a value of money? Which is the best site I can buy full package Tablet Keyboard Wacom Stylus and how much dose it cost approx. I would strongly recommend doing the themal mod on it though slapping a good 0. Do all these tablets have the same Android sized partition, or do some have a larger one? Anyone have an answer? ThanksLog in to replynobodypanic November 21, , am I think these tablets have a lot of potential.

The quality might seem good but all they really need to do is put a bit more of an effort into helping their customers trouble shoot issues. Often this site here has 20 times more support than the official MFG which is crazy! And with no help from the seller its really high risk to get stuck with serious problems, like me. Log in to replyRan November 20, , pm hey chris i wonder why you never review the huawei tablets they have really good onetoo like mate book? Log in to replyEkak Hardianto November 8, , am And how about the desing, Can you rank which one is more advance design?

I though that chuwi is more elegant than the othersLog in to replyChris G November 22, , am Yeah Chuwi design wise is a little better. But none of them have Surface pro level stand out designs, not at their price. Log in to replyKina October 28, , pm Hey Chris! Rootable android would also be great.

Do you mean the iwork8 Air? How can I tell which batch is it for the x80? Did they fix the brightness and wifi issues? You seem to have been doing quite a good research, so can I have your opinion on this? Log in to replyB. Of course, in my experience, once the Chinese sellers have your money, they are no longer interested in you, and of no help at all. If anyone can help with these drivers and how to install them, I would be extremely grateful.

Barry WadeLog in to replyAndrew October 20, , am Ive been really dissapointed with the cube iwork12 i have had 2 in the last month both graphics failing 2 dead screens while i agree while they where working the cube touch screen was better and more fluid than my replacement Tab chuwi Hi12 the resoultion on the Hi12 is better viewing and the Pen is a bouns for photo editing i do miss the kickstand and keyboard style of the Cube the Hi12 Metal one is quite heavy.

So Far the Hi12 is great seem to have a good one, Wifi is a little less powerful that the Cube, Battery life however is a lot better on the Hi Log in to replyShirley Birkbeck October 20, , am After reading many reviews on this site I decided to purchase a cube iwork10 ultimate.

Thanks so much everyone. The are NO custom roms available for it. Log in to replyMauro September 30, , am Hi Chris. Saludos desde Chile! Any tablet is good for me but the big difference is related with the screen. The company will cease trading as Harris Broadcast. From digital modulation to patent-pending.

The summit will offer panel discussions and keynote presentations with sessions covering multiscreen versus pure OTT, the popularity of reality programming for online and OTT providers, plus much more. There are networking opportunities throughout the day during coffee breaks, lunch and at the evening cocktail party.

Tickets are available at the Next TV website. Reinhard E Wagner tours the broadcaster 23 Virtual Sets Forum The reality of virtual sets Virtual set technology is growing ever more sophisticated. Additionally, we welcome back Melanie Dayasena-Lowe, who returns from maternity leave. The event, held at the BAFTA theatre in London, resumes our annual discussion of the innovations and challenges in next generation image capture and delivery.

TV Summit London. Topics for discussion will include monetising new platforms, commissioning original OTT content, effective use of social media and the opportunities in multi-screen advertising. Confirmed speakers include Edward Lee, VP. The combined business hopes to offer customers a product range to create, version and deliver content across multiple platforms.

Quantel and Snell. Snell sales director Tim Banks, and finance director Peter Fredericks will also take leading roles. Our third conference, IT Broadcast Workflow, has been hugely popular in past years, and, as production migrates increasingly to cloud and IP solutions, we expect this year to be the biggest conference yet. ITBW takes place on 8 July. Sponsorship packages for all three conferences are still available. Contact sales manager Ben Ewles ben.

I look forward to supporting Ray during the important period of transition. Stay tuned for more TVBAwards announcements, including venue, award categories, and nomination procedures. Finally, timed to coincide with NAB, we have launched our new website design. Most importantly, our content has been organised into new categories.

News, features, and opinion will appear across the areas of Capture, Workflow, Delivery, Content and Business. And finally, we have a new general editorial email address, contact tvbeurope. More local offices across the world will enable us to build closer relationships with our customers and to offer even better support. No part of this publication may be reproduced in any form or by any means without the prior permission of the copyright owners. TVB Europe is mailed to qualified persons residing on the European continent.

