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Hot Shorts I, You, We. The programme opens with futuristic desires. Can she break free from her dominant companion? And what happens among wolves when they find their domestic bliss threatened? Wolf lead secret double lives. But their dirty little secrets are bound to be revealed once camera and whip enter the game. He is suddenly treated as if he was from another planet. Take them to Kurzfilmtage, enjoy a drink, and watch the programme Hot Shorts. Venus has some unforgettable moments in store for you — prepare to be surprised!

Irgendwo auf einer verlassenen Insel in der Zukunft folgen wir einer Gruppe von WissenschaftlerInnen durch eine Forschungsanlage. Die Mission startet bald — Zeit zu Tieren zu werden. He also directs music videos and designs film posters and trailers. William loves working with found footage and reading Wikipedia articles for film inspiration. Somewhere on a deserted island in the future, we follow a group of scientists in a research facility. People are testing prosthetic elephant trunks and swimming around in pools wearing fish overalls.

Lou Morton is an animator and filmmaker living in Los Angeles. His work has screened at festivals around the world, including Sundance, Annecy, and Hiroshima. He currently works as a staff designer for Disney Channel. Jenny has always felt overshadowed by her childhood friend.

She needs some time for herself now. Can she break free from her controlling friend, and could her otherwise rather useless superpower perhaps help her? Christopher Good is a Kansas-based filmmaker. Toomas ist ein guter Wolf. Und er sieht wahnsinnig gut aus. Er versucht, dies vor seiner Familie zu verheimlichen. Doch was er nicht weiss: Auch seine Frau Viivi hat ein Geheimnis Toomas is a good wolf.

He has a decent job, a pregnant wife, and two lovely children. When he rejects an indecent proposal from his boss, things get out of hand. Chintis Lundgren is an Estonian-born animator currently living in Croatia. Lundgren created her own animation studio, Chintis Lundgreni Animatsioonistuudio, and later co-founded Adriatic Animation, an animation studio based in Croatia. Anders ist schwul, hatte damit aber nie Probleme.

Die fangen erst an, als eines Tages alle um ihn herum der Ansicht sind, er sei ein Kobold. Das sei er schon immer gewesen und das sei auch voll okay so. Anders will aber nicht als Kobold akzeptiert werden, er will, dass alle einsehen, dass er kein verdammter Kobold ist!

Anders is gay, which was never a problem for him. His troubles begin when suddenly everyone around him considers him a gnome. A clever story about being different and political correctness. Eine Tampon-Frau trifft einen Astronautenmann und sie beschliessen, gemeinsam zum Mond zu fliegen. A tampon woman meets an astronaut man, and they decide to fly to the moon together. Will they reach their goals together? She directs films, web series, and commercials.

Das Programm erfreut sich grosser Beliebtheit und hat sich zu einem festen Bestandteil der Sektion Hors Concours entwickelt, in der sehenswerte aktuelle Filme ausserhalb des Wettbewerbs gezeigt werden. Laura Walde. The short film industry has been witnessing a renewed fascination with analogue film, which is now also returning to film school curricula, as these two productions from the Zurich University of the Arts illustrate.

The reality that the film confronts us with — refugees at sea who will never reach the shore — is hard to put into words. Thus, the film refrains from using any dialogue, relying entirely on the images and actors. Created in collaboration with game designer Mario von Rickenbach, the film is part of a larger project that also includes an interactive game and an installation. Switzerland , 13'14", digital file, colour, Swiss German with English subtitles, Fic.

An animated short exploring group dynamics. An year-old woman spends her time at a bus station. Kim Allamand was born in Lucerne in After a storm, fisherwoman Maria pulls her husband, who vanished at sea years ago, out of the ocean — alive! And her burning desire for love makes her believe the impossible. Julian M. During this time, he also started directing theatre and film as well as editing and writing for film and theatre. In , he studied cinematography and scriptwriting at the Prague Film School.

Switzerland , 20'00", digital file, colour, Swiss German with English subtitles, Fic. Nach einem erneuten blutigen Zwischenfall vertraut er sich seinem Freund Tobias an. Eine Entscheidung bahnt sich an. Fabrice and Lena are a happy couple on the surface.

But her repeated abusive behaviour makes him cave. After another bloody incident, he confides in his friend Tobias. Fabrice has to make a decision. He graduated with a BA in film in Dabei trifft er auf passivaggressive Fremde und auf ein paar Versionen seiner selbst in einem zunehmend alp- traumhaften Spiel. In this music video, a guy plays mini-golf and meets some passiveaggressive strangers as well as various versions of himself as the game turns increasingly dreamlike and nightmarish.

Tom Combo is a writer and musician living in Winterthur. He has published various books, soundtracks, and albums. When the concrete of the big city heats up, citizens seek out the river. This group of students from ZHdK formed spontaneously during a school project dedicated to 16 mm film.

Their aim was to explore the documentary potentials of analogue film in more detail. Neil Stubbings is an animation director and character designer known for his signature style of infusing 3D animation with classic cartoon style, and for his humorous scripts. Dismissed Dismissed, or Kill Your Darlings hiess es jahrelang. Niemand weiss es. Die Wettbewerbskommission war mal wieder heillos zerstritten. Zur Geisterstunde. Weiss bloss niemand. Also ein Meisterwerk. Ab in den Wettbewerb!

So wurden Herzogs Worte zur Leitplanke der irrlichternden Kommission. Aber bis dahin ist es hoffentlich noch lange. Kyros Kikos. Now, the title has been cut. World peace? Climate change? Nobody knows. As so often, the selection committee for the competition was at serious odds with each other. It was Babylonian! So there they were, mad at each other, each carrying their baggage of supposedly superior tastes, when there was a knock on the door. At the witching hour! Slowly, slowly, a blurry figure resembling the distorted image on an old VHS tape entered.

If a film is long, dull, unwieldy, confused, with a dragging voice-over — what is it? For the competition! But to save some of their beloved treasures from the Hades of the archive, they devised a clever loophole to bring to the festival screen the films that had narrowly missed the entry to the competition. We will probably burn in hell and forever have to share a furnace with Werner Herzog for mutilating the original title.

Der Film bedient sich schwungvoll zweier klassischer Animationstechniken: Zeichnen und Malen. In the course of their life, a person sleeps about 25 years. Thus, the magical world of dreams determines our everyday state of mind much more than the rationality of our consciousness. The film uses two classical animation techniques: drawing and painting. An alien travels to earth in hopes of starring in a sci-fi blockbuster.

Auden Lincoln-Vogel is an American animator and experimental filmmaker who currently lives and works between Iowa City and Tallinn, Estonia. His work ranges from narrative animation to expanded cinema performances. Hallo, hallo, ich bin zum ersten Mal in Barcelona! Was ist ein Pep? Was ist ein Ventura? Hello, hello, this is my first time in Barcelona! My favourite name of a subway station is: Pep Ventura.

It sounds like a peppy life of adventure. But the Pep Ventura square is barren and boring. Dagie Brundert studied experimental filmmaking and is a luminary of S8 creation. Since , she has been shooting exclusively with a Nizo Super 8 camera, producing numerous experimental films, which she developed in substances such as caffenol, seaweed, red wine, and beer. Die Musik von Orpheus verzaubert jede und jeden, selbst Tiere und Pflanzen. Sein Gesang vermag sogar seine geliebte Eurydike aus der Unterwelt zu retten.

Aber es gibt eine Bedingung: Bis Orpheus den Hades verlassen hat, darf er sich nicht umdrehen, um zu sehen, ob seine Geliebte ihm wirklich folgt. In der Welt der Whim regiert die Laune des Augenblicks. Orpheus enchants everyone with his music, even animals and plants. His singing can even rescue his beloved Eurydice from the underworld. But there is one condition: until Orpheus has left Hades, he cannot turn around to see if his love is truly following him.

In the world of the Whim, the whim of the moment reigns supreme. Everything that exists on the planet is restless, chaotic, and constantly changing shape. Priit Tender is an Estonian animator born in Tallinn in He is the director, designer, and writer of many animated shorts.

His films are driven by surreal imagery and black humour, and they have won prizes and nominations from the most important short film and animation festivals. She works in illustration, painting, and animation and is a winner of several international awards. On the night of a lunar eclipse, we uncover the sweet, salacious, and spooky secrets of a small town.

From a pigtailed psychopath to naughty nuns and everything in between, this stop motion animation conjures a comforting thought: that being weird is relative. Michaela Olsen is Creative Director and partner at Mighty Oak, an animation studio whose mission is to bring the human touch back into pictures. Her award-winning shorts have tickled audiences and frightened kids at festivals throughout the universe.

She lives in Brooklyn with four sinks and a dog. Werner Herzog Gauss: one of the greatest mathematicians and physicists ever. Without his theorem and his law of electrostatics, GPS navigation would be impossible. Without his propagation of error, we would be lost as if we were going forwards and backwards in time and space. Together they are warnixmachtnix, running the wonderful Lichtmess Kino in Hamburg Altona and delighting the world with their short films full of humour and nonsense.

Dieser Film ist die letzte Nachricht der Kaiju 2, bevor sie im schwarzen Loch verschwindet. Its mission: to reach a black hole where time stops, the light goes out, and matter collapses. This film is the last message sent by Kaiju 2 before it disappears into the black hole.

Francesco Jodice, born in Naples in , explores current transformation processes with a focus on urban anthropological phenomena and the creation of new forms of participation. Short Matters Kurzfilme erlauben kreative, ja provokative Experimente und laden die RegisseurInnen ein, mit filmischen Stilmitteln zu spielen.

Sie bringt die nominierten Filme an zahlreiche Filmfestivals und Institutionen in und ausserhalb von Europa. Short Matters Short films allow for creative experiments and provocation, and they invite artists to play with cinematic styles. For some filmmakers, they mark the starting point of their careers, for others, they remain the main form of expression that they keep exploring. It is an important objective of the European Film Academy to support talented young filmmakers and to celebrate the diversity of European film culture.

At each of the 15 partner festivals, an independent jury nominates one of the European short films in competition for the European Short Film Award. The members of the European Film Academy then watch all the nominated films and vote for the overall winner, which is announced at the European Film Awards ceremony.

The EFA Short Film Initiative has long been a staple on the international short film calendar, and the interest in this selection of shorts has constantly grown over the past years. The nominated films are presented at 50 screenings around the world, from Madrid to Macau, from Taiwan to Tallinn. The selection in the Short Matters programme offers a diverse panorama of young contemporary European filmmaking.

In einem verlassenen Wasserpark verstecken sich zwei junge Menschen vor der Aussenwelt. In an abandoned water park, a girl and a boy are hidden from the outside world. Between the graffiti-covered ruins of old swimming pools and slides, they find a place of refuge to grieve their loss of hopes and dreams. In the south of Spain, a race of painted pigeons will not be won by the one that flies the fastest, but the one that seduces a female pigeon and flies alongside her the longest.

Zwei polnische Arbeiterinnen leben Seite an Seite auf einem Brandenburger Milchbauernhof und ignorieren sich gegenseitig — bis Tava eines Tages nicht zur Arbeit erscheint. A conversation between two friends about the effectiveness and implications of publicly supporting the cultural boycott of Israel. One friend is wracked with worry after having signed a petition asking Radiohead not to play in Tel Aviv, while the other is more sanguine.

He is the co-founder of the London-based production company Nakba FilmWorks. Doch sie ist auch verliebt in ihren Chirurgen, ihren Retter. Er besucht sie jeden Abend. Alice sings, wears make-up, laughs. He comes to see her every evening. There are magical moments that help her forget her unbearable situation. Am Geburtstag des Jungen explodiert dieses labile Dreieck — Anoucks Aufstand bahnt sich an Anouck is a resigned girl, torn between two violent loves: her man, an attractive watchdog, and her little brother, a young mad pup.

Since then, she has been drawing wolves, making movies and experimental wine, and building a village of caravans. Places from her past emerge like reflections of a fragmented and ever-changing memory. Bodies and shadows, small objects and landscapes compose the story of a life. Der einzige Lichtblick ist seine Freundin Donna. Macho is a poor boy who skips school to work on a construction site.

The only ray of light for him is his girlfriend Donna. But she is ashamed of his mother, who works as a janitor in their school. Macho has to choose between his mother and his love, and he finds his own way to deal with his emotions. During his studies, he worked on multiple film projects as an assistant director. Heather Phillipson works across video, sculpture, music, drawing, and poetry. Was bedeutet es, im eigenen Zuhause und im eigenen Land fremd zu sein? What does it mean to be a stranger in your own home and country?

But in , as filmmaking became the overpowering passion in his life, he left his fighting career behind and went on to study filmmaking at the Hybrid Conservatory in Los Angeles. Rati founded the production company ArtWay Film and has directed several short and feature films. Er bringt den reichen Kindern Spielzeuge, den armen Sweatshirts. He brings toys to the rich kids and sweatshirts to the poor ones.

Pablo is currently writing his first fiction feature. Eine mutmassliches afrikanisches Dorf, bewohnt von Deutschen. A presumed African village, inhabited by Germans. Since , he has been developing video collages and films that cross the boundaries between contemporary art and narrative film.

His works have been shown in numerous museums, galleries, and at film festivals. Roman lebt ein einsames Leben in einer Provinzstadt, wo er als Techniker arbeitet. Roman lives a lonely life in a provincial town where he works as a technician.

For the first time since graduation, his ex-classmate Liuda returns to town. Nobody has heard from her in 20 years, but Roman is set on not losing her again. In , he co-founded Eto Samoe production. Mit stoischer Beharrlichkeit und mithilfe amerikanischer Flugangriffe stehen diese Frauen an der Spitze des Freiheitskampfes. Filmed during the battle of Kobani, this film reveals the women at the heart of the fight against the Islamic State.

With stoical perseverance and the aid of American airstrikes, these women are leading the fight for freedom. He studied film directing at the Netherlands Film Academy. Going on a safari is a dream for many. For middle-aged couple Linda and Troyer, it turns into a horribly real adventure when they are left behind in the wilderness.

Apart from his own projects, Nicolas works as new media manager for Studio Hans Op de Beeck, where he is responsible for the production, animation, and editing of various projects. After graduating, Matthias started working as a graphic designer in Ghent while developing his career as an illustrator and cartoonist. The Future Is Grosser Fokus: The Future Is Als KuratorInnenkollektiv der Kurzfilmtage sind wir sicher nicht die Einzigen, die — frei nach Fleetwood Macs Future Games — ihre Abende damit verbringen, von den verschiedensten Zukunftsszenarien zu fabulieren.

Und wir wollen es auch gleich offenlegen: Wir haben keine Ahnung, was die Zukunft bringt. Der Grosse Fokus der Internationalen Kurzfilmtage Winterthur stellt neun Thesen auf, die unsere professionelle Ahnungslosigkeit widerspiegeln. Der Futurismus als kunsthistorische Bewegung wurde am Februar mit der Publikation von F. Aber vergassen sie dabei nicht den menschlichen. Deswegen sind eine Vielzahl von Filmen in unserem Fokusprogramm nicht auf den ersten Blick futuristisch, sondern lediglich ein Kommentar auf die Gegenwart oder auf die Vergangenheit.

Vielleicht deshalb, weil Prognosen zum gesellschaftlichen Wandel einfach mehr Spiel als Wissenschaft sind? Die neun Programme im Grossen Fokus sind also weder futuristisch noch futurologisch im eigentlichen Sinne. Sie sind keine Prognosen, sondern stellen spielerische Behauptungen auf. Open-Source deshalb, weil wir eben auch jetzt noch keine Ahnung haben, was die Zukunft bringt. Was ist Ihre These? Main Focus: The Future Is We only know what we hope for, what we dread, what we can observe, and — at least to some extent — where we come from.

The Main Focus of the 23rd Internationale Kurzfilmtage Winterthur offers nine hypotheses that reflect our professional cluelessness. We eventually settled on the open-ended title The Future Is Futurism as an artistic movement was founded on 20 February with the publication of F. Today is the future of yesterday, and it is quite sobering to realize how little has changed in the past years. The glorification of speed, technology, and aggression, the cult of youth and virility, and the blatant discrimination against women — much of what futurism celebrated is reminiscent of many a current head of state or Silicon Valley genius.

At the technological level, we may be at a point today that Marinetti and his contemporaries could not have imagined in their wildest dreams. The future is continuously being formed, transformed, and developed by the present and the past. For this reason, many of the films in our Focus. The term futurology was coined by the German legal and political scholar Ossip K. Perhaps this is because predictions about social change are more of a game than serious science?