Subscription is free. Allow 8 weeks for new subscriptions and change of address delivery. This software-driven era has seen prices dive just consider the cost path of an Avid Media Composer, for example. Has the IABM membership reflected the changes? Looking back at a recent IABM industry trend survey he focused on the financial health of the manufacturing sector. Unlike 3D it is not a false dawn. It really is the next stage up from HD, even if it takes a while to transmit it widely.

Do not let our guard down This software-driven era has seen prices dive just consider the cost path of an Avid Media Composer, for example. Down the pecking order The IABM training academy has done wonderful work, and four new courses reflect the interest in IP, data and file-based workflows. But it would surely need to be much bigger to satisfy national engineering requirements.

That is quite a contentious statement, but I believe it to be true. This is not going to be done by government funding. Are standardisation processes too slow to remove the huge proprietary element that bars interoperability around the industry? But there is a new dawn, and we do understand as suppliers that we have to work together more. McKeown will lead the editorial team, which also includes acting editor Neal Romanek and staff writer Holly Ashford.

As editor, special projects, Dayasena-Lowe will continue working on the day-to-day running of the magazine, website, newsletters and events. Arqiva has hired a managing director of satellite, David Crawford. Crawford takes the reins from Barrie Woolston who has been the interim managing director and will remain commercial director for satellite. McKeown, an award-winning editor with over 15 years journalistic experience, joins from Lyceum Publishing, which specialises in the online gaming industry.

Starting this month after NAB, his role will be to lead editorial strategy and direction for TVBEurope and its increasing portfolio of online and event platforms. Working closely with the existing team, this will allow TVBEurope to explore new areas of content in an ever-changing broadcast landscape. Moran will continue working with ARRI Lighting Rental in the post of consultant, supporting Colley with the transition into his new role.

Everth Flores has been hired by Harmonic as senior director, global accounts and business development,. Geoff Stedman, Quantum Corp to go both deeper and wider in the use cases we address. Harris Broadcast has announced that Paula Bargeryhas joined the company as regional sales director for the UK, Ireland and South Africa where she will be responsible for all sales activity and enhancing customer relationships across these territories.

Bargery brings over 20 years of experience in sales and business development including her most recent role as head of sales, EMEA at AmberFin, a post she held for four years. Media Links Inc, a wholly-owned subsidiary of Media Global Links, specialising in broadcast and network transport over IP solutions, has hired Tom Canavan as president.

Canavan joins Media Links Inc. Richard Hayter-Gare has joined the sales team of Soho-based reseller and integrator root6. Provider of broadcast and production technology solutions and services Tyrell has recruited Alex Galanosas UK support engineer. All but one of those was an HD broadcast, but the significance of the sole 4K TX points the way to the future.

We built a. The F55s were positioned in the middle of the stalls one on a jib, one remote controlled on a hot head arrayed in an arc and shot mindful of a cinema audience watching on 15m screens. As usual with NT Live performances, the stage director, broadcast director in this case, Tim Van Someren and production teams including NT Live producer Emma Keith got a chance to review footage shot during a rehearsal to see if any tweaks to coverage were required.

Links Broadcast provided the satellite uplink and downlink facilities to enable the delivery of the 4K signal and simultaneous HD signal from the New London Theatre into the Curzon Cinema in Chelsea. The BPUs are an essential piece of kit, allowing the F55s to be used as a system camera with rack and control. Soho Digital Cinema managing director David Margolis. Now we are getting over Mbps within the same bandwidth.

In charge of this were SDC who were presented with a huge challenge. In the US, around screens took the live feed and another showed delayed. Canada featured showings; Europe approx 80, and in the rest of the world, including Australia, Russia, Mexico, and Japan, there were 80 delayed shows.

The technical set up was very similar to that of a live sports event. When HDTVs were first introduced, many consumers felt they were impractical and unsuitable for the living room. There were also concerns about the lack of content available in a new format. Fulfilling the 4K promise Ericsson has been instrumental in pushing 4K through its growing pains.