The nine programmes in our Main Focus are neither futuristic nor futurological in the strict sense. Instead of making predictions, they offer playful claims. Laura Walde, Delphine Jeanneret. The Future Is Melting The future belongs to the young — and they are finally taking to the streets again. Climate change, too, is no longer just a change, but an ecological crisis, now that awareness of it is finally on the rise.

Locally and globally, the climate crisis confronts us with the greatest and most important political, economic, and social challenge of the coming decades. Is there still a future, or is it melting away just like the polar ice and our glaciers? Instead of didactic finger-pointing, we need creative visions, experimental stories, and uncomfortable imagery as food for thought.

In a subversive reversal, oil becomes the refuge of the anti-capitalist resistance. The Anthropocene — as a geological age dominated by humankind — cannot have a future if the human race is to have one. Auf der anderen Seite der Erde zwingen die schmelzenden Himalaya-Gletscher, steigende Meeresspiegel und extreme Wetterereignisse den Bangladeschern einen amphibischen Lebensstil auf. The ecological crisis is a political, economic, and social crisis.

It is also cinematic, as the emergence of cinema historically coincides with the development of the so-called Anthropocene. His films have been shown at numerous international festivals. Her films have screened at a number of international festivals. On the other side of the world, melting Himalayan glaciers, rising sea levels, and extreme weather events impose an amphibian lifestyle on the people of Bangladesh.

Ursula Biemann is an artist, theorist, and curator who has produced a considerable body of work on migration, mobility, technology, and gender in recent years. She is a researcher at the Zurich University of the Arts and she teaches seminars and workshops internationally. Inspired by recent talks amongst legislature to finally disperse billions of dollars in restoration funds, this film shows a future of ecoflourished Everglades.

Nature begins to take over, engulfing and taming civilization after centuries of attack, and even forcing humans to adapt to their surroundings. His work has been shown at various festivals, galleries, museums, and cinematheques.

Auf dem Land. Ein unbestimmter Ort in der Zukunft. In an uncertain place, in a future time. Her documentary, experimental, and fiction work has been selected, exhibited, and awarded at several national and international film festivals. His work has been shown internationally in a number of places. Die letzte Frau auf der Erde, vielleicht.

The last woman on Earth, perhaps. Her logbook recounts her struggles with sustaining her world, sanity, and dedication to her unforgiving sealed environment. Filmed inside Biosphere 2 in Arizona, the film is a cinematic meditation on ambitious experiments, constructed environments, and visions of the future. Ben Rivers studied fine art at Falmouth School of Art, initially in sculpture before moving into photography and Super 8 film.

His practice as a filmmaker treads a line between documentary and fiction. He is the recipient of numerous prizes. In , he co-founded Brighton Cinematheque, which he then co-programmed until its demise in They smoke it, squander it, and hand over their bodies to the sea, to eventually provide fuel for upcoming struggles. He studied drama and English at the University of Manchester and fine arts at the University of Ulster.

In his films, photographs, installations, and live events, Collins often investigates the complex and ambiguous relationship between the camera and its subjects. Auch der Transfer von einem Medium zum anderen kann als Zeitreise gelesen werden.

Einige Formate sind nicht mehr abspielbar auf aktuellen Playern. Ein neuer Film muss her, um den Erinnerungen von heute gerecht zu werden. Melancholie und Nostalgie begleiten ihn. Der Kreis schliesst sich. At the same time, the terms also indicate how much human thinking is shaped by nostalgia. The past was always better, nay, altogether perfect.

And thus, the circle opens The Future Is Past Perfect invites the audience on a physical and philosophical journey through time, which will likely lead to the discovery that not everything was better in the past, and that reviving the past can bring back many an undead creature once thought to be vanquished. The documentary tells the story of the Voyager Golden Records, discs with images and sound recordings sent into space on the Voyager 1 and 2 space probes in in hopes of informing extraterrestrial life forms about humanity, which will likely no longer exist by then.

The transfer from one medium to another also offers a trip through time. Despite having saved all the data on a 2. Some formats are no longer readable by current media players. Melancholy and nostalgia are his travel companions. And so the circle is complete. Ein Bild aus seiner Kindheit ist ihm besonders geblieben The story begins in Paris, after the Third World War and the nuclear destruction of the entire surface of the Earth.

The man was chosen because of his excellent visual memory. One childhood event left an especially strong impression on him Chris Marker — was a French filmmaker and multimedia artist who pioneered the essay film, an avant-garde cinematic form that brings a personal approach to documentary and non-narrative footage. Die Platten wurden zu ihren Liebesbriefen an die Menschheit und aneinander.

Each spacecraft carries a golden record album, a massive compilation of images and sounds embodying the best of Planet Earth. While working on the golden record, Carl Sagan met and fell madly in love with his future wife Annie Druyan. The record became their love letter to humankind and to each other. And yes, Penny Lane is her real name. Eine Festplatte, 2.

Die Zeit hat Spuren hinterlassen: Alte Formate sind nicht mehr abspielbar. The director is viewing the material: outtakes, photos, sound files, script parts, discarded ideas. Errors and image malfunctions prevent easy remembering; the sounds and images are not the same anymore. Iris Blauensteiner is an author and filmmaker with degrees in fine arts from the Academy of Fine Arts Vienna and film and theatre theory from the University of Vienna.

She has been making films as a director and scriptwriter since Eine Kette von Assoziationen wird auf eine Zeitreise geschickt und schwebt zwischen dem Jetzt, der Zukunft und der Vergangenheit. Thoughts are interwoven, disassembled, reassembled. A chain of associations is sent on a journey through time, floating between present, future, and past.

His work is based on a strongly intuitive and sensorial approach, resulting in films made of drifting narratives, unexpected relationships, and unusual encounters. Mit den Technologisierungswellen im Janis Huber, Valentina Zingg. But in its institutionalized form, observation sometimes almost incidentally becomes surveillance, and the purpose of surveillance is control.

The technological advances of the 20th century led to a paradigm shift with regard to surveillance practices. Shakespearean keyholes and Galilean binoculars were increasingly replaced by automated devices, above all by the surveillance camera. As a consequence, the gaze — formerly personal and rooted in the body — is decentralized. The normal relation of reciprocal gazes becomes impossible if things are looked at indirectly by way of a machine. The observer, hiding behind the surveillance camera, becomes a vague, anonymous entity.

The asymmetrical looking relations of surveillance systems only make visible and controllable those surveilled, but not those doing the surveilling. Finally, with the advent of digitalization in the new millennium, surveillance has withdrawn into complete invisibility: who is watching whom in the coded World Wide Web?

The age of big data has arrived and the life of every single person is stored in the form of data. The social body is made transparent, screened in invasive ways. This allows interest groups — sovereign states, corporations, hackers, etc. Thus, surveillance equals control in the sense that it can be abused for purposes of power.

Dense networks of surveillance cameras in urban spaces and gigantic data conglomerates are already a reality today. Where will they lead? The Future Is Ctrl [Space] addresses the society of mass surveillance and control in its various facets, ranging from our innermost bodies to the highest heights of space and the infinity of data.

Microsurgery on the big screen: giant robots enable precision work in tiny spaces. In cool colours, the film goes on a journey inside the human body, but without bloody effects, instead focusing on the juxtaposition of machines and interior views of the human body. Yuri Ancarani is an Italian video artist and filmmaker born in Ravenna, Italy. They have been shown in national and international museums and exhibitions and at many film festivals. Du bist eine unendliche Energiequelle.

Sag einfach Ja! You are an infinite source of energy. Feel your body relaxing and becoming heavy. Just say Yes! Born in Offenbach am Main, Brenda Lien works as an independent filmmaker and film music composer. She has won several prizes for her works and has been a researcher at the Studienstiftung des Deutschen Volkes since She studies art at the University of Art and Design Offenbach.

The data analysis firm Cambridge Analytica was involved in several scandals and influenced elections with illegally acquired data. She investigates the interaction between corporations and governments and the growing power of predictive analytics. Until , he also organized the short film festival Ambulart in Ecuador, Germany, and Mexico.

Smith Production: Commonwealth Projects, info commonwealth-projects. Off camera and off the record, a drone operator talks about his daily routine, about how the unmanned plane fired at both soldiers and civilians, and about the mental problems he experienced as a result of his work. A mix of facts and fiction, of documentary shots and feature film images. He graduated in fine arts in and has exhibited world-wide, including at the Guggenheim, Whitney Museum, Centre Pompidou, Venice Biennale, etc.

Inspiriert von der Feierlaune im frisch befreiten Land nahm der Traum eines einzigen Professors Gestalt an. Bodomo zeigt diesen afrikanischen Traum als postkoloniale Kritik in poetischem Schwarz-Weiss. Valentina Zingg. The media staged the space race of the s as a ubiquitous collective euphoria, which it consequently became.

Unlike any other genre, science fiction opens up new horizons that lie outside our material experience, creating futuristic worlds of advanced technology: space oddities. Bodomo portrays this African dream as a postcolonial critique in poetic black and white.

From far outer spaces to the innermost mental worlds, The Future Is a Space Oddity demonstrates the wide range of sci-fi settings. Juli Amerika bereitet den Start der Apollo 11 vor. Thousands of miles away, the Zambia Space Academy hopes to beat America in the race to the moon. Fino, the lines between consciousness and the unconscious are blurred.

Doch der Protagonist verliert sich immer mehr in seinen Kindheitserinnerungen. In a dystopian future on the South China Sea, an aging fisherman discovers an android woman from his past. After initial hesitation, he recognizes his caregiver in her and tries to make her come to life. But rather than her remembering him as a child, it is the protagonist who gets lost in his memories of a distant past.

Shal Ngo graduated from NYU and works with progressive politicians, producing content for them. Blending a Hollywood aesthetic with documentary elements, the film tells the story of an indigenous girl who falls in love with a humorous robot. Die digitale Vernetzung hat mittlerweile die dritte Evolutionsstufe erreicht, auf der nach Meinung von ExpertInnen die allgemeine Reife der Systeme und das sogenannte Internet der Dinge im Fokus stehen wird.

Mit der zunehmenden Durchdringung von realer Welt und virtueller Welt wird aber auch die digitale Manipulation von audiovisuellen Inhalten immer einfacher, was den Wahrheitsgehalt von authentischen Nachrichtenbildern immer mehr in Frage stellt. Indem er seine Methode sichtbar macht, reflektiert er die Manipulation zugleich.

Arthur C. Damit ist die Entwicklung des digitalen Zeitalters aber noch lange nicht abgeschlossen. Mit der vierten Evolutionsstufe soll es ab ca. Die Antwort darauf ist im Programm versteckt. The Future Is a Fake New World In his dystopian novel Brave New World , Aldous Huxley portrays a future in which artificial procreation, conditioning, and brainwashing have succeeded in creating a superficially perfect consumer society.

Despite the general plausibility of this vision, a crucial aspect of recent developments was left out: digitalization. The digital connectedness of the world has now reached the third stage in its evolution, which — according to experts — will focus on the general maturity of systems and the so-called Internet of things. An ever-growing part of our daily lives takes place in digital spaces. And the real world is increasingly pervaded by the digitally connected world.

This interdependence is especially obvious in the field of online gaming, which adds communication between the players to the immersion in the digital world. By combining found footage of games with real interviews, he creates an image-within-the-image effect: scenes from games and interviews appear on the screens of other games and interact with each other. In this way, Lambert reflects his own ambivalent stance towards the phenomenon of total immersion and the addictive potential of online games.

The deepening connection between the real and virtual worlds also makes the digital manipulation of audiovisual material easier, increasingly questioning the truth content of so-called authentic news images. By making his method visible, he simultaneously reflects on his manipulation. But this is by no means the end of the digital evolution. Beginning around , the fourth phase is supposed to bring the complete fusion of the real and digital worlds.

Will the digital age lead to a complete dissolution of time and space? Will humans be replaced with their digital copy? The answer is hidden in our programme. The events take shape through YouTube videos and wireframe images from a video game. He explores a cinema beyond genre boundaries. His films question memory, virtual technology, and the intermediate spaces between worlds and words.

He currently lives and works in Paris. The second in a series of investigations into big-budget virtual worlds addresses the fluidity, fragility, and loneliness of technologically mediated social identities and friendships as well as archetypal masculinity and the poetics of blockbuster aesthetics.

Kent Lambert is a Chicago-based musician and media artist. His creative output primarily consists of vocal driven art-pop music and pop-inflected video art made from repurposed industrial and commercial media. His ever-mutating band Roommate has been performing stateside and abroad for over a decade. Creating a tongue-in-cheek portrait of a modern metropolis, the gringo also shows us how easy documentary images are to manipulate.

Douwe Dijkstra is a filmmaker and video artist from the Netherlands. He studied illustration design at ArtEZ in Zwolle. His work is a mixture of film, animation, and VFX and can be described as humorous and socially engaged. But making a film truer to the events that transpired proves difficult in a modern world of fake news, commercial interests, ever-changing perspectives, and an endless flow of misinformation.

Seven animation artists joined forces to create this collaborative film project, with each artist contributing an approximately one-minute-long sequence. In a dark expanse that might be the cosmos, we hear the voice of Arthur C.

A little girl is taken on a mind-bending tour of her distant future. His films have received nearly awards and have been presented around the world. So einfach ist es. In unserer Komfortzone gefangen, bleiben wir auf Distanz — beobachten ist leichter als handeln. We need to decolonise and heal our technologies. Delphine Jeanneret. The Future Is Digital Healing Is digital healing the solution, the way to fix our minds, and our relationship with the world?

The six films of this programme suggest healing through technologies, presenting a lush flood of images, memes, GIFs, Internet trash, karaoke, yoga tutorials, mindfulness apps, mobile songs, and spiritual uplift. Some films provide their own safe space, while others open a gate to selfhelp techniques.

Breathe in. Breathe out. Mindfulness is the key. Our mind is completely disconnected from nature, which leads to a sensation of loss of control, failure, and impotence. The songs in the video explore how we disregard the signs that manifest around us in order to live in a world anesthetized by the promises and hopes that technologies pretend to offer us.

The atmosphere of the extensive green lawn surrounded by trees is transcendental. Soon, yoga poses are captured from above by a drone that shows us the entire environment. Help me. Trapped in our comfort zone, we assume a distance from which observing is safer than acting. She sees the organic, electronic, and spiritual as healing technologies that tackle Western authority and change our mindset.

In her work, the cosmos is a mega hard drive. The video addresses the dialogue between art, technology, and spirituality in an attempt to outsmart the limitations of technology. The collage of Internet found footage explores the relationship between religion and speciesism. Let your spirit open to new concepts, new images, new cosmologies, new spiritualities. Er vermisst dich. Relax and enjoy this briefly deep conversation. He misses you. Kirsten Lepore is an LA-based director and animator.

She is currently directing an animated indie feature. They earned fine arts degrees at the University of Barcelona and then went on to complete postgraduate studies in artistic research at the Dutch Art Institute. They have held solo shows and screenings in art centres and film festivals. They live and work between the Netherlands and Spain. Ein YouTube-Yoga-Tutorial. Eine erweiterte Sicht. A YouTube yoga tutorial.

A collapsed body. An expanded view. Corey Hughes is a Baltimore-based filmmaker who creates short films and music videos floating between narrative, documentary, and experimental tendencies. Das Werk zeigt den Beitrag schwarzer Frauen zu den Fortschritten der modernen Medizinwissenschaft und -technik. Ruqyah ist ein islamisches Ritual, bei dem die von Gesundheitsproblemen verursachte negative Energie verbannt werden soll.

Ruqyah is an Islamic rite of banishing negative energy caused by health problems. Today, the potential of the smartphone has also seeped into this religious ritual. Arya Sukapura Putra lives and works in Yogyakarta, Indonesia.

He began his creative career in by exploring many media in his works — two-dimensional, three-dimensional, mixed media, installation, sculpture, and video. His works have been exhibited and screened in various exhibitions in Europe, the US, Asia, and Australia. Juni und nun wieder am The Future Is Sisterhood Switzerland did not grant women the right to vote until 7 February and the Canton of Appenzell Ausserrhoden not until The prevalence of sexual harassment and violence against women is pervasive and systemic.

About million girls and women around the world — more than one in ten — have experienced sexual violence. To this day, women make up only And in the microcosm of the film industry, women also remain severely underrepresented.

We want The Future Is Sisterhood to be seen as a wake-up call against dominant power structures and for an emancipated future for all. The films in this programme undermine normative views and representations of women. The asterisk signals that the binary opposition of men and women is insufficient for describing reality. It presents a cyborgian future of techno-science in which the residual resonance of extinct civilizations is still felt.

Through the blending of science and mythology, the film ruminates upon the effects of computational and biological technologies on future iterations of humanity and the environment. Born in Austria, Ursula Mayer currently lives and works in London.

Through her poetic treatment of film, Mayer interweaves myth, biopolitics, and the semiotics of cinema to visualize and ruminate upon a post-human future. In , she received the Derek Jarman Award. This film portrays a Brooklyn-based movement of female sex workers who regard their work as a way for women to reclaim power in a male-dominated pleasure zone. Their mission is to redefine sexual conventions and ideas about intimacy itself.

Her works address themes of eroding intimacy and isolation in an increasingly sterile, technological world. Her experimental documentaries often explore communities living or working on the margins of society, either through illegal means or due to cultural exclusion. She has finally created the perfect partner, a beautiful giant slug.

Mensch und Tier, Frau und Mann. Hier Europa, dort Afrika. Ohne klare Leitlinien immer wieder neu seinen Platz und seine Haltung zu finden, will gelernt sein — und die Spannung zwischen zwei Polen ist nicht immer leicht auszuhalten. Beide Filme. Die vier Filme in diesem Programm dekonstruieren Grenzen — reale und metaphorische.

Das tun sie nicht nur inhaltlich, sondern auch auf formaler Ebene. The Future Is Deconstructing Boundaries Flipside and objection, comparison and contrast, opposites and simplifications structure our thinking. Human and animal, woman and man. Europe right here, Africa over there. Right and wrong, homeland and foreign country, civilization and barbarism, success and failure.

Once we break down binary structures, things suddenly look a lot more complicated. Overcoming boundaries in the metaphorical sense means to read between the lines, to accept grey areas, to constantly renegotiate definitions. The short film imagines a future in which the gender binary with its clear distinction between man and woman has been dissolved.

The metaphor of the snake evokes mental images of movement, flow, and openness, making the idea of a clear split between man and woman, now and later, pre- and post- untenable. But there are real borders to be crossed as well. This freedom of movement, however, cannot be taken for granted, and it often depends on what side of the border we find ourselves on.

Both films imagine a future in which refugees and immigrants claim their legal right to freedom of movement across and beyond national borders. The four films in this programme deconstruct real and metaphorical boundaries. They decidedly take a stand and challenge us to face our current — and past — realities in all their complexity instead of reducing them to simplistic juxtapositions. Eine Reise zwischen Hoffnung und Dystopie in einem halluzinierten Kinshasa.

Er wurde zur Legende und zum Symbol eines sich vom Kolonialismus befreienden Afrikas. A journey between hope and dystopia in a hallucinated Kinshasa. The film questions the very physical relationship we have with our mobile phones as extensions of our hands that endow us with digital ubiquity. Baloji is a poet, composer-lyricist, scriptwriter, actor and performer, video artist, and stylist. His music stands at the crossroads of African music, traditional, and Afro-American music soul, funk, jazz discovered through the culture of sampling, and electronic music trance, deep house , which has its roots partly in the region of Belgium where Baloji grew up.

They have been working together since Instead of norms and binaries, we witness the emergence of hybrids, of a newly formulated space for human encounter that bears the potential of a new, unrestrained sphere of compassion and empathy, where diversity is a condition of truth. Their current points of interest are the technologies shaping human sexuality, their emancipatory promises and tendencies to reinforce bias, digital intimacy, and virtual fantasies.

Die Teleportation hat Flugzeuge ersetzt. In a world where teleportation has replaced planes, a crocodile called Fiona tells of life on the CAPS: an island-turned-refugee-camp for illegal immigrants caught mid-teleportation. Themes of displacement, biotechnology, and privacy are evoked through the augmented reality of a raucous birthday party in the Moroccan quarter of the CAPS.

Bennani works in video, sculpture, multimedia installation, drawing, and Instagram. She is known for her playful and humorous use of digital technologies such as 3D animation, projection mapping, and motion capture. Besser und gerechter? Diese Fragen stehen am Ursprung der Utopie. Denn in dieser Konfrontation liegt der Wert der Utopie. Dass eine andere Welt zumindest denkbar ist. Wirklich erstaunlich ist das nicht, denn Geschichten brauchen Konflikte. Allerdings besteht die Filmgeschichte nicht nur aus Spielfilmen.

Und sobald wir uns dem Dokumentar- und Propagandafilm zuwenden, sieht die Sache ganz anders aus. The Future Is Utopia zeigt drei solche Werke. Denn als Stadtplaner tritt kein Geringerer als Walt Disney auf. Was die kleine Auswahl auf jeden Fall zeigt, ist, dass es auch im Film nicht an positiven Utopien fehlt. Simon Spiegel. Simon Spiegels Studie Bilder einer besseren Welt.

The Future Is Utopia What if the world was completely different? Better and juster? Is a world where everyone leads a decent life possible? Such are the questions at the root of utopias. Ever since the British humanist Thomas More published his Utopia in , there have been countless works juxtaposing the unpleasant present with radical counter-models.

Literary utopias have a long history, but film is a different matter: film history is teeming with dark visions of the future, while positive visions are extremely rare. All the regulators are listed below, the information on the used software, licensing, and years of operation is included.

But what if we take some other random brokerage with one of the lowest rankings at WikiFX? Suspicious clone? They simply ignore the fact that trading does not evolve around MetaTrader products, no matter how good and popular they are. WikiFX lowers the score of any brokerage with custom-developed software. We can clearly see this with the above example. But this is totally unacceptable for a broker ranking website, which WikiFX claims to be, to mark NFA-registered futures brokerage as non-reliable.

Yet, this does not prevent WikiFX from claiming that the brokerage has only been providing its services for years only, instead of the factual 16 years of operations. We can long discuss the reasons that lie behind such selectivity of WikiFX but this random example clearly shows that any brokerage that provides access to non-forex derivatives trading or dares to suggest custom-developed software to its traders is in danger of receiving a negative review at WikiFX regardless of the factual reliability and regulations.

What lies beneath WikiFX selectivity? The methods used by these professionals remain unrevealed and as we see from the above comparison two similarly reliable brokerages can get any score from 1. The first thing that comes to mind is that WikiFX might be affiliated with some brokers. The hypothesis gets even more realistic if we try to understand who sponsors WikiFX. There are no transparent built-in ads neither on the web-version of the website nor in its applications.

There are no paid subscriptions for access to the database. This means that users sponsor the service with neither their attention to ads nor directly. The only option that we have left is that brokers sponsor this ranking system directly, which automatically makes the whole system non-reliable and highly biased.

The only transparent method that we know WikiFX uses to collect money is sponsorship fees they collect from their offline events participants. This fact does not prevent them from promoting the services of these companies at their offline events. This conspicuous fact tells a lot about the attitude of WikiFX to common traders looking for reliable partners.

It ignores the specifics of some brokerages lowering their scores due to non-standard derivatives they offer to trade or custom trading software. The rumors are that this company was also noticed blackmailing brokers with the purpose of making them pay for better reviews at WikiFX. There are also some signs that indicate suspicious promotion of WikiFX platform through social media and Quora. Some of the WikiFX positive reviews also look highly suspicious.

All of the above is a matter of further investigation. Nevertheless, thousands of users keep relying on the information provided by this scam ranking system. It may even look like all these users are satisfied. WikiFX has got 4. However, positive WikiFX reviews use similar semantics and are also highly suspicious.

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Untersuchungen der Stiftung O mais antigo filme, mais antigo em jeder zweiten Tte zu viele Keime befinden. Produkt flschlicherweise fr gut empfunden wird. Whrend die beschriebenen Kunststoffverpackungen inzwischen auch vom Verbraucher kritisch betrachtet werden, wissen viele nicht, dass sich auch em Verpackungen aus Papier ou Karton Schadstoffe befinden knnen, die ins Lebensmittel bergehen.

Mineralle in Lebensmitteln Dr. Grob und sein Team haben zwar schon in den frhen er Jahren nachgewiesen, dass Mineralle aus Recyclingverpackungen und anderen Quellen em Lebensmittel bergehen. Erst die Forschungsergebnisse aus dem Jahr haben jedoch e Stein zum Rollen gebracht.

Mineralle knnen folgendermassen ins Lebensmittel gelangen: Belastung der Umwelt mit Minerallen z. Recyceltes Papier ist zwar gut fr die Umwelt, doch kann es Mineralle aus Druckfarben und bis zu weitere gesundheitsgefhrdende Stoffe z. Weichmacher enthalten. Mineralle knnen aber auch aus frischen Druckfarben auf die Lebensmittel bergehen, nmlich dann, wenn die Verpackungen neu beschriftet oder eingefrbt werden.

Sie knnen vom Krper leicht aufgenommen und in einigen Organe gespeichert werden. Ausserdem konnte nachgewiesen werden, dass inzwischen selbst morre Muttermilch damit belastet ist. MOAH stehen entgegen im dringenden Verdacht erbgutverndernd sowie krebserregend zu wirken und das Hormonsystem zu beeinflussen. Laut Berechnungen von rzten des Landeskrankenhauses Bregenz und des Landeskrankenhauses Innsbruck trgt jeder Mensch inzwischen 1 bis 10 Gramm Minerallrckstnde in sich.

Dezember geffnet und dabei festgestellt, dass jede einzelne Kalenderschokolade mit Minerallen belastet war. Dabei wurden sogar krebserregende MOAH gefunden. Im Oktober sorgte eine umfangreiche Laboranalyse im Auftrag von foodwatch schliesslich erneut fr Aufsehen: Dabei wurden em Karton verpackte Lebensmittel aus Deutschland, Frankreich und der Niederlande auf ihren Minerallgehalt hin untersucht und festgestellt, dass 43 Prozent der Produkte mit MOAH verunreinigt waren.

Foodwatch fordert die nationalen Reggerungen nun ungehend dazu auf, em toda parte Lebensmittelverpackungen aus Papier spezifische Grenzwerte im Lebensmittel vorzuschreiben. Die festgestellten Fortschritte bei den Verpackungskonzepten und den messbaren Minerall-Belastungen seien erfreulich.

Kurz darauf wurde foodwatch jedoch aufs Schrfste kritisiert: Da alle vorgeschlagenen Richtwerte eingehalten worden seien, bestehe keine Gefahr fr die Verbrauchergesundheit Als Aldi Sd im Februar schliesslich seine Lieferanten schriftlich dazu aufforderte, Massnahmen gegen Minerallbelastungen zu ergreifen bei den Eigenmarken sollten zuknftig keine Mineralle mehr nachweisbar sein setzte der BLL alle Hebel em Bewegung, um diese Lieferantenvorgaben zu unterbinden.

Foodwatch liess daraufhin verlauten, dass sich der Lobbyverband BLL klar gegen die Gesundheit aller Verbraucherinnen und Verbraucher richte. Solange sich aber derart viele belastete Lebensmittel in den Supermarktregalen tummeln, sollten Sie beim Einkauf und bei der Lagerung Vorsicht walten lassen.

Verpackungen: 10 Tipps zur Vermeidung von Schadstoffen Em Anbetracht der vielen verschiedenen Schadstoffe em Verpackungen neigt der Verbraucher verstndlicherweise dazu, diese Thematik auszuklammern, da sich unweigerlich ein Gefhl von Hilflosigkeit einstellt. Lassen Sie sich aber nicht einschchtern, Denn Sie knnen einige Massnahmen ergreifen, um Ihre persnliche Belastung mit den Verpackungsgiftstoffen mglichst gering zu halten.

Es besteht zwar keine gesetzliche Pflicht, Kunststoffverpackungen zu kennzeichnen, doch oft hilft ein auf der Verpackung sichtbares Pfeildreieck weiter. Beinhaltet das Dreieck z. Stoffe stehen kann. Oft verbirgt sich hinter dieser Kennzeichnung BPA. Es gibt inzwischen Metalldeckel fr Glser, die ganz ohne Weichmacher auskommen.

Sie erkennen die alternativen Blueseal-Deckel von der Firma Pano leider erst an der blauen Innenschicht. Viele Naturkosthersteller greifen schon darauf zurck. Packen Sie Ihren Kse nach dem Einkauf gleich um. Haushaltsfolie ist zwar in der Regel frei von Weichmachern, Wenn Sie aber auf Nummer sicher gehen wollen, sollten Sie auf die gute, alte Kseglocke setzen.

Fllen Sie Reis, Pasta amp Co. Je lnger ein Lebensmittel bei Raumtemperatur gelagert wird und den Minerallen ausgesetzt ist, desto mehr davon dringen in das Produkt ein. Zweckentfremden Sie Verpackungen nicht, da der Bergang von Schadstoffen hierbei drastisch erhht werden kann.

Gurkenglas , um darin fetthaltige Lebensmittel z. Pesto zu lagern, ou Tiefkhlbehlter, um Essensreste aufzubewahren. Por favor, entre em contato com o fornecedor. Glasflaschen sind Kunststoffflaschen vorzuziehen. Por favor, clique aqui. Clique aqui para ver a imagem em tamanho sem fio. Lebensmitteln drastisch reduzieren. Es gibt inzwischen schon einige verpackungsfreie Supermrkte, em denen Sie nach Herzenslaune einkaufen knnen, z.

Das Gesundheitsministerium besttigte gegenber der Kronen Zeitung drei Diagnosen. Es handelt sich um eine Entzndung des Dickdarms. Das beraus schmerzhafte Sintoma: Schwerer Durchfall. Dass em Wien nur drei Flle diagnostiziert wurden, wo allein in den vergangenen Wochen Fakten auf den Tisch legen Die Wiener Bevlkerung hat ein Recht darauf zu erfahren, welchen auch gesundheitlichen Gefahren sie durch die ungebremste Massenzuwanderung ausgesetzt ist Weniger cool wird es, wenn die gesundheitlichen Folgen der Chemischen Farben eintreffen.

Wann und ob dies beim Einzelnen der Fall sein wird, weiss niemand. Denn nach wie vor fehlen abgeschlossene Langzeitbeobachtungen zu mglichen Gesundheitsschden durch Tattoos. Doch sind wir derzeit ja mitten drin in der grssten Langzeitstudie berhaupt. Erste Hinweise gibt es jedoch schon heute. Gesundheitsrisiko Tattoo Immer mehr gesundheitliche Beschwerden Tatuagens knnen wunderbar verheilen und sich nie bemerkbar machen.

Nur denkt man bei Gesundheitsbeschwerden, morre Jahre oder Jahrzehnte nach der Ttowierung auftauchen, natrlich nicht mehr an das Tattoo als mgliche Krankheitsursache. Vor Jahren waren sie noch etwas Besonderes. Inzwischen schaut man nicht einmal mehr hin.

Denn Tattoos sind allgegenwrtig. Selbst Ganzkrperttowierungen erregen kaum noch Aufsehen. Augwfel ttowieren lsst foi solls. Allerdings hngt morre Zahl der Ttowierten auch sehr von der Altersklasse ab, denn in der Gruppe der 25 bis 34jhrigen sind bereits zwischen 30 und 40 Prozent ttowiert.

Und weil man derartige Phasen besonders intensiv in jungen Jahren erlebt, bereuen auch mindestens 50 Prozent der Ttowierten ihre einstige Tattoo-Begeisterung sptestens dann, wenn sie 40 oder lter sind. Denn whrend sich der Mensch weiter entwickelt und mit seinen Erfahrungen wchst, bleibt das Tattoo auf dem Stand der Sturm-und-Drang-Zeit. Bei anderen wiederum soll ein Tattoo auch einfach nur an den letzten Urlaub erinnern. Und viele wissen es gar nicht, warum sie ein Tattoo haben.

Sie finden es halt gut, haben dann auch bei der Auswahl des Motivs keine besonderen Ansprche und whlen nicht selten das, foi besonders preiswert ist. Bermuda gesundheitliche Folgen durch Tatuagens machen sich dabei die allerwenigsten Gedanken.

Andernfalls ginge der Tattoo-Trend sicher nicht so steil nach oben. Denn bei Ttowierungen besteht durch Nadel und Farben ein nicht zu unterschtzendes Gesundheitsrisiko. Dabei geht es nicht nur um die wenig berraschenden akuten Reaktionen wie Rtungen und Schwellungen unmittelbar nach dem Stechen, sondern auch um langfristige Folgen. Immer mehr Tattoos immer mehr Gesundheitsprobleme Eine im Mai verffentlichte amerikanische Studie fand heraus, dass die meisten Menschen, die nach einer Ttowierung eine akute Reaktion gleich welcher Art erlitten, spter chronische Gesundheitsprobleme entwickeln werden.