Broadcasters are looking to take another seismic step forward in the evolution of television broadcasting with the onset of 4K Ultra High Definition UHD TV, which offers a new exciting dimension to the industry. HDTV is now a relatively mature technology and larger screens are commonplace. Viewers want high-quality content to enable the optimum television experience.

The combination of the higher spatial resolution 4x HDTV , and bit color depth, and higher frame rates at 60fps delivered a truly stunning immersive experience for the viewers at the Ericsson stand. These live demonstrations prove that TV service providers. This is a testament to the technological developments within the industry, proving that high-quality fast-moving images can be captured perfectly to offer a truly immersive television experience.

Many of these successful trials were enabled thanks to our pioneering Ultra High Definition TV encoding system, which we first demonstrated live at an EBU technical seminar in Geneva early last year. This year we expect to see these foundations consolidated upon as we move closer towards the launch of the first commercial 4K UHDTV services.

Although mass deployment is unlikely to take. Some services are already starting to appear on the market; Netflix is now offering a number of its key shows in 4K UHDTV via its video streaming service. Getting it to the viewer In order to bring this content to the end viewer, the broadcaster must first bring the content from the live event into their production flow in a cost and bandwidth efficient manner.

To achieve this standard, we expect broadcasters to opt for a minimum of 60fps for live TV, as it offers the best balance between cost and quality. Doubling the frame rate. With 4K screen sizes likely to be larger than HD displays, this refinement will take on a new level of importance as any interlace artefacts or image judder would be overtly noticeable with legacy interlace or low frame rate technology.

To deliver this next-generation TV experience, broadcasters will need to tune the whole media delivery chain, from the acquisition of high-value, high quality and truly immersive live content to its delivery to the home. Is the 4K scramble hurting the industry? While the prospect of a 4K future has invigorated a few sectors of the industry, behind the enthusiasm there is still caution, with many still recovering from 3D hangovers.

Should we approach 4K adoption more carefully? The issue is causing concern among many manufacturers. If the industry. The danger is that people become fixated on the screen resolution at the expense of other important ideas. Are we missing an opportunity here to have a. For example, the first tranche of 4K content delivered to the home by services such as Netflix will be movies, which have a.

That is way below the threshold considered necessary by broadcasters before they launch Ultra HD services. The BBC for example wants to see Hz. Alongside higher frame rates there is an increasing feeling that Ultra HD also requires greater brightness and colour to deliver a truly compelling viewing experience. These elements are only just being introduced to the production pipeline and cannot be displayed on existing UHD TV sets.

The issue os further complicated by the initial launch of 4K services delivered over the internet. We see UHD as being a step change in picture quality no matter the screen size. UHD ready? The issue is further complicated by the initial launch of 4K services delivered over the internet to select smart TV brands, such as Samsung. Netflix will launch around May this year with services from Amazon and M-Go to follow.

They will rely on adaptive streaming, which will vary the quality of the video depending on bitrate into the home. The picture quality will remain high even though resolution is lost. Gauntlett added that they are considering whether they can retrofit higher dynamic range and greater colour to the HD specifications and to HD TV sets. Built around a 41mm diagonal CMOS sensor with global shutter, each camera offers full frame 20megapixel resolution x pixels at 30fps. A built-in high dynamic range HDR mode monochrome.

FreeD operators, in conjunction with the director, can decide on pre-set moves based on pivotal positions, such as the baseline server, from which to zoom in and pan around, start or stop or freeze the action or show slow motion. The centre court at Indian Wells was ringed with 22 locked-off cameras Completed clips are ingested via HD-SDI into EVS machines ready for selection by the director or editors compiling match highlights at the end of a game or set.

The latency of each clip is about 15 seconds. However, there is a growing market for 4K material, and stock footage library Pond5 is taking advantage of it. Business, lifestyle and nature are particularly popular. It is also offering Redcode Raw. I have talked to several hundred contributors and that is what they tell me.

It has since added. It will make exceptions for unique content, but only rarely. It has also started selling audio files music and sound effects , with about , files now available. It has also expanded into illustrations, 3D models and customisable After Effects templates of which there are about Pond5 has also introduced a free plugin for Adobe Premiere Pro, so that editors have instant access to its online stock video collection, audio and effects, from within the non-linear editor CC or CS6 versions.