Und nein, morre Ttowierten hatten sich nicht selbst oder vom Kumpel mit einer im Internet gekauften Ttowiermaschine Stechen Lassen foi ebenfalls immer wieder vorkommt , sondern im Tattoo-Studio. Marie Leger. Igualmente sprach sie mit Kollegen und stellte fest, dass auch hier die steigende Zahl der gesundheitlichen Folgen nach Ttowierungen lngst bekannt und berdies viel hher war als allgemein vermutet. Ausschlge, Schwellungen.

Rtungen undoder Juckreiz. Dies ist nichts Besonderes, da bei einer Ttowierung die Haut verletzt wird, foi sich dann auch mit den Symptomen einer typischen Hautverletzung ussert. Von diesen 10 Prozent aber sagten wiederum 60 Prozent aus, sehr lange nach der Ttowierung Gesundheitsprobleme gehabt zu haben oder diese auch Jahre spter noch immer zu haben wie z.

Leger sagt, sie mge eigentlich rein optisch betrachtet Tattoos, wolle aber dennoch ber die mglichen Risiken aufklren, die hchstwahrscheinlich ernster seien, als man bislang annahm. Das Injizieren von unnatrlichen und krperfremden Substanzen unter die Haut knne schliesslich niemals ohne Risiken bleiben, schon gar nicht, wenn die Substanzen dort ein Leben lang bleiben und zustzlich auch noch nachweislich krebserregend oder krebsverdchtig seien zumindest einige davon.

Gleichzeitig versagt man sich mit dem gnstigen Preis dann aber immer wieder auch das Exklusivrechauf die Utensilien und muss gegebenenfalls die Nadel mit anderen Tattoo-Freudigen teilen. Hepatite-Risiko durch Tattoos Ernsthafte Infektionen, wie z. Und da sich die Folgen von Hepatitis C schwere Lebererkrankungen oft erst 20 bis 30 Jahre nach der Infektion sprich Ttowierung zeigen, rechnet man bis zu diesem Zeitpunkt aproximadamente bis mit einer regelrechten tattoobedingten Hepatitis-C-Welle.

Studios liegen und sich somit bei der Wahl der richtigen Location das Infektionsrisiko schon einmal deutlich reduzieren lsst, verhlt es sich mit den Tattoo-Farben etwas anders. Hier gbe es nach Dr. Leger in kaum einem Land sinnvolle Regulationen. Infolgedessen finden sich in den Farben nahezu alle Arten von Giften, die einmal injiziert nicht mehr vollstndig entfernt werden knnen und sich sodann im Krper einlagern.

Und hnlich wie Impfstoffe. In vielen war zustzlich auch Quecksilber gegenwrtig. Warum es gefhrlich ist, wenn Tattoo-Farben wie Kosmetika eingeschtzt werden Viele Lnder verfgen nun zwar ber Bestimmungen, die sich auf Farbstoffe in pharmazeutischen Produkten oder Kosmetika beziehen, fr Tattoo-Farben gelten sie aber nicht unbedingt. Und selbst wenn Tattoo-Farben-Hersteller behaupten, sie richteten sich nach diesen Regelungen welchen Nutzen hat es Niemand ritzt sich die Haut auf und bringt in die Wunde vorstzlich Kosmetika ein.

Daher sind die Bestimmungen fr Kosmetikbestandteile auch so wenig beeindruckend. Man isst das Zeug schliesslich nicht, also darf in Cremes und Gels alles Mgliche gemischt werden. Es ist daher wenig hilfreich, wenn auf Seiten von Tattoo-Farben-Herstellern zu lesen ist, dass die verwendeten Rohstoffe zur Herstellung der Tattoo-Farben dem Reinheitsgrad entsprechen, der auch fr kosmetische und pharmazeutische Produkte Verwendung findet Denn genau dieser Reinheitsgrad ist fr Stoffe, die direkt im Krper platziert werden, nicht ausreichend.

Nur auf die produktionsbedingten Verunreinigungen der Pigmente habe man leider keinen Einfluss heisst es auf der Seite eines Tattoo-Farben-Herstellers. Erstere enthlt u. Negativlisten mit gesundheitsschdlichen Substanzen, die nicht in Ttowierfarben enthalten sein drfen.

Das aber hindert viele Tattoo-Farben-Hersteller besonders solche im Ausland nicht daran, bedenkliche Stoffe auch die verbotenen in ihre Tattoo-Farben zu mischen. Immer wieder fanden sich daher bei Kontrollen Farben, die aufgrund dieser hochgiftigen Inhaltsstoffe eigentlich lngst nicht mehr verkehrsfhig waren.

Man fand in jeder dritten Farbe starke Belastungen von unter anderem krebsverdchtigen oder konkret krebserregenden Stoffen wie PAK Polycyklische aromatische Kohlenwasserstoffe , Nitrosamine. Nickel und Konservierungsmittel wie Benzoisothiazolinon. Trauma — Stitched — Temporary Tattoos 5. Trauma — Animal Attack — Temporary Tattoos 5. Trauma — Carving Board — Temporary Tattoos 5.

Trauma — Diseased — Temporary Tattoos 5. Trauma — Mauled — Temporary Tattoos 5. Trauma — Possessed — Temporary Tattoos 5. Temporary Neck Tattoos. Cobra Neck Temporary Tattoo 5. Moth Neck Temporary Tattoo 5. Posh Neck Temporary Tattoo 5. Spider Neck Temporary Tattoo 5. Tiger Neck Tattoo 5. Vandal Neck Tattoo 5. Big Mouth Tattoo FX. Big Mouth — Chipped — Temporary Tattoos 5. Cheshire — Big Mouth Temporary Tattoos 5.

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Working forest financing and investment By making his method visible, he simultaneously reflects on his manipulation. The second in a series of investigations into big-budget virtual worlds forex steigendes dreieck tattoo the sb investments llc charlotte, fragility, and loneliness of technologically mediated social identities and friendships as well as archetypal masculinity and the poetics of blockbuster aesthetics. It focuses on the various social, economic, and aesthetic aspects of Gospel music produced and performed by a young generation of believers. From a pigtailed psychopath to naughty nuns and everything in between, this stop motion animation conjures a comforting thought: that being weird is relative. Emily is a patient in an experimental psychiatric facility where a brain implant prototype allows her to relive her dreams. The events take shape through YouTube videos and wireframe images from a video game.
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Obinna and Afame, two Nigerians stranded in Georgia, are roaming the sleeping city of Tbilisi after a long night out. As day breaks, the truth of their ambiguous affection begins to show, and they find some solace despite their hostile environment. Eine Gruppe von Freunden aus Athen streift durch die Ruinen der Peripherie bis nach Hellinikon — sechzig Jahre lang einziger Flughafen in Athen, der die olympischen Sommerspiele beherbergte.

While the various characters go about their everyday routines, trash is piling up in the courtyard. The situation seems harmless in the beginning, until it escalates into total disaster one night. A group of friends from Athens is wandering around the ruins on the outskirts of the city and all the way to Hellinikon, which had been the only airport in Athens for sixty years and hosted the Olympic Games in Weeds have taken over since then, but the traces of the past are still clearly visible.

She is currently developing her second feature. Margot is interested in new forms of documentary writing and is developing a practice combining movies, art videos, and photographs. Between parties and dips in the river, Lou abandons herself to her newfound community. During brief moments of happiness, she is repeatedly overcome by an aversion against an environment that has become all too familiar, and she dreams of a better place.

Born in , Lucia Martinez Garcia is a young Swiss director whose films explore the passage from childhood to adulthood. Using no professional actors, she creates fictions rooted in her immediate reality. A sibling, a neighbour, friends become performers for the duration of a tale.

For Lucia, fiction often blends with reality. The moment we think of the world as disenchanted, we limit the ways in which the past can be narrated. Anya Tsyrlina is a visual artist from Basel whose current projects combine the structural and material aspects of experimental cinema with documentary and archival practices.

Sid Iandovka is a visual artist and musician working in New York and Basel. Camille Tomatala was born in Geneva. She began studying video at the Geneva University of Art and Design in , later switching to the cinema department.

She currently lives in Paris. In dieser Funktion verantwortete sie auch die Kuration historischer Programme. She studied social anthropology, French literature, and business economics at the University of Zurich. She spent several years as a programmer at Solothurner Filmtage, where she was also in charge of curating historical programmes.

Previously, she worked for Fantoche — International Animation Film Festival and as a lecturer at the University of Zurich, among other things. Annina lives in Berlin and Zurich. She is a member of the nonfiction commission of the Zurich Film Foundation. She is also the African representative on the Short Film Conference board and previously served on the Women Filmmakers of Zimbabwe board. Zhou has appeared on panels at several festivals, both in South Africa and internationally, discussing the state of African film.

Recently, she was also on the Talents Durban and Realness Projects selection panels, and she has a keen interest in supporting the inclusion of women in the industry. Giona A. His publications include books and essays on Hong Kong cinema and postmodern action film as well as a collection of short stories. She has been working with Komplizen Film as Head of Development since Upon returning to her hometown, she worked for the Dresden-based production company filoufilm, where she became acquainted with all the stages of film production.

She is also a member of the short film selection committee at Cannes. After studying art, communication, and language in Nice, she joined the Festival de Cannes in Vladan ist Studienleiter bei GoCritic! He is the correspondent for the territories of former Yugoslavia at Screen International and a senior writer at Cineuropa.

Vladan is the head of studies at GoCritic! Die Premiere an den Kurzfilmtagen war jeweils restlos ausverkauft, und in der Folge wurden die Kurzfilme an wichtigen Festivals weltweit gezeigt. Denn ebenso wichtig wie das Resultat ist bei 5x5x5 die Zusammenarbeit zwischen hiesigen FilmstudentInnen und internationalen Filmschaffenden — unter sehr besonderen und herausfordernden Bedingungen.

Wir freuen uns sehr, die 5x5x5 Kurzfilme am 9. November zusammen mit dem Publikum im Theater Winterthur zu entdecken. Olivier Zobrist, Jela Hasler. The premiere during the festival was completely sold out each time, and the films went on to successfully screen at key festivals around the world. Once again, the project comes with a tight deadline, a lot of tension, and varied expectations. The filmmakers are supported by local mentors and the Video degree programme of the Lucerne School of Art and Design.

The school provides equipment as well as the students who will be in charge of the cinematography, sound, and editing of the films. This collaboration between local film students and international filmmakers — under very special and challenging circumstances — is just as important as the resulting films. We have no doubt that this new edition of the project will produce another 5 unique works that address Winterthur and Switzerland in unconventional and surprising ways.

We look forward to joining the audience in discovering the 5x5x5 short films on 9 November at Theater Winterthur. Kantarama Gahigiri ist ruandischschweizerische Filmemacherin. Zurzeit entwickelt Kantarama ihren zweiten Spielfilm, einen frauenzentrierten, afrofuturistischen Thriller, der in Nairobi spielt.

Simplice Ganou ist Regisseur und Autor. Yanis Kheloufi lebt in Algier. Kantarama Gahigiri is a Rwandan-Swiss filmmaker. Currently, Kantarama is developing her second feature, a women-centred, afrofuturistic thriller set in Nairobi. Since , she has also been teaching directing, writing, and production workshops for younger artists in places where access to film schools is limited Rwanda, Kenya, Tunisia, and Tanzania.

Simplice Ganou is a director and author. In addition to filmmaking, he is involved in educational programmes for children who live on the street. Yanis Kheloufi lives in Algiers. The film is a subtle portrait of the humanitarian activist Kader Affak and his organisation Le coeur sur la main, and it has been shown at several festivals. Hajooj Kuka ist Regisseur und Aktivist.

Sie arbeitet oft mit Inszenierung und Performance, mit Archivmaterial und Found Footage, aber auch mit dem spontan Uninszenierten. Hajooj Kuka is a director and activist. In addition, he teaches film and theatre workshops and organizes film screenings all across Sudan, despite — or precisely because of — the lack of cinemas in the country.

Nomanzi Shongwe is a filmmaker and scholar based in Johannesburg. For the past 15 years, she has worked as a researcher for documentaries, as a dramaturge and storyliner, and as a lecturer at the University of the Witwatersrand, Division of Film and Television. Her documentary and experimental work is often essayistic, using aesthetic approaches of auto-ethnography. She frequently employs elements of performance, archival materials and found footage, but also spontaneous, nonstaged scenes.

Hot Shorts Ich, Du, Wir. Was die Liebschaften alle verbindet, ist ihr aktualisierter Beziehungsstatus: Es ist kompliziert. Kann sie sich von ihrer dominanten Freundin losreissen? Angela Di Filippo. Hot Shorts I, You, We. The programme opens with futuristic desires. Can she break free from her dominant companion? And what happens among wolves when they find their domestic bliss threatened? Wolf lead secret double lives. But their dirty little secrets are bound to be revealed once camera and whip enter the game.

He is suddenly treated as if he was from another planet. Take them to Kurzfilmtage, enjoy a drink, and watch the programme Hot Shorts. Venus has some unforgettable moments in store for you — prepare to be surprised! Irgendwo auf einer verlassenen Insel in der Zukunft folgen wir einer Gruppe von WissenschaftlerInnen durch eine Forschungsanlage.

Die Mission startet bald — Zeit zu Tieren zu werden. He also directs music videos and designs film posters and trailers. William loves working with found footage and reading Wikipedia articles for film inspiration. Somewhere on a deserted island in the future, we follow a group of scientists in a research facility. People are testing prosthetic elephant trunks and swimming around in pools wearing fish overalls.

Lou Morton is an animator and filmmaker living in Los Angeles. His work has screened at festivals around the world, including Sundance, Annecy, and Hiroshima. He currently works as a staff designer for Disney Channel. Jenny has always felt overshadowed by her childhood friend. She needs some time for herself now. Can she break free from her controlling friend, and could her otherwise rather useless superpower perhaps help her?

Christopher Good is a Kansas-based filmmaker. Toomas ist ein guter Wolf. Und er sieht wahnsinnig gut aus. Er versucht, dies vor seiner Familie zu verheimlichen. Doch was er nicht weiss: Auch seine Frau Viivi hat ein Geheimnis Toomas is a good wolf. He has a decent job, a pregnant wife, and two lovely children. When he rejects an indecent proposal from his boss, things get out of hand.

Chintis Lundgren is an Estonian-born animator currently living in Croatia. Lundgren created her own animation studio, Chintis Lundgreni Animatsioonistuudio, and later co-founded Adriatic Animation, an animation studio based in Croatia. Anders ist schwul, hatte damit aber nie Probleme. Die fangen erst an, als eines Tages alle um ihn herum der Ansicht sind, er sei ein Kobold.

Das sei er schon immer gewesen und das sei auch voll okay so. Anders will aber nicht als Kobold akzeptiert werden, er will, dass alle einsehen, dass er kein verdammter Kobold ist! Anders is gay, which was never a problem for him. His troubles begin when suddenly everyone around him considers him a gnome. A clever story about being different and political correctness. Eine Tampon-Frau trifft einen Astronautenmann und sie beschliessen, gemeinsam zum Mond zu fliegen. A tampon woman meets an astronaut man, and they decide to fly to the moon together.

Will they reach their goals together? She directs films, web series, and commercials. Das Programm erfreut sich grosser Beliebtheit und hat sich zu einem festen Bestandteil der Sektion Hors Concours entwickelt, in der sehenswerte aktuelle Filme ausserhalb des Wettbewerbs gezeigt werden. Laura Walde. The short film industry has been witnessing a renewed fascination with analogue film, which is now also returning to film school curricula, as these two productions from the Zurich University of the Arts illustrate.

The reality that the film confronts us with — refugees at sea who will never reach the shore — is hard to put into words. Thus, the film refrains from using any dialogue, relying entirely on the images and actors. Created in collaboration with game designer Mario von Rickenbach, the film is part of a larger project that also includes an interactive game and an installation. Switzerland , 13'14", digital file, colour, Swiss German with English subtitles, Fic.

An animated short exploring group dynamics. An year-old woman spends her time at a bus station. Kim Allamand was born in Lucerne in After a storm, fisherwoman Maria pulls her husband, who vanished at sea years ago, out of the ocean — alive! And her burning desire for love makes her believe the impossible. Julian M. During this time, he also started directing theatre and film as well as editing and writing for film and theatre.

In , he studied cinematography and scriptwriting at the Prague Film School. Switzerland , 20'00", digital file, colour, Swiss German with English subtitles, Fic. Nach einem erneuten blutigen Zwischenfall vertraut er sich seinem Freund Tobias an. Eine Entscheidung bahnt sich an. Fabrice and Lena are a happy couple on the surface. But her repeated abusive behaviour makes him cave. After another bloody incident, he confides in his friend Tobias.