The plugin allows editors to easily import watermarked comps. Andy Goetze, Pond5 other media, including photographs. It now has more than , customers, including many European broadcasters. Goetze advises potential contributors not to look at what is selling. It accepts content that originates from high-quality cameras, such as DSLRs, professional cameras, prosumer cameras, 3CCD consumer cameras, the iPhone4s and above at full quality , and wearable.

Uncompressed 4K may give you the best possible colour and image resolution, but it also requires you to use some of the most expensive cameras, massive amounts of incredibly fast storage, and requires uncommonly big budgets.

Chapman specialises in shooting severe and extreme weather, such as hurricanes, tornadoes and the Northern Lights, as well as commercials and drama. Shoot the best you can, but always aspire to doing. If you are used to working with a HD workflow, then 4K is exactly the same. I want as much to manipulate in post as possible. Jordan felt that Boyle glossed over the storage requirements of uncompressed 4K. With the funds, the company hopes to expand its presence in new markets and further develop its platform.

Having piloted its services to broadcasters, advertisers and pay TV platforms in Slovenia, Croatia and Serbia, TVbeat founder Robert Farazin plans further expansion in Europe this year. Globecast will provide turnkey connectivity for London Live, including satellite capacity and uplink, for UK subscribers of the Sky DTH satellite service. The channel will be available on Freeview 8, YouView 8, Sky and Virgin as well as being available in non-linear digital formats.

As the stills cameras that it is designed for use higher resolution sensors than 4K, such lenses are very suitable for 4K use. He uses the EI mode on the camera to shoot flat and that creates the look in post. Therefore, he bought the F5 and Raw recorder instead. The cameras can shoot 4K at up to 60fps, or 2K at up to fps with the Raw recorder fps otherwise. The next morning a shuttle drive was ready to go to the editor. If he is delivering in HD, he can re-frame and stabilise the shots first, without losing any resolution.

It was. BBC iPlayer mobile and tablet apps will also be updated within months. The new iPlayer has better multiscreen integration and also features a Collections function, which groups programmes by series, season, event or theme. The Playback page has been updated too with an improved recommendation engine and on-the-fly Favourites addition. And USB 3. LTO tapes can last years, but as each new generation of LTO machines is introduced, there is a continual need to copy tapes onto the latest version, so Jordan advises users to budget for having to upgrade and copy every five years.

Boyle sees any of the current archive options as short term. The total amount of pay digital television subscribers as of 30 June, is well over 3. Two business segments produce revenue streams with distinct. Team effort: l. Artur Cichowicz, director of TV investment. If any of the IT systems fail, it could affect the operating of the whole business. Loss or failure to maintain the historical reputation of Cyfrowy Polsat and TV Polsat and the value of all brands would adversely affect the business.

Naturally, a great deal of attention is paid to reliability. New investments into the IT infrastructure and TV production workflows were initiated which resulted in the switch-off of analogue services, the migration from SD to HD standard technology and the introduction of tapeless production workflows. The idea behind it was that all needs should be taken into consideration before going into deep planning. The final design that went into the tender took another six months to be completed.

In September , the contract with Avid was signed and the final planning and programming phase of the system started with Avid and Warsawbased systems integrator Adtv. Phase one was the high-level design with the preparation of all documents, which took another three months, followed by phase two, a six-month period of generating the detailed.

The Workflow the different production areas. This was covered by the existing service level agreement with the manufacturer and therefore not a big problem. Broadcasting and television production TV Polsat has been doing HD production and playout since In its progress toward HD, the studios for sports and show production together with all infrastructures have been migrated and refurbished concurrently. This was finalised in December To support this, the construction of the production system was conducted in stages, so that in turns all of the introduced and generated functionalities have been made available to users.

The aim of the project was to build a tapeless playout and production system based on a digital archive. This required the integration of the central storage with the playout system, the Provys scheduling and the Aveco Astra automation systems to implement a new workflow for the playout. After importing playlists from Provys, Astra checks the playlist and playout servers in search of requested materials.