Fabrice has to make a decision. He graduated with a BA in film in Dabei trifft er auf passivaggressive Fremde und auf ein paar Versionen seiner selbst in einem zunehmend alp- traumhaften Spiel. In this music video, a guy plays mini-golf and meets some passiveaggressive strangers as well as various versions of himself as the game turns increasingly dreamlike and nightmarish.

Tom Combo is a writer and musician living in Winterthur. He has published various books, soundtracks, and albums. When the concrete of the big city heats up, citizens seek out the river. This group of students from ZHdK formed spontaneously during a school project dedicated to 16 mm film. Their aim was to explore the documentary potentials of analogue film in more detail.

Neil Stubbings is an animation director and character designer known for his signature style of infusing 3D animation with classic cartoon style, and for his humorous scripts. Dismissed Dismissed, or Kill Your Darlings hiess es jahrelang. Niemand weiss es. Die Wettbewerbskommission war mal wieder heillos zerstritten. Zur Geisterstunde. Weiss bloss niemand. Also ein Meisterwerk. Ab in den Wettbewerb! So wurden Herzogs Worte zur Leitplanke der irrlichternden Kommission.

Aber bis dahin ist es hoffentlich noch lange. Kyros Kikos. Now, the title has been cut. World peace? Climate change? Nobody knows. As so often, the selection committee for the competition was at serious odds with each other.

It was Babylonian! So there they were, mad at each other, each carrying their baggage of supposedly superior tastes, when there was a knock on the door. At the witching hour! Slowly, slowly, a blurry figure resembling the distorted image on an old VHS tape entered. If a film is long, dull, unwieldy, confused, with a dragging voice-over — what is it? For the competition! But to save some of their beloved treasures from the Hades of the archive, they devised a clever loophole to bring to the festival screen the films that had narrowly missed the entry to the competition.

We will probably burn in hell and forever have to share a furnace with Werner Herzog for mutilating the original title. Der Film bedient sich schwungvoll zweier klassischer Animationstechniken: Zeichnen und Malen. In the course of their life, a person sleeps about 25 years. Thus, the magical world of dreams determines our everyday state of mind much more than the rationality of our consciousness.

The film uses two classical animation techniques: drawing and painting. An alien travels to earth in hopes of starring in a sci-fi blockbuster. Auden Lincoln-Vogel is an American animator and experimental filmmaker who currently lives and works between Iowa City and Tallinn, Estonia. His work ranges from narrative animation to expanded cinema performances.

Hallo, hallo, ich bin zum ersten Mal in Barcelona! Was ist ein Pep? Was ist ein Ventura? Hello, hello, this is my first time in Barcelona! My favourite name of a subway station is: Pep Ventura. It sounds like a peppy life of adventure. But the Pep Ventura square is barren and boring.

Dagie Brundert studied experimental filmmaking and is a luminary of S8 creation. Since , she has been shooting exclusively with a Nizo Super 8 camera, producing numerous experimental films, which she developed in substances such as caffenol, seaweed, red wine, and beer.

Die Musik von Orpheus verzaubert jede und jeden, selbst Tiere und Pflanzen. Sein Gesang vermag sogar seine geliebte Eurydike aus der Unterwelt zu retten. Aber es gibt eine Bedingung: Bis Orpheus den Hades verlassen hat, darf er sich nicht umdrehen, um zu sehen, ob seine Geliebte ihm wirklich folgt.

In der Welt der Whim regiert die Laune des Augenblicks. Orpheus enchants everyone with his music, even animals and plants. His singing can even rescue his beloved Eurydice from the underworld. But there is one condition: until Orpheus has left Hades, he cannot turn around to see if his love is truly following him.

In the world of the Whim, the whim of the moment reigns supreme. Everything that exists on the planet is restless, chaotic, and constantly changing shape. Priit Tender is an Estonian animator born in Tallinn in He is the director, designer, and writer of many animated shorts. His films are driven by surreal imagery and black humour, and they have won prizes and nominations from the most important short film and animation festivals.

She works in illustration, painting, and animation and is a winner of several international awards. On the night of a lunar eclipse, we uncover the sweet, salacious, and spooky secrets of a small town. From a pigtailed psychopath to naughty nuns and everything in between, this stop motion animation conjures a comforting thought: that being weird is relative. Michaela Olsen is Creative Director and partner at Mighty Oak, an animation studio whose mission is to bring the human touch back into pictures.

Her award-winning shorts have tickled audiences and frightened kids at festivals throughout the universe. She lives in Brooklyn with four sinks and a dog. Werner Herzog Gauss: one of the greatest mathematicians and physicists ever. Without his theorem and his law of electrostatics, GPS navigation would be impossible.

Without his propagation of error, we would be lost as if we were going forwards and backwards in time and space. Together they are warnixmachtnix, running the wonderful Lichtmess Kino in Hamburg Altona and delighting the world with their short films full of humour and nonsense. Dieser Film ist die letzte Nachricht der Kaiju 2, bevor sie im schwarzen Loch verschwindet. Its mission: to reach a black hole where time stops, the light goes out, and matter collapses.

This film is the last message sent by Kaiju 2 before it disappears into the black hole. Francesco Jodice, born in Naples in , explores current transformation processes with a focus on urban anthropological phenomena and the creation of new forms of participation. Short Matters Kurzfilme erlauben kreative, ja provokative Experimente und laden die RegisseurInnen ein, mit filmischen Stilmitteln zu spielen.

Sie bringt die nominierten Filme an zahlreiche Filmfestivals und Institutionen in und ausserhalb von Europa. Short Matters Short films allow for creative experiments and provocation, and they invite artists to play with cinematic styles. For some filmmakers, they mark the starting point of their careers, for others, they remain the main form of expression that they keep exploring.

It is an important objective of the European Film Academy to support talented young filmmakers and to celebrate the diversity of European film culture. At each of the 15 partner festivals, an independent jury nominates one of the European short films in competition for the European Short Film Award. The members of the European Film Academy then watch all the nominated films and vote for the overall winner, which is announced at the European Film Awards ceremony.

The EFA Short Film Initiative has long been a staple on the international short film calendar, and the interest in this selection of shorts has constantly grown over the past years. The nominated films are presented at 50 screenings around the world, from Madrid to Macau, from Taiwan to Tallinn. The selection in the Short Matters programme offers a diverse panorama of young contemporary European filmmaking.

In einem verlassenen Wasserpark verstecken sich zwei junge Menschen vor der Aussenwelt. In an abandoned water park, a girl and a boy are hidden from the outside world. Between the graffiti-covered ruins of old swimming pools and slides, they find a place of refuge to grieve their loss of hopes and dreams.

In the south of Spain, a race of painted pigeons will not be won by the one that flies the fastest, but the one that seduces a female pigeon and flies alongside her the longest. Zwei polnische Arbeiterinnen leben Seite an Seite auf einem Brandenburger Milchbauernhof und ignorieren sich gegenseitig — bis Tava eines Tages nicht zur Arbeit erscheint.

A conversation between two friends about the effectiveness and implications of publicly supporting the cultural boycott of Israel. One friend is wracked with worry after having signed a petition asking Radiohead not to play in Tel Aviv, while the other is more sanguine. He is the co-founder of the London-based production company Nakba FilmWorks. Doch sie ist auch verliebt in ihren Chirurgen, ihren Retter.

Er besucht sie jeden Abend. Alice sings, wears make-up, laughs. He comes to see her every evening. There are magical moments that help her forget her unbearable situation. Am Geburtstag des Jungen explodiert dieses labile Dreieck — Anoucks Aufstand bahnt sich an Anouck is a resigned girl, torn between two violent loves: her man, an attractive watchdog, and her little brother, a young mad pup.

Since then, she has been drawing wolves, making movies and experimental wine, and building a village of caravans. Places from her past emerge like reflections of a fragmented and ever-changing memory. Bodies and shadows, small objects and landscapes compose the story of a life.

Der einzige Lichtblick ist seine Freundin Donna. Macho is a poor boy who skips school to work on a construction site. The only ray of light for him is his girlfriend Donna. But she is ashamed of his mother, who works as a janitor in their school. Macho has to choose between his mother and his love, and he finds his own way to deal with his emotions.

During his studies, he worked on multiple film projects as an assistant director. Heather Phillipson works across video, sculpture, music, drawing, and poetry. Was bedeutet es, im eigenen Zuhause und im eigenen Land fremd zu sein?

What does it mean to be a stranger in your own home and country? But in , as filmmaking became the overpowering passion in his life, he left his fighting career behind and went on to study filmmaking at the Hybrid Conservatory in Los Angeles.

Rati founded the production company ArtWay Film and has directed several short and feature films. Er bringt den reichen Kindern Spielzeuge, den armen Sweatshirts. He brings toys to the rich kids and sweatshirts to the poor ones. Pablo is currently writing his first fiction feature. Eine mutmassliches afrikanisches Dorf, bewohnt von Deutschen.

A presumed African village, inhabited by Germans. Since , he has been developing video collages and films that cross the boundaries between contemporary art and narrative film. His works have been shown in numerous museums, galleries, and at film festivals.

Roman lebt ein einsames Leben in einer Provinzstadt, wo er als Techniker arbeitet. Roman lives a lonely life in a provincial town where he works as a technician. For the first time since graduation, his ex-classmate Liuda returns to town.

Nobody has heard from her in 20 years, but Roman is set on not losing her again. In , he co-founded Eto Samoe production. Mit stoischer Beharrlichkeit und mithilfe amerikanischer Flugangriffe stehen diese Frauen an der Spitze des Freiheitskampfes. Filmed during the battle of Kobani, this film reveals the women at the heart of the fight against the Islamic State. With stoical perseverance and the aid of American airstrikes, these women are leading the fight for freedom.

He studied film directing at the Netherlands Film Academy. Going on a safari is a dream for many. For middle-aged couple Linda and Troyer, it turns into a horribly real adventure when they are left behind in the wilderness. Apart from his own projects, Nicolas works as new media manager for Studio Hans Op de Beeck, where he is responsible for the production, animation, and editing of various projects.

After graduating, Matthias started working as a graphic designer in Ghent while developing his career as an illustrator and cartoonist. The Future Is Grosser Fokus: The Future Is Als KuratorInnenkollektiv der Kurzfilmtage sind wir sicher nicht die Einzigen, die — frei nach Fleetwood Macs Future Games — ihre Abende damit verbringen, von den verschiedensten Zukunftsszenarien zu fabulieren. Und wir wollen es auch gleich offenlegen: Wir haben keine Ahnung, was die Zukunft bringt.

Der Grosse Fokus der Internationalen Kurzfilmtage Winterthur stellt neun Thesen auf, die unsere professionelle Ahnungslosigkeit widerspiegeln. Der Futurismus als kunsthistorische Bewegung wurde am Februar mit der Publikation von F.

Aber vergassen sie dabei nicht den menschlichen. Deswegen sind eine Vielzahl von Filmen in unserem Fokusprogramm nicht auf den ersten Blick futuristisch, sondern lediglich ein Kommentar auf die Gegenwart oder auf die Vergangenheit. Vielleicht deshalb, weil Prognosen zum gesellschaftlichen Wandel einfach mehr Spiel als Wissenschaft sind? Die neun Programme im Grossen Fokus sind also weder futuristisch noch futurologisch im eigentlichen Sinne.

Sie sind keine Prognosen, sondern stellen spielerische Behauptungen auf. Open-Source deshalb, weil wir eben auch jetzt noch keine Ahnung haben, was die Zukunft bringt. Was ist Ihre These? Main Focus: The Future Is We only know what we hope for, what we dread, what we can observe, and — at least to some extent — where we come from. The Main Focus of the 23rd Internationale Kurzfilmtage Winterthur offers nine hypotheses that reflect our professional cluelessness.

We eventually settled on the open-ended title The Future Is Futurism as an artistic movement was founded on 20 February with the publication of F. Today is the future of yesterday, and it is quite sobering to realize how little has changed in the past years. The glorification of speed, technology, and aggression, the cult of youth and virility, and the blatant discrimination against women — much of what futurism celebrated is reminiscent of many a current head of state or Silicon Valley genius.

At the technological level, we may be at a point today that Marinetti and his contemporaries could not have imagined in their wildest dreams. The future is continuously being formed, transformed, and developed by the present and the past. For this reason, many of the films in our Focus. The term futurology was coined by the German legal and political scholar Ossip K. Perhaps this is because predictions about social change are more of a game than serious science?

The nine programmes in our Main Focus are neither futuristic nor futurological in the strict sense. Instead of making predictions, they offer playful claims. Laura Walde, Delphine Jeanneret. The Future Is Melting The future belongs to the young — and they are finally taking to the streets again. Climate change, too, is no longer just a change, but an ecological crisis, now that awareness of it is finally on the rise. Locally and globally, the climate crisis confronts us with the greatest and most important political, economic, and social challenge of the coming decades.

Is there still a future, or is it melting away just like the polar ice and our glaciers? Instead of didactic finger-pointing, we need creative visions, experimental stories, and uncomfortable imagery as food for thought. In a subversive reversal, oil becomes the refuge of the anti-capitalist resistance. The Anthropocene — as a geological age dominated by humankind — cannot have a future if the human race is to have one. Auf der anderen Seite der Erde zwingen die schmelzenden Himalaya-Gletscher, steigende Meeresspiegel und extreme Wetterereignisse den Bangladeschern einen amphibischen Lebensstil auf.

The ecological crisis is a political, economic, and social crisis. It is also cinematic, as the emergence of cinema historically coincides with the development of the so-called Anthropocene. His films have been shown at numerous international festivals. Her films have screened at a number of international festivals. On the other side of the world, melting Himalayan glaciers, rising sea levels, and extreme weather events impose an amphibian lifestyle on the people of Bangladesh.

Ursula Biemann is an artist, theorist, and curator who has produced a considerable body of work on migration, mobility, technology, and gender in recent years. She is a researcher at the Zurich University of the Arts and she teaches seminars and workshops internationally. Inspired by recent talks amongst legislature to finally disperse billions of dollars in restoration funds, this film shows a future of ecoflourished Everglades.

Nature begins to take over, engulfing and taming civilization after centuries of attack, and even forcing humans to adapt to their surroundings. His work has been shown at various festivals, galleries, museums, and cinematheques. Auf dem Land.

Ein unbestimmter Ort in der Zukunft. In an uncertain place, in a future time. Her documentary, experimental, and fiction work has been selected, exhibited, and awarded at several national and international film festivals. His work has been shown internationally in a number of places. Die letzte Frau auf der Erde, vielleicht. The last woman on Earth, perhaps. Her logbook recounts her struggles with sustaining her world, sanity, and dedication to her unforgiving sealed environment.

Filmed inside Biosphere 2 in Arizona, the film is a cinematic meditation on ambitious experiments, constructed environments, and visions of the future. Ben Rivers studied fine art at Falmouth School of Art, initially in sculpture before moving into photography and Super 8 film. His practice as a filmmaker treads a line between documentary and fiction. He is the recipient of numerous prizes. In , he co-founded Brighton Cinematheque, which he then co-programmed until its demise in They smoke it, squander it, and hand over their bodies to the sea, to eventually provide fuel for upcoming struggles.

He studied drama and English at the University of Manchester and fine arts at the University of Ulster. In his films, photographs, installations, and live events, Collins often investigates the complex and ambiguous relationship between the camera and its subjects. Auch der Transfer von einem Medium zum anderen kann als Zeitreise gelesen werden. Einige Formate sind nicht mehr abspielbar auf aktuellen Playern.

Ein neuer Film muss her, um den Erinnerungen von heute gerecht zu werden. Melancholie und Nostalgie begleiten ihn. Der Kreis schliesst sich. At the same time, the terms also indicate how much human thinking is shaped by nostalgia. The past was always better, nay, altogether perfect. And thus, the circle opens The Future Is Past Perfect invites the audience on a physical and philosophical journey through time, which will likely lead to the discovery that not everything was better in the past, and that reviving the past can bring back many an undead creature once thought to be vanquished.

The documentary tells the story of the Voyager Golden Records, discs with images and sound recordings sent into space on the Voyager 1 and 2 space probes in in hopes of informing extraterrestrial life forms about humanity, which will likely no longer exist by then. The transfer from one medium to another also offers a trip through time.