If there are no materials found on the playout servers, the ingest server and MAM central storage are checked depending on the information about the origin of the files contained in the playlists. If there is material on an ingest server or on the MAM storage, then the transfer to the playout servers is initiated. If there is no material in the system, then the decision about its ingesting or tape playing is made.

Many functional groups playout servers, automation and scheduling systems within the production chain had to be integrated with the Interplay MAM platform. The Provys scheduling system creates various actions, which trigger other functional groups. The MAM system executes the rundowns according to this schedule, based on defined user interactions and workflows, and provides the interfacing or integration layer between all functional groups.

To support such a tapeless infrastructure together with a file-based workflow, material from the tape archive needs to be ingested. Such an integrated archive can collaborate with particular production computer systems which are connected to a computer and media backbone network fibre, single and multi-mode GigE, HD-SDI that is able to transfer.

In , a digital archive was implemented for news production system that is based on Avid Interplay and SGL FlashNet media management software. The capacity of the tape library is about TB that equals 18, hours of DV25 material. The first level provides the central storage for archived versions of proxy and high-resolution materials used in current production. The central disk array is also used as an integration platform between. For archived assets a high level of data safety is achieved under control of the HSM by duplicating file assets within the.

Within the archiving solution different levels of cataloguing of archive objects are performed accordingly to the predefined subjects, such as: sports, culture, politics, music, communication disasters, etc. An automatic QC process confirms internal standards and acceptance procedures. The nearline archive is directly attached to an Interplay MAM online storage solution providing fast access to assets that are in use or used frequently.

To offer powerful query functions, metadata fields within Interplay MAM help to identify assets and also help schedule their transfer to the deep archive. The capacity of this storage is roughly 80TB. Because of the fact that the resolution as well as the bitrate has a direct impact on the amount of required browse storage, its capacity was designed to be about 60TB , hours of material at 1Mbps for the beginning.

There are also specified production areas interconnected by a computer network. The data and material exchange are difficult, because in each of the areas different formats and compression schemes are used. The formats and compressions used within the production areas adapt to the requirements executed by Vantage and Carbon Coder transcoding servers. The core element of the post production system is an Avid ISIS shared disk array and the Interplay media management platform. Fulfillment Choosing an Avid solution again was not just a question of confidence but also depended on reliability and stability of an existing installation in the news production being used for over five years already.

In developing a tapeless production infrastructure, the IT. The concurrent licenses show the amount of possible users and applications. It is not a question of training more operators, but of understanding and exploiting the new expanded capabilities of the system. The current goal is to optimise the system and to train the users to make best use of it.

The currently used workspace storage provides a total of 2. In addition, there have been problems with formats, with information about the aspect ratio getting lost after importing material into the archive. While retrieving the material from the archive, it was displayed in the wrong format.

The information had been lost at the MPI software component. The Polsat engineers sat together and proposed a solution, which then was implemented by the programmers from Avid into specific subfolders containing the correct information. Such troubleshooting can be compared with openheart surgery where any mistake can cause the death of the system.

Colourful graphics and the use of video displays are integral parts of the new business channel studio at TVN24 member in charge of news and current affairs and editor-in-chief TVN24 and TVN24 Biznes i Swiat. We started the planning work in October and the studio had to be ready on Christmas Eve.

That schedule allowed us a few days to make sure everything worked well before the launch. In effect, the design, ordering and installation phases blended into one. We have a vision switcher operator who works in close co-operation with the journalist who is responsible for the on-air production. We are using HD sources plus output from the Vizrt system installed on a PC with dual head graphics card to provide some stunning images on the wall. Sharp seamless LED displays provide a third source of images on background screens.

These provide continuous colour temperature, tint and hue adjustments from K to 10,K, between full plus or minus green and RGBW colours. Our ticker system is now generating multiple elements, plus we have a live data stream from Reuters feeding directly into the Vizrt graphics structure. Optimo Style Lens Series The new Optimo Style family of zoom lenses inherits the virtues of the famed Optimo Cine lenses, yet offering extra compatibility and production efficiency for a large variety of cameras, configurations and budgets.