Despite having saved all the data on a 2. Some formats are no longer readable by current media players. Melancholy and nostalgia are his travel companions. And so the circle is complete. Ein Bild aus seiner Kindheit ist ihm besonders geblieben The story begins in Paris, after the Third World War and the nuclear destruction of the entire surface of the Earth. The man was chosen because of his excellent visual memory. One childhood event left an especially strong impression on him Chris Marker — was a French filmmaker and multimedia artist who pioneered the essay film, an avant-garde cinematic form that brings a personal approach to documentary and non-narrative footage.

Die Platten wurden zu ihren Liebesbriefen an die Menschheit und aneinander. Each spacecraft carries a golden record album, a massive compilation of images and sounds embodying the best of Planet Earth. While working on the golden record, Carl Sagan met and fell madly in love with his future wife Annie Druyan.

The record became their love letter to humankind and to each other. And yes, Penny Lane is her real name. Eine Festplatte, 2. Die Zeit hat Spuren hinterlassen: Alte Formate sind nicht mehr abspielbar. The director is viewing the material: outtakes, photos, sound files, script parts, discarded ideas. Errors and image malfunctions prevent easy remembering; the sounds and images are not the same anymore.

Iris Blauensteiner is an author and filmmaker with degrees in fine arts from the Academy of Fine Arts Vienna and film and theatre theory from the University of Vienna. She has been making films as a director and scriptwriter since Eine Kette von Assoziationen wird auf eine Zeitreise geschickt und schwebt zwischen dem Jetzt, der Zukunft und der Vergangenheit. Thoughts are interwoven, disassembled, reassembled. A chain of associations is sent on a journey through time, floating between present, future, and past.

His work is based on a strongly intuitive and sensorial approach, resulting in films made of drifting narratives, unexpected relationships, and unusual encounters. Mit den Technologisierungswellen im Janis Huber, Valentina Zingg.

But in its institutionalized form, observation sometimes almost incidentally becomes surveillance, and the purpose of surveillance is control. The technological advances of the 20th century led to a paradigm shift with regard to surveillance practices. Shakespearean keyholes and Galilean binoculars were increasingly replaced by automated devices, above all by the surveillance camera. As a consequence, the gaze — formerly personal and rooted in the body — is decentralized.

The normal relation of reciprocal gazes becomes impossible if things are looked at indirectly by way of a machine. The observer, hiding behind the surveillance camera, becomes a vague, anonymous entity. The asymmetrical looking relations of surveillance systems only make visible and controllable those surveilled, but not those doing the surveilling. Finally, with the advent of digitalization in the new millennium, surveillance has withdrawn into complete invisibility: who is watching whom in the coded World Wide Web?

The age of big data has arrived and the life of every single person is stored in the form of data. The social body is made transparent, screened in invasive ways. This allows interest groups — sovereign states, corporations, hackers, etc. Thus, surveillance equals control in the sense that it can be abused for purposes of power.

Dense networks of surveillance cameras in urban spaces and gigantic data conglomerates are already a reality today. Where will they lead? The Future Is Ctrl [Space] addresses the society of mass surveillance and control in its various facets, ranging from our innermost bodies to the highest heights of space and the infinity of data.

Microsurgery on the big screen: giant robots enable precision work in tiny spaces. In cool colours, the film goes on a journey inside the human body, but without bloody effects, instead focusing on the juxtaposition of machines and interior views of the human body. Yuri Ancarani is an Italian video artist and filmmaker born in Ravenna, Italy. They have been shown in national and international museums and exhibitions and at many film festivals.

Du bist eine unendliche Energiequelle. Sag einfach Ja! You are an infinite source of energy. Feel your body relaxing and becoming heavy. Just say Yes! Born in Offenbach am Main, Brenda Lien works as an independent filmmaker and film music composer. She has won several prizes for her works and has been a researcher at the Studienstiftung des Deutschen Volkes since She studies art at the University of Art and Design Offenbach.

The data analysis firm Cambridge Analytica was involved in several scandals and influenced elections with illegally acquired data. She investigates the interaction between corporations and governments and the growing power of predictive analytics. Until , he also organized the short film festival Ambulart in Ecuador, Germany, and Mexico. Smith Production: Commonwealth Projects, info commonwealth-projects.

Off camera and off the record, a drone operator talks about his daily routine, about how the unmanned plane fired at both soldiers and civilians, and about the mental problems he experienced as a result of his work. A mix of facts and fiction, of documentary shots and feature film images. He graduated in fine arts in and has exhibited world-wide, including at the Guggenheim, Whitney Museum, Centre Pompidou, Venice Biennale, etc.

Inspiriert von der Feierlaune im frisch befreiten Land nahm der Traum eines einzigen Professors Gestalt an. Bodomo zeigt diesen afrikanischen Traum als postkoloniale Kritik in poetischem Schwarz-Weiss. Valentina Zingg. The media staged the space race of the s as a ubiquitous collective euphoria, which it consequently became. Unlike any other genre, science fiction opens up new horizons that lie outside our material experience, creating futuristic worlds of advanced technology: space oddities.

Bodomo portrays this African dream as a postcolonial critique in poetic black and white. From far outer spaces to the innermost mental worlds, The Future Is a Space Oddity demonstrates the wide range of sci-fi settings. Juli Amerika bereitet den Start der Apollo 11 vor.

Thousands of miles away, the Zambia Space Academy hopes to beat America in the race to the moon. Fino, the lines between consciousness and the unconscious are blurred. Doch der Protagonist verliert sich immer mehr in seinen Kindheitserinnerungen.

In a dystopian future on the South China Sea, an aging fisherman discovers an android woman from his past. After initial hesitation, he recognizes his caregiver in her and tries to make her come to life. But rather than her remembering him as a child, it is the protagonist who gets lost in his memories of a distant past.

Shal Ngo graduated from NYU and works with progressive politicians, producing content for them. Blending a Hollywood aesthetic with documentary elements, the film tells the story of an indigenous girl who falls in love with a humorous robot. Die digitale Vernetzung hat mittlerweile die dritte Evolutionsstufe erreicht, auf der nach Meinung von ExpertInnen die allgemeine Reife der Systeme und das sogenannte Internet der Dinge im Fokus stehen wird.

Mit der zunehmenden Durchdringung von realer Welt und virtueller Welt wird aber auch die digitale Manipulation von audiovisuellen Inhalten immer einfacher, was den Wahrheitsgehalt von authentischen Nachrichtenbildern immer mehr in Frage stellt. Indem er seine Methode sichtbar macht, reflektiert er die Manipulation zugleich. Arthur C. Damit ist die Entwicklung des digitalen Zeitalters aber noch lange nicht abgeschlossen. Mit der vierten Evolutionsstufe soll es ab ca. Die Antwort darauf ist im Programm versteckt.

The Future Is a Fake New World In his dystopian novel Brave New World , Aldous Huxley portrays a future in which artificial procreation, conditioning, and brainwashing have succeeded in creating a superficially perfect consumer society. Despite the general plausibility of this vision, a crucial aspect of recent developments was left out: digitalization. The digital connectedness of the world has now reached the third stage in its evolution, which — according to experts — will focus on the general maturity of systems and the so-called Internet of things.

An ever-growing part of our daily lives takes place in digital spaces. And the real world is increasingly pervaded by the digitally connected world. This interdependence is especially obvious in the field of online gaming, which adds communication between the players to the immersion in the digital world. By combining found footage of games with real interviews, he creates an image-within-the-image effect: scenes from games and interviews appear on the screens of other games and interact with each other.

In this way, Lambert reflects his own ambivalent stance towards the phenomenon of total immersion and the addictive potential of online games. The deepening connection between the real and virtual worlds also makes the digital manipulation of audiovisual material easier, increasingly questioning the truth content of so-called authentic news images. By making his method visible, he simultaneously reflects on his manipulation. But this is by no means the end of the digital evolution.

Beginning around , the fourth phase is supposed to bring the complete fusion of the real and digital worlds. Will the digital age lead to a complete dissolution of time and space? Will humans be replaced with their digital copy? The answer is hidden in our programme. The events take shape through YouTube videos and wireframe images from a video game. He explores a cinema beyond genre boundaries. His films question memory, virtual technology, and the intermediate spaces between worlds and words.

He currently lives and works in Paris. The second in a series of investigations into big-budget virtual worlds addresses the fluidity, fragility, and loneliness of technologically mediated social identities and friendships as well as archetypal masculinity and the poetics of blockbuster aesthetics. Kent Lambert is a Chicago-based musician and media artist. His creative output primarily consists of vocal driven art-pop music and pop-inflected video art made from repurposed industrial and commercial media.

His ever-mutating band Roommate has been performing stateside and abroad for over a decade. Creating a tongue-in-cheek portrait of a modern metropolis, the gringo also shows us how easy documentary images are to manipulate. Douwe Dijkstra is a filmmaker and video artist from the Netherlands. He studied illustration design at ArtEZ in Zwolle. His work is a mixture of film, animation, and VFX and can be described as humorous and socially engaged.

But making a film truer to the events that transpired proves difficult in a modern world of fake news, commercial interests, ever-changing perspectives, and an endless flow of misinformation. Seven animation artists joined forces to create this collaborative film project, with each artist contributing an approximately one-minute-long sequence. In a dark expanse that might be the cosmos, we hear the voice of Arthur C. A little girl is taken on a mind-bending tour of her distant future.

His films have received nearly awards and have been presented around the world. So einfach ist es. In unserer Komfortzone gefangen, bleiben wir auf Distanz — beobachten ist leichter als handeln. We need to decolonise and heal our technologies. Delphine Jeanneret.

The Future Is Digital Healing Is digital healing the solution, the way to fix our minds, and our relationship with the world? The six films of this programme suggest healing through technologies, presenting a lush flood of images, memes, GIFs, Internet trash, karaoke, yoga tutorials, mindfulness apps, mobile songs, and spiritual uplift. Some films provide their own safe space, while others open a gate to selfhelp techniques. Breathe in. Breathe out. Mindfulness is the key.

Our mind is completely disconnected from nature, which leads to a sensation of loss of control, failure, and impotence. The songs in the video explore how we disregard the signs that manifest around us in order to live in a world anesthetized by the promises and hopes that technologies pretend to offer us. The atmosphere of the extensive green lawn surrounded by trees is transcendental.

Soon, yoga poses are captured from above by a drone that shows us the entire environment. Help me. Trapped in our comfort zone, we assume a distance from which observing is safer than acting. She sees the organic, electronic, and spiritual as healing technologies that tackle Western authority and change our mindset. In her work, the cosmos is a mega hard drive.

The video addresses the dialogue between art, technology, and spirituality in an attempt to outsmart the limitations of technology. The collage of Internet found footage explores the relationship between religion and speciesism. Let your spirit open to new concepts, new images, new cosmologies, new spiritualities. Er vermisst dich.

Relax and enjoy this briefly deep conversation. He misses you. Kirsten Lepore is an LA-based director and animator. She is currently directing an animated indie feature. They earned fine arts degrees at the University of Barcelona and then went on to complete postgraduate studies in artistic research at the Dutch Art Institute. They have held solo shows and screenings in art centres and film festivals. They live and work between the Netherlands and Spain.

Ein YouTube-Yoga-Tutorial. Eine erweiterte Sicht. A YouTube yoga tutorial. A collapsed body. An expanded view. Corey Hughes is a Baltimore-based filmmaker who creates short films and music videos floating between narrative, documentary, and experimental tendencies. Das Werk zeigt den Beitrag schwarzer Frauen zu den Fortschritten der modernen Medizinwissenschaft und -technik.

Ruqyah ist ein islamisches Ritual, bei dem die von Gesundheitsproblemen verursachte negative Energie verbannt werden soll. Ruqyah is an Islamic rite of banishing negative energy caused by health problems. What lies beneath WikiFX selectivity? The methods used by these professionals remain unrevealed and as we see from the above comparison two similarly reliable brokerages can get any score from 1.

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He is suddenly treated as if he was from another planet. Take them to Kurzfilmtage, enjoy a drink, and watch the programme Hot Shorts. Venus has some unforgettable moments in store for you — prepare to be surprised! Irgendwo auf einer verlassenen Insel in der Zukunft folgen wir einer Gruppe von WissenschaftlerInnen durch eine Forschungsanlage. Die Mission startet bald — Zeit zu Tieren zu werden. He also directs music videos and designs film posters and trailers.

William loves working with found footage and reading Wikipedia articles for film inspiration. Somewhere on a deserted island in the future, we follow a group of scientists in a research facility. People are testing prosthetic elephant trunks and swimming around in pools wearing fish overalls. Lou Morton is an animator and filmmaker living in Los Angeles. His work has screened at festivals around the world, including Sundance, Annecy, and Hiroshima.

He currently works as a staff designer for Disney Channel. Jenny has always felt overshadowed by her childhood friend. She needs some time for herself now. Can she break free from her controlling friend, and could her otherwise rather useless superpower perhaps help her?

Christopher Good is a Kansas-based filmmaker. Toomas ist ein guter Wolf. Und er sieht wahnsinnig gut aus. Er versucht, dies vor seiner Familie zu verheimlichen. Doch was er nicht weiss: Auch seine Frau Viivi hat ein Geheimnis Toomas is a good wolf. He has a decent job, a pregnant wife, and two lovely children.

When he rejects an indecent proposal from his boss, things get out of hand. Chintis Lundgren is an Estonian-born animator currently living in Croatia. Lundgren created her own animation studio, Chintis Lundgreni Animatsioonistuudio, and later co-founded Adriatic Animation, an animation studio based in Croatia. Anders ist schwul, hatte damit aber nie Probleme.

Die fangen erst an, als eines Tages alle um ihn herum der Ansicht sind, er sei ein Kobold. Das sei er schon immer gewesen und das sei auch voll okay so. Anders will aber nicht als Kobold akzeptiert werden, er will, dass alle einsehen, dass er kein verdammter Kobold ist! Anders is gay, which was never a problem for him. His troubles begin when suddenly everyone around him considers him a gnome. A clever story about being different and political correctness. Eine Tampon-Frau trifft einen Astronautenmann und sie beschliessen, gemeinsam zum Mond zu fliegen.

A tampon woman meets an astronaut man, and they decide to fly to the moon together. Will they reach their goals together? She directs films, web series, and commercials. Das Programm erfreut sich grosser Beliebtheit und hat sich zu einem festen Bestandteil der Sektion Hors Concours entwickelt, in der sehenswerte aktuelle Filme ausserhalb des Wettbewerbs gezeigt werden.

Laura Walde. The short film industry has been witnessing a renewed fascination with analogue film, which is now also returning to film school curricula, as these two productions from the Zurich University of the Arts illustrate.

The reality that the film confronts us with — refugees at sea who will never reach the shore — is hard to put into words. Thus, the film refrains from using any dialogue, relying entirely on the images and actors. Created in collaboration with game designer Mario von Rickenbach, the film is part of a larger project that also includes an interactive game and an installation.

Switzerland , 13'14", digital file, colour, Swiss German with English subtitles, Fic. An animated short exploring group dynamics. An year-old woman spends her time at a bus station. Kim Allamand was born in Lucerne in After a storm, fisherwoman Maria pulls her husband, who vanished at sea years ago, out of the ocean — alive!

And her burning desire for love makes her believe the impossible. Julian M. During this time, he also started directing theatre and film as well as editing and writing for film and theatre. In , he studied cinematography and scriptwriting at the Prague Film School. Switzerland , 20'00", digital file, colour, Swiss German with English subtitles, Fic. Nach einem erneuten blutigen Zwischenfall vertraut er sich seinem Freund Tobias an.

Eine Entscheidung bahnt sich an. Fabrice and Lena are a happy couple on the surface. But her repeated abusive behaviour makes him cave. After another bloody incident, he confides in his friend Tobias. Fabrice has to make a decision. He graduated with a BA in film in Dabei trifft er auf passivaggressive Fremde und auf ein paar Versionen seiner selbst in einem zunehmend alp- traumhaften Spiel. In this music video, a guy plays mini-golf and meets some passiveaggressive strangers as well as various versions of himself as the game turns increasingly dreamlike and nightmarish.

Tom Combo is a writer and musician living in Winterthur. He has published various books, soundtracks, and albums. When the concrete of the big city heats up, citizens seek out the river. This group of students from ZHdK formed spontaneously during a school project dedicated to 16 mm film. Their aim was to explore the documentary potentials of analogue film in more detail. Neil Stubbings is an animation director and character designer known for his signature style of infusing 3D animation with classic cartoon style, and for his humorous scripts.

Dismissed Dismissed, or Kill Your Darlings hiess es jahrelang. Niemand weiss es. Die Wettbewerbskommission war mal wieder heillos zerstritten. Zur Geisterstunde. Weiss bloss niemand. Also ein Meisterwerk. Ab in den Wettbewerb! So wurden Herzogs Worte zur Leitplanke der irrlichternden Kommission. Aber bis dahin ist es hoffentlich noch lange. Kyros Kikos. Now, the title has been cut. World peace? Climate change? Nobody knows. As so often, the selection committee for the competition was at serious odds with each other.

It was Babylonian! So there they were, mad at each other, each carrying their baggage of supposedly superior tastes, when there was a knock on the door. At the witching hour! Slowly, slowly, a blurry figure resembling the distorted image on an old VHS tape entered.

If a film is long, dull, unwieldy, confused, with a dragging voice-over — what is it? For the competition! But to save some of their beloved treasures from the Hades of the archive, they devised a clever loophole to bring to the festival screen the films that had narrowly missed the entry to the competition.

We will probably burn in hell and forever have to share a furnace with Werner Herzog for mutilating the original title. Der Film bedient sich schwungvoll zweier klassischer Animationstechniken: Zeichnen und Malen. In the course of their life, a person sleeps about 25 years.

Thus, the magical world of dreams determines our everyday state of mind much more than the rationality of our consciousness. The film uses two classical animation techniques: drawing and painting. An alien travels to earth in hopes of starring in a sci-fi blockbuster. Auden Lincoln-Vogel is an American animator and experimental filmmaker who currently lives and works between Iowa City and Tallinn, Estonia.

His work ranges from narrative animation to expanded cinema performances. Hallo, hallo, ich bin zum ersten Mal in Barcelona! Was ist ein Pep? Was ist ein Ventura? Hello, hello, this is my first time in Barcelona! My favourite name of a subway station is: Pep Ventura. It sounds like a peppy life of adventure. But the Pep Ventura square is barren and boring. Dagie Brundert studied experimental filmmaking and is a luminary of S8 creation.

Since , she has been shooting exclusively with a Nizo Super 8 camera, producing numerous experimental films, which she developed in substances such as caffenol, seaweed, red wine, and beer. Die Musik von Orpheus verzaubert jede und jeden, selbst Tiere und Pflanzen. Sein Gesang vermag sogar seine geliebte Eurydike aus der Unterwelt zu retten. Aber es gibt eine Bedingung: Bis Orpheus den Hades verlassen hat, darf er sich nicht umdrehen, um zu sehen, ob seine Geliebte ihm wirklich folgt.

In der Welt der Whim regiert die Laune des Augenblicks. Orpheus enchants everyone with his music, even animals and plants. His singing can even rescue his beloved Eurydice from the underworld. But there is one condition: until Orpheus has left Hades, he cannot turn around to see if his love is truly following him. In the world of the Whim, the whim of the moment reigns supreme. Everything that exists on the planet is restless, chaotic, and constantly changing shape.

Priit Tender is an Estonian animator born in Tallinn in He is the director, designer, and writer of many animated shorts. His films are driven by surreal imagery and black humour, and they have won prizes and nominations from the most important short film and animation festivals. She works in illustration, painting, and animation and is a winner of several international awards. On the night of a lunar eclipse, we uncover the sweet, salacious, and spooky secrets of a small town.

From a pigtailed psychopath to naughty nuns and everything in between, this stop motion animation conjures a comforting thought: that being weird is relative. Michaela Olsen is Creative Director and partner at Mighty Oak, an animation studio whose mission is to bring the human touch back into pictures.

Her award-winning shorts have tickled audiences and frightened kids at festivals throughout the universe. She lives in Brooklyn with four sinks and a dog. Werner Herzog Gauss: one of the greatest mathematicians and physicists ever. Without his theorem and his law of electrostatics, GPS navigation would be impossible. Without his propagation of error, we would be lost as if we were going forwards and backwards in time and space. Together they are warnixmachtnix, running the wonderful Lichtmess Kino in Hamburg Altona and delighting the world with their short films full of humour and nonsense.

Dieser Film ist die letzte Nachricht der Kaiju 2, bevor sie im schwarzen Loch verschwindet. Its mission: to reach a black hole where time stops, the light goes out, and matter collapses. This film is the last message sent by Kaiju 2 before it disappears into the black hole. Francesco Jodice, born in Naples in , explores current transformation processes with a focus on urban anthropological phenomena and the creation of new forms of participation.

Short Matters Kurzfilme erlauben kreative, ja provokative Experimente und laden die RegisseurInnen ein, mit filmischen Stilmitteln zu spielen. Sie bringt die nominierten Filme an zahlreiche Filmfestivals und Institutionen in und ausserhalb von Europa. Short Matters Short films allow for creative experiments and provocation, and they invite artists to play with cinematic styles. For some filmmakers, they mark the starting point of their careers, for others, they remain the main form of expression that they keep exploring.

It is an important objective of the European Film Academy to support talented young filmmakers and to celebrate the diversity of European film culture. At each of the 15 partner festivals, an independent jury nominates one of the European short films in competition for the European Short Film Award.

The members of the European Film Academy then watch all the nominated films and vote for the overall winner, which is announced at the European Film Awards ceremony. The EFA Short Film Initiative has long been a staple on the international short film calendar, and the interest in this selection of shorts has constantly grown over the past years. The nominated films are presented at 50 screenings around the world, from Madrid to Macau, from Taiwan to Tallinn. The selection in the Short Matters programme offers a diverse panorama of young contemporary European filmmaking.

In einem verlassenen Wasserpark verstecken sich zwei junge Menschen vor der Aussenwelt. In an abandoned water park, a girl and a boy are hidden from the outside world. Between the graffiti-covered ruins of old swimming pools and slides, they find a place of refuge to grieve their loss of hopes and dreams. In the south of Spain, a race of painted pigeons will not be won by the one that flies the fastest, but the one that seduces a female pigeon and flies alongside her the longest.

Zwei polnische Arbeiterinnen leben Seite an Seite auf einem Brandenburger Milchbauernhof und ignorieren sich gegenseitig — bis Tava eines Tages nicht zur Arbeit erscheint. A conversation between two friends about the effectiveness and implications of publicly supporting the cultural boycott of Israel. One friend is wracked with worry after having signed a petition asking Radiohead not to play in Tel Aviv, while the other is more sanguine.

He is the co-founder of the London-based production company Nakba FilmWorks. Doch sie ist auch verliebt in ihren Chirurgen, ihren Retter. Er besucht sie jeden Abend. Alice sings, wears make-up, laughs. He comes to see her every evening. There are magical moments that help her forget her unbearable situation. Am Geburtstag des Jungen explodiert dieses labile Dreieck — Anoucks Aufstand bahnt sich an Anouck is a resigned girl, torn between two violent loves: her man, an attractive watchdog, and her little brother, a young mad pup.

Since then, she has been drawing wolves, making movies and experimental wine, and building a village of caravans. Places from her past emerge like reflections of a fragmented and ever-changing memory. Bodies and shadows, small objects and landscapes compose the story of a life.

Der einzige Lichtblick ist seine Freundin Donna. Macho is a poor boy who skips school to work on a construction site. The only ray of light for him is his girlfriend Donna. But she is ashamed of his mother, who works as a janitor in their school. Macho has to choose between his mother and his love, and he finds his own way to deal with his emotions. During his studies, he worked on multiple film projects as an assistant director.

Heather Phillipson works across video, sculpture, music, drawing, and poetry. Was bedeutet es, im eigenen Zuhause und im eigenen Land fremd zu sein? What does it mean to be a stranger in your own home and country? But in , as filmmaking became the overpowering passion in his life, he left his fighting career behind and went on to study filmmaking at the Hybrid Conservatory in Los Angeles.

Rati founded the production company ArtWay Film and has directed several short and feature films. Er bringt den reichen Kindern Spielzeuge, den armen Sweatshirts. He brings toys to the rich kids and sweatshirts to the poor ones. Pablo is currently writing his first fiction feature.

Eine mutmassliches afrikanisches Dorf, bewohnt von Deutschen. A presumed African village, inhabited by Germans. Since , he has been developing video collages and films that cross the boundaries between contemporary art and narrative film. His works have been shown in numerous museums, galleries, and at film festivals.

Roman lebt ein einsames Leben in einer Provinzstadt, wo er als Techniker arbeitet. Roman lives a lonely life in a provincial town where he works as a technician. For the first time since graduation, his ex-classmate Liuda returns to town. Nobody has heard from her in 20 years, but Roman is set on not losing her again.

In , he co-founded Eto Samoe production. Mit stoischer Beharrlichkeit und mithilfe amerikanischer Flugangriffe stehen diese Frauen an der Spitze des Freiheitskampfes. Filmed during the battle of Kobani, this film reveals the women at the heart of the fight against the Islamic State. With stoical perseverance and the aid of American airstrikes, these women are leading the fight for freedom.

He studied film directing at the Netherlands Film Academy. Going on a safari is a dream for many. For middle-aged couple Linda and Troyer, it turns into a horribly real adventure when they are left behind in the wilderness. Apart from his own projects, Nicolas works as new media manager for Studio Hans Op de Beeck, where he is responsible for the production, animation, and editing of various projects.

After graduating, Matthias started working as a graphic designer in Ghent while developing his career as an illustrator and cartoonist. The Future Is Grosser Fokus: The Future Is Als KuratorInnenkollektiv der Kurzfilmtage sind wir sicher nicht die Einzigen, die — frei nach Fleetwood Macs Future Games — ihre Abende damit verbringen, von den verschiedensten Zukunftsszenarien zu fabulieren.

Und wir wollen es auch gleich offenlegen: Wir haben keine Ahnung, was die Zukunft bringt. Der Grosse Fokus der Internationalen Kurzfilmtage Winterthur stellt neun Thesen auf, die unsere professionelle Ahnungslosigkeit widerspiegeln. Der Futurismus als kunsthistorische Bewegung wurde am Februar mit der Publikation von F. Aber vergassen sie dabei nicht den menschlichen. Deswegen sind eine Vielzahl von Filmen in unserem Fokusprogramm nicht auf den ersten Blick futuristisch, sondern lediglich ein Kommentar auf die Gegenwart oder auf die Vergangenheit.

Vielleicht deshalb, weil Prognosen zum gesellschaftlichen Wandel einfach mehr Spiel als Wissenschaft sind? Die neun Programme im Grossen Fokus sind also weder futuristisch noch futurologisch im eigentlichen Sinne. Sie sind keine Prognosen, sondern stellen spielerische Behauptungen auf. Open-Source deshalb, weil wir eben auch jetzt noch keine Ahnung haben, was die Zukunft bringt.

Was ist Ihre These? Main Focus: The Future Is We only know what we hope for, what we dread, what we can observe, and — at least to some extent — where we come from. The Main Focus of the 23rd Internationale Kurzfilmtage Winterthur offers nine hypotheses that reflect our professional cluelessness. We eventually settled on the open-ended title The Future Is Futurism as an artistic movement was founded on 20 February with the publication of F. Today is the future of yesterday, and it is quite sobering to realize how little has changed in the past years.

The glorification of speed, technology, and aggression, the cult of youth and virility, and the blatant discrimination against women — much of what futurism celebrated is reminiscent of many a current head of state or Silicon Valley genius. At the technological level, we may be at a point today that Marinetti and his contemporaries could not have imagined in their wildest dreams.

The future is continuously being formed, transformed, and developed by the present and the past. For this reason, many of the films in our Focus. The term futurology was coined by the German legal and political scholar Ossip K. Perhaps this is because predictions about social change are more of a game than serious science?

The nine programmes in our Main Focus are neither futuristic nor futurological in the strict sense. Instead of making predictions, they offer playful claims. Laura Walde, Delphine Jeanneret. The Future Is Melting The future belongs to the young — and they are finally taking to the streets again. Climate change, too, is no longer just a change, but an ecological crisis, now that awareness of it is finally on the rise.

Locally and globally, the climate crisis confronts us with the greatest and most important political, economic, and social challenge of the coming decades. Is there still a future, or is it melting away just like the polar ice and our glaciers? Instead of didactic finger-pointing, we need creative visions, experimental stories, and uncomfortable imagery as food for thought. In a subversive reversal, oil becomes the refuge of the anti-capitalist resistance. The Anthropocene — as a geological age dominated by humankind — cannot have a future if the human race is to have one.

Auf der anderen Seite der Erde zwingen die schmelzenden Himalaya-Gletscher, steigende Meeresspiegel und extreme Wetterereignisse den Bangladeschern einen amphibischen Lebensstil auf. The ecological crisis is a political, economic, and social crisis. It is also cinematic, as the emergence of cinema historically coincides with the development of the so-called Anthropocene. His films have been shown at numerous international festivals.

Her films have screened at a number of international festivals. On the other side of the world, melting Himalayan glaciers, rising sea levels, and extreme weather events impose an amphibian lifestyle on the people of Bangladesh. Ursula Biemann is an artist, theorist, and curator who has produced a considerable body of work on migration, mobility, technology, and gender in recent years. She is a researcher at the Zurich University of the Arts and she teaches seminars and workshops internationally.

Inspired by recent talks amongst legislature to finally disperse billions of dollars in restoration funds, this film shows a future of ecoflourished Everglades. Nature begins to take over, engulfing and taming civilization after centuries of attack, and even forcing humans to adapt to their surroundings. His work has been shown at various festivals, galleries, museums, and cinematheques.

Auf dem Land. Ein unbestimmter Ort in der Zukunft. In an uncertain place, in a future time. Her documentary, experimental, and fiction work has been selected, exhibited, and awarded at several national and international film festivals. His work has been shown internationally in a number of places. Die letzte Frau auf der Erde, vielleicht. The last woman on Earth, perhaps. Her logbook recounts her struggles with sustaining her world, sanity, and dedication to her unforgiving sealed environment.

Filmed inside Biosphere 2 in Arizona, the film is a cinematic meditation on ambitious experiments, constructed environments, and visions of the future. Ben Rivers studied fine art at Falmouth School of Art, initially in sculpture before moving into photography and Super 8 film. His practice as a filmmaker treads a line between documentary and fiction. He is the recipient of numerous prizes. In , he co-founded Brighton Cinematheque, which he then co-programmed until its demise in They smoke it, squander it, and hand over their bodies to the sea, to eventually provide fuel for upcoming struggles.

He studied drama and English at the University of Manchester and fine arts at the University of Ulster. In his films, photographs, installations, and live events, Collins often investigates the complex and ambiguous relationship between the camera and its subjects. Auch der Transfer von einem Medium zum anderen kann als Zeitreise gelesen werden.

Einige Formate sind nicht mehr abspielbar auf aktuellen Playern. Ein neuer Film muss her, um den Erinnerungen von heute gerecht zu werden. Melancholie und Nostalgie begleiten ihn. Der Kreis schliesst sich. At the same time, the terms also indicate how much human thinking is shaped by nostalgia. The past was always better, nay, altogether perfect. And thus, the circle opens The Future Is Past Perfect invites the audience on a physical and philosophical journey through time, which will likely lead to the discovery that not everything was better in the past, and that reviving the past can bring back many an undead creature once thought to be vanquished.

The documentary tells the story of the Voyager Golden Records, discs with images and sound recordings sent into space on the Voyager 1 and 2 space probes in in hopes of informing extraterrestrial life forms about humanity, which will likely no longer exist by then. The transfer from one medium to another also offers a trip through time. Despite having saved all the data on a 2.

Some formats are no longer readable by current media players. Melancholy and nostalgia are his travel companions. And so the circle is complete. Ein Bild aus seiner Kindheit ist ihm besonders geblieben The story begins in Paris, after the Third World War and the nuclear destruction of the entire surface of the Earth.

The man was chosen because of his excellent visual memory. One childhood event left an especially strong impression on him Chris Marker — was a French filmmaker and multimedia artist who pioneered the essay film, an avant-garde cinematic form that brings a personal approach to documentary and non-narrative footage. Die Platten wurden zu ihren Liebesbriefen an die Menschheit und aneinander.

Each spacecraft carries a golden record album, a massive compilation of images and sounds embodying the best of Planet Earth. While working on the golden record, Carl Sagan met and fell madly in love with his future wife Annie Druyan. The record became their love letter to humankind and to each other. And yes, Penny Lane is her real name.

Eine Festplatte, 2. Die Zeit hat Spuren hinterlassen: Alte Formate sind nicht mehr abspielbar. The director is viewing the material: outtakes, photos, sound files, script parts, discarded ideas. Errors and image malfunctions prevent easy remembering; the sounds and images are not the same anymore. Iris Blauensteiner is an author and filmmaker with degrees in fine arts from the Academy of Fine Arts Vienna and film and theatre theory from the University of Vienna. She has been making films as a director and scriptwriter since Eine Kette von Assoziationen wird auf eine Zeitreise geschickt und schwebt zwischen dem Jetzt, der Zukunft und der Vergangenheit.