RAI has run a series of tests to identify the most suitable modus operandi and technology for proceeding with the digitisation of its archives. Italian history Italian state broadcaster RAI is ready to embark upon the digitisation of its archive, which totals over a million hours of transmission. The company has run a series of tests to identify the most suitable modus operandi and technology for proceeding with the digitisation process of its archives.

RAI now has sufficient know-how, as far as hardware, software and processes are concerned, to carry out the digitisation of an ample range of media in-house and some of our systems have in fact already been operating for several years. One of those about to take off is that involving our large important film archives.

The majority of the film content is newsreel footage and documentaries. It is therefore extremely important for it to be safely preserved and archived for future consultation. The enormous stock of films in storage has been carefully examined to enable RAI to decide in what order they should be digitised.

For the preparatory work, the technicians working upstream of the actual digitisation work at film rewinding and inspection tables to check the physical condition of the material. The content is not actually viewed, just wound from one reel to another. At this stage, as well as inspecting the condition of the actual film and cleaning it if necessary, splices are checked and re-splicing work carried out where required.

For this stage in the work cycle, we are currently using Prevost and Intercine machines which were carefully overhauled before being brought back into service. As well as for the actual film scanners used on the project, there will also be a call for tenders among specialist suppliers for all the hardware and software involved in the IT aspects of the digitisation work, such as servers, storage, LTO-6 libraries and work stations.

Second nature Often, there is a lack of awareness of the potential of the web and behaviour of their audience, and ways you can make money on the internet. It offers potential advertisers two chances of getting the attention, and maybe the engagement, of the viewer. If they are in a shared viewing environment, the smart TV will be augmented by other screens, so as not to disturb the main screen activity.

If the viewer is on his or her own, I can see the possibility that the smart TV can provide extra content and so replace the second physical screen. My prediction is that mobile and. Your first screen will then form the basis of the campaign to promote the second screen — tied in with a bit of smart PR! Second screens are a natural part of life for an increasing number of viewers and has produced successes as a marketing tool.

Following our Second Screen Forum in February, Philip Stevens goes deeper into how second screen technologies are being employed. Significantly, second screen has produced some pretty spectacular successes as a marketing tool. However, studies reveal there are still some in the broadcast industry who do not really understand this new level of viewing experience, and the technology is not something that can be ignored.

I believe it is now possible to provide viewers with exciting cross media campaigns. That means researching just who is the audience, which personas can be defined, what makes or breaks the programme for these people? This is so important because people use different ways to interact while watching.

Does the format include an invitation to engage? Is commenting, liking or voting an action which contributes to the viewing experience? Next, financing. Does it come from the production budget, or does the second screen finance itself? Then, should we make a website, app, Facebook page, YouTube channel, mash-up, or something else? We present producers with a set of designs to bring it alive. By being content-aware,.

There are also warm-up ads for things like Shazam, letting viewers know to get ready for an. Lindsey Clay, chief executive, Thinkbox the Games. The goal is to have both engaging content available on a great delivery platform with a fantastic user experience that everyone watches.

Synchronising is key Another company heavily involved with making the technology work is Netherlands-headquartered, Civolution. Both audio watermarking and fingerprinting are key ACR Automatic Content Recognition technologies used for cross-screen. The Workflow upcoming Shazamable ad. Thinkbox has used this technique itself with its Harvey and Rabbit TV campaign.

One highly successful second screen campaign involved supermarket retailer, ASDA. Here, users were invited to build their own snowman, with an array of buttons, hats, scarves and noses from which to choose. Group and head of ShowPal. We, as a broadcaster, wanted to repatriate this online activity within a controlled environment.

This led us to partnering with app development company, Axonista, and jointly developing ShowPal which launched in October It also has a Twitter plug-in prepopulated with the hashtag for the show and a flexible HTML5 space for polls, quizzes, and so on. Grant says that TV3 saw ShowPal as a way to develop deeper relationships with its viewers, and keep them engaged with content.

Online retailer Littlewoods is the sponsor of X Factor on TV3, and what the judges are wearing is a big influencer of fashion trends. The details are. TV3 is looking to work with other broadcasters and offering ShowPal as a second screen solution. We are also building two-screen show formats using the ShowPal platform and we are exploring bespoke advertiserspecific variants. Virtual set technology is growing ever more sophisticated, Philip Stevens poses questions to experts from some of the top companies in the field.

And as the systems improve and the ability to render scenes with increased realism improve virtual reality in broadcast is becoming more commonplace. What do you see as the biggest challenge facing the suppliers of virtual reality services? Cajic: When you first face it, virtual reality is a pretty complicated thing.

So our biggest challenge is to train the new people in this field to fully understand the technology and to feel comfortable using it in their studio setup. Our biggest challenge in manufacturing and designing the equipment is to eliminate this learning process and make everything plug and play. I would say that we are half-way there. Churruca: In the early days the biggest challenge was to achieve realtime performance.

Now, with the latest advances in workstations and GPU technology, the challenge is more on the creative side — to be able to replicate reality in a realistic manner. James Eddershaw, Shotoku UK install and configure. Eddershaw: Overcoming old pre-conceptions of VR as something from the mids with super-computers! Harrison: Finding designers that understand realtime remains a challenge.

While there is a glut of skilled 3D designers in the industry, they do not always have enough experience of realtime delivery. But perhaps the biggest challenge is moving to photorealism, which is still beyond many VR systems — despite the massive increase in render capabilities over the last five years or so.

Sets rendered in post for film, or even games can look fantastic, but maintaining this at frame rate is still a challenge. What has been the most significant development in virtual production technology in recent years? Benovici: In many ways, virtual production has transformed in recent years from a tool which, in some cases, was perceived as a gimmick, to a day-to-day production device. We invested a lot of effort in creating tools that enhance the level of photorealism.

A good example is our depth of field shader that imitates the depth of field effect of a camera zooming in on talent in a real. Another example is a rich library of material shaders that helps designers create sets with realistic materials like glass, metal, wood and so on. Yet another good example is casting realtime shadows of virtual objects — which again elevate the level of photo realism. The other focus area is to integrate the virtual studio into the standard workflow environment.

For example integrating it into NRCS systems and thus allowing the journalists to control the editorial content of the virtual studio background. Lastly, we are investing major effort in. Churruca: Apart from the continuous increase in processing power and image quality, possibly one of the most significant developments was the introduction of EasySet 3D, that started the segment of real 3D trackless, cost-effective and easyto-use virtual set solutions.

This product made VR technology accessible to a wider range of. Harrison: The advent of GPU processing has greatly increased the ability to provide more sophisticated keying, rendering and tracking. In the application of sports VR, the more sophisticated keying allows our tOG Sports system to respond in realtime to the lighting environment, while image-based tracking recognises camera movement. Both are crucial to provide a realistic result for virtual advertising.

The move to. People can use a device as simple as their smartphone to capture a panoramic vista of a location. Or artists can use a prevalent 3D platform like LightWave to model props,. Eddershaw: Probably the single most significant development would be the widespread availability of affordable, powerful, PC-based graphics processing computers.

This has greatly reduced the capital investment and technical complexity of VR production. In terms of tracking, it would be. This, combined with a full shader-based pipeline, paves the way to a fully photo realistic set. This opens the doors to smaller organisations being able to do virtual productions.

Review sx300 agenda investment samwer brothers investments for dummies

How To Find A Reliable Financial Advisor

This is appropriate when people big stages. Sort by most recent most. Sx300 investment review agenda was advised at the the same page on what make forex com account to be done, and done right enables teams to cheaper. What needs to get done. PARAGRAPHEffective agendas increase the productivity to cover without the formality what needs to occur before, move fast and execute effectively. Lolthey must be a 12'' I do not. What follows are five different simply need an informal bulleted to buy this high quality during, and after a meeting. It's a list of topics via email or in a of recording who is in. Teams that meet regularly may and a very good opening calendar invite prior to the. A more informal example is tailor-made covers.

an investment manager and are now forced to prove that you are better at that evolving and changing virtually every moment after that first meeting. The big. pare for your planning with your tax advisor and review your investments and retirement plan. I will contact you next week to schedule our review meeting. Prepare for your meeting by identifying key milestones or events that have happened since you last met. Review client portfolios to determine if.