Thoughts are interwoven, disassembled, reassembled. A chain of associations is sent on a journey through time, floating between present, future, and past. His work is based on a strongly intuitive and sensorial approach, resulting in films made of drifting narratives, unexpected relationships, and unusual encounters. Mit den Technologisierungswellen im Janis Huber, Valentina Zingg. But in its institutionalized form, observation sometimes almost incidentally becomes surveillance, and the purpose of surveillance is control.

The technological advances of the 20th century led to a paradigm shift with regard to surveillance practices. Shakespearean keyholes and Galilean binoculars were increasingly replaced by automated devices, above all by the surveillance camera. As a consequence, the gaze — formerly personal and rooted in the body — is decentralized. The normal relation of reciprocal gazes becomes impossible if things are looked at indirectly by way of a machine.

The observer, hiding behind the surveillance camera, becomes a vague, anonymous entity. The asymmetrical looking relations of surveillance systems only make visible and controllable those surveilled, but not those doing the surveilling. Finally, with the advent of digitalization in the new millennium, surveillance has withdrawn into complete invisibility: who is watching whom in the coded World Wide Web?

The age of big data has arrived and the life of every single person is stored in the form of data. The social body is made transparent, screened in invasive ways. This allows interest groups — sovereign states, corporations, hackers, etc. Thus, surveillance equals control in the sense that it can be abused for purposes of power.

Dense networks of surveillance cameras in urban spaces and gigantic data conglomerates are already a reality today. Where will they lead? The Future Is Ctrl [Space] addresses the society of mass surveillance and control in its various facets, ranging from our innermost bodies to the highest heights of space and the infinity of data. Microsurgery on the big screen: giant robots enable precision work in tiny spaces. In cool colours, the film goes on a journey inside the human body, but without bloody effects, instead focusing on the juxtaposition of machines and interior views of the human body.

Yuri Ancarani is an Italian video artist and filmmaker born in Ravenna, Italy. They have been shown in national and international museums and exhibitions and at many film festivals. Du bist eine unendliche Energiequelle. Sag einfach Ja! You are an infinite source of energy. Feel your body relaxing and becoming heavy. Just say Yes! Born in Offenbach am Main, Brenda Lien works as an independent filmmaker and film music composer.

She has won several prizes for her works and has been a researcher at the Studienstiftung des Deutschen Volkes since She studies art at the University of Art and Design Offenbach. The data analysis firm Cambridge Analytica was involved in several scandals and influenced elections with illegally acquired data. She investigates the interaction between corporations and governments and the growing power of predictive analytics.

Until , he also organized the short film festival Ambulart in Ecuador, Germany, and Mexico. Smith Production: Commonwealth Projects, info commonwealth-projects. Off camera and off the record, a drone operator talks about his daily routine, about how the unmanned plane fired at both soldiers and civilians, and about the mental problems he experienced as a result of his work.

A mix of facts and fiction, of documentary shots and feature film images. He graduated in fine arts in and has exhibited world-wide, including at the Guggenheim, Whitney Museum, Centre Pompidou, Venice Biennale, etc. Inspiriert von der Feierlaune im frisch befreiten Land nahm der Traum eines einzigen Professors Gestalt an.

Bodomo zeigt diesen afrikanischen Traum als postkoloniale Kritik in poetischem Schwarz-Weiss. Valentina Zingg. The media staged the space race of the s as a ubiquitous collective euphoria, which it consequently became. Unlike any other genre, science fiction opens up new horizons that lie outside our material experience, creating futuristic worlds of advanced technology: space oddities. Bodomo portrays this African dream as a postcolonial critique in poetic black and white.

From far outer spaces to the innermost mental worlds, The Future Is a Space Oddity demonstrates the wide range of sci-fi settings. Juli Amerika bereitet den Start der Apollo 11 vor. Thousands of miles away, the Zambia Space Academy hopes to beat America in the race to the moon. Fino, the lines between consciousness and the unconscious are blurred. Doch der Protagonist verliert sich immer mehr in seinen Kindheitserinnerungen. In a dystopian future on the South China Sea, an aging fisherman discovers an android woman from his past.

After initial hesitation, he recognizes his caregiver in her and tries to make her come to life. But rather than her remembering him as a child, it is the protagonist who gets lost in his memories of a distant past. Shal Ngo graduated from NYU and works with progressive politicians, producing content for them. Blending a Hollywood aesthetic with documentary elements, the film tells the story of an indigenous girl who falls in love with a humorous robot.

Die digitale Vernetzung hat mittlerweile die dritte Evolutionsstufe erreicht, auf der nach Meinung von ExpertInnen die allgemeine Reife der Systeme und das sogenannte Internet der Dinge im Fokus stehen wird. Mit der zunehmenden Durchdringung von realer Welt und virtueller Welt wird aber auch die digitale Manipulation von audiovisuellen Inhalten immer einfacher, was den Wahrheitsgehalt von authentischen Nachrichtenbildern immer mehr in Frage stellt.

Indem er seine Methode sichtbar macht, reflektiert er die Manipulation zugleich. Arthur C. Damit ist die Entwicklung des digitalen Zeitalters aber noch lange nicht abgeschlossen. Mit der vierten Evolutionsstufe soll es ab ca. Die Antwort darauf ist im Programm versteckt. The Future Is a Fake New World In his dystopian novel Brave New World , Aldous Huxley portrays a future in which artificial procreation, conditioning, and brainwashing have succeeded in creating a superficially perfect consumer society.

Despite the general plausibility of this vision, a crucial aspect of recent developments was left out: digitalization. The digital connectedness of the world has now reached the third stage in its evolution, which — according to experts — will focus on the general maturity of systems and the so-called Internet of things.

An ever-growing part of our daily lives takes place in digital spaces. And the real world is increasingly pervaded by the digitally connected world. This interdependence is especially obvious in the field of online gaming, which adds communication between the players to the immersion in the digital world.

By combining found footage of games with real interviews, he creates an image-within-the-image effect: scenes from games and interviews appear on the screens of other games and interact with each other. In this way, Lambert reflects his own ambivalent stance towards the phenomenon of total immersion and the addictive potential of online games.

The deepening connection between the real and virtual worlds also makes the digital manipulation of audiovisual material easier, increasingly questioning the truth content of so-called authentic news images. By making his method visible, he simultaneously reflects on his manipulation. But this is by no means the end of the digital evolution. Beginning around , the fourth phase is supposed to bring the complete fusion of the real and digital worlds.

Will the digital age lead to a complete dissolution of time and space? Will humans be replaced with their digital copy? The answer is hidden in our programme. The events take shape through YouTube videos and wireframe images from a video game. He explores a cinema beyond genre boundaries. His films question memory, virtual technology, and the intermediate spaces between worlds and words. He currently lives and works in Paris. The second in a series of investigations into big-budget virtual worlds addresses the fluidity, fragility, and loneliness of technologically mediated social identities and friendships as well as archetypal masculinity and the poetics of blockbuster aesthetics.

Kent Lambert is a Chicago-based musician and media artist. His creative output primarily consists of vocal driven art-pop music and pop-inflected video art made from repurposed industrial and commercial media. His ever-mutating band Roommate has been performing stateside and abroad for over a decade. Creating a tongue-in-cheek portrait of a modern metropolis, the gringo also shows us how easy documentary images are to manipulate.

Douwe Dijkstra is a filmmaker and video artist from the Netherlands. He studied illustration design at ArtEZ in Zwolle. His work is a mixture of film, animation, and VFX and can be described as humorous and socially engaged. But making a film truer to the events that transpired proves difficult in a modern world of fake news, commercial interests, ever-changing perspectives, and an endless flow of misinformation.

Seven animation artists joined forces to create this collaborative film project, with each artist contributing an approximately one-minute-long sequence. In a dark expanse that might be the cosmos, we hear the voice of Arthur C. A little girl is taken on a mind-bending tour of her distant future. His films have received nearly awards and have been presented around the world. So einfach ist es. In unserer Komfortzone gefangen, bleiben wir auf Distanz — beobachten ist leichter als handeln.

We need to decolonise and heal our technologies. Delphine Jeanneret. The Future Is Digital Healing Is digital healing the solution, the way to fix our minds, and our relationship with the world? The six films of this programme suggest healing through technologies, presenting a lush flood of images, memes, GIFs, Internet trash, karaoke, yoga tutorials, mindfulness apps, mobile songs, and spiritual uplift.

Some films provide their own safe space, while others open a gate to selfhelp techniques. Breathe in. Breathe out. Mindfulness is the key. Our mind is completely disconnected from nature, which leads to a sensation of loss of control, failure, and impotence.

The songs in the video explore how we disregard the signs that manifest around us in order to live in a world anesthetized by the promises and hopes that technologies pretend to offer us. The atmosphere of the extensive green lawn surrounded by trees is transcendental.

Soon, yoga poses are captured from above by a drone that shows us the entire environment. Help me. Trapped in our comfort zone, we assume a distance from which observing is safer than acting. She sees the organic, electronic, and spiritual as healing technologies that tackle Western authority and change our mindset.

In her work, the cosmos is a mega hard drive. The video addresses the dialogue between art, technology, and spirituality in an attempt to outsmart the limitations of technology. The collage of Internet found footage explores the relationship between religion and speciesism. Let your spirit open to new concepts, new images, new cosmologies, new spiritualities.

Er vermisst dich. Relax and enjoy this briefly deep conversation. He misses you. Kirsten Lepore is an LA-based director and animator. She is currently directing an animated indie feature. They earned fine arts degrees at the University of Barcelona and then went on to complete postgraduate studies in artistic research at the Dutch Art Institute. They have held solo shows and screenings in art centres and film festivals.

They live and work between the Netherlands and Spain. Ein YouTube-Yoga-Tutorial. Eine erweiterte Sicht. A YouTube yoga tutorial. A collapsed body. An expanded view. Corey Hughes is a Baltimore-based filmmaker who creates short films and music videos floating between narrative, documentary, and experimental tendencies. Das Werk zeigt den Beitrag schwarzer Frauen zu den Fortschritten der modernen Medizinwissenschaft und -technik. Ruqyah ist ein islamisches Ritual, bei dem die von Gesundheitsproblemen verursachte negative Energie verbannt werden soll.

Ruqyah is an Islamic rite of banishing negative energy caused by health problems. Today, the potential of the smartphone has also seeped into this religious ritual. Arya Sukapura Putra lives and works in Yogyakarta, Indonesia. He began his creative career in by exploring many media in his works — two-dimensional, three-dimensional, mixed media, installation, sculpture, and video. His works have been exhibited and screened in various exhibitions in Europe, the US, Asia, and Australia.

Juni und nun wieder am The Future Is Sisterhood Switzerland did not grant women the right to vote until 7 February and the Canton of Appenzell Ausserrhoden not until The prevalence of sexual harassment and violence against women is pervasive and systemic.

About million girls and women around the world — more than one in ten — have experienced sexual violence. To this day, women make up only And in the microcosm of the film industry, women also remain severely underrepresented. We want The Future Is Sisterhood to be seen as a wake-up call against dominant power structures and for an emancipated future for all. The films in this programme undermine normative views and representations of women.

The asterisk signals that the binary opposition of men and women is insufficient for describing reality. It presents a cyborgian future of techno-science in which the residual resonance of extinct civilizations is still felt. Through the blending of science and mythology, the film ruminates upon the effects of computational and biological technologies on future iterations of humanity and the environment. Born in Austria, Ursula Mayer currently lives and works in London. Through her poetic treatment of film, Mayer interweaves myth, biopolitics, and the semiotics of cinema to visualize and ruminate upon a post-human future.

In , she received the Derek Jarman Award. This film portrays a Brooklyn-based movement of female sex workers who regard their work as a way for women to reclaim power in a male-dominated pleasure zone. Their mission is to redefine sexual conventions and ideas about intimacy itself. Her works address themes of eroding intimacy and isolation in an increasingly sterile, technological world. Her experimental documentaries often explore communities living or working on the margins of society, either through illegal means or due to cultural exclusion.

She has finally created the perfect partner, a beautiful giant slug. Mensch und Tier, Frau und Mann. Hier Europa, dort Afrika. Ohne klare Leitlinien immer wieder neu seinen Platz und seine Haltung zu finden, will gelernt sein — und die Spannung zwischen zwei Polen ist nicht immer leicht auszuhalten. Beide Filme. Die vier Filme in diesem Programm dekonstruieren Grenzen — reale und metaphorische. Das tun sie nicht nur inhaltlich, sondern auch auf formaler Ebene.

The Future Is Deconstructing Boundaries Flipside and objection, comparison and contrast, opposites and simplifications structure our thinking. Human and animal, woman and man. Europe right here, Africa over there. Right and wrong, homeland and foreign country, civilization and barbarism, success and failure. Once we break down binary structures, things suddenly look a lot more complicated.

Overcoming boundaries in the metaphorical sense means to read between the lines, to accept grey areas, to constantly renegotiate definitions. The short film imagines a future in which the gender binary with its clear distinction between man and woman has been dissolved. The metaphor of the snake evokes mental images of movement, flow, and openness, making the idea of a clear split between man and woman, now and later, pre- and post- untenable.

But there are real borders to be crossed as well. This freedom of movement, however, cannot be taken for granted, and it often depends on what side of the border we find ourselves on. Both films imagine a future in which refugees and immigrants claim their legal right to freedom of movement across and beyond national borders.

The four films in this programme deconstruct real and metaphorical boundaries. They decidedly take a stand and challenge us to face our current — and past — realities in all their complexity instead of reducing them to simplistic juxtapositions. Eine Reise zwischen Hoffnung und Dystopie in einem halluzinierten Kinshasa.

Er wurde zur Legende und zum Symbol eines sich vom Kolonialismus befreienden Afrikas. A journey between hope and dystopia in a hallucinated Kinshasa. The film questions the very physical relationship we have with our mobile phones as extensions of our hands that endow us with digital ubiquity. Baloji is a poet, composer-lyricist, scriptwriter, actor and performer, video artist, and stylist. His music stands at the crossroads of African music, traditional, and Afro-American music soul, funk, jazz discovered through the culture of sampling, and electronic music trance, deep house , which has its roots partly in the region of Belgium where Baloji grew up.

They have been working together since Instead of norms and binaries, we witness the emergence of hybrids, of a newly formulated space for human encounter that bears the potential of a new, unrestrained sphere of compassion and empathy, where diversity is a condition of truth. Their current points of interest are the technologies shaping human sexuality, their emancipatory promises and tendencies to reinforce bias, digital intimacy, and virtual fantasies.

Die Teleportation hat Flugzeuge ersetzt. In a world where teleportation has replaced planes, a crocodile called Fiona tells of life on the CAPS: an island-turned-refugee-camp for illegal immigrants caught mid-teleportation. Themes of displacement, biotechnology, and privacy are evoked through the augmented reality of a raucous birthday party in the Moroccan quarter of the CAPS.

Bennani works in video, sculpture, multimedia installation, drawing, and Instagram. She is known for her playful and humorous use of digital technologies such as 3D animation, projection mapping, and motion capture. Besser und gerechter? Diese Fragen stehen am Ursprung der Utopie. Denn in dieser Konfrontation liegt der Wert der Utopie. Dass eine andere Welt zumindest denkbar ist. Wirklich erstaunlich ist das nicht, denn Geschichten brauchen Konflikte.

Allerdings besteht die Filmgeschichte nicht nur aus Spielfilmen. Und sobald wir uns dem Dokumentar- und Propagandafilm zuwenden, sieht die Sache ganz anders aus. The Future Is Utopia zeigt drei solche Werke. Denn als Stadtplaner tritt kein Geringerer als Walt Disney auf. Was die kleine Auswahl auf jeden Fall zeigt, ist, dass es auch im Film nicht an positiven Utopien fehlt. Simon Spiegel. Simon Spiegels Studie Bilder einer besseren Welt. The Future Is Utopia What if the world was completely different?

Better and juster? Is a world where everyone leads a decent life possible? Such are the questions at the root of utopias. Ever since the British humanist Thomas More published his Utopia in , there have been countless works juxtaposing the unpleasant present with radical counter-models.

Literary utopias have a long history, but film is a different matter: film history is teeming with dark visions of the future, while positive visions are extremely rare. This is hardly surprising because stories need conflicts. A world where everybody is happy is the worst possible starting point for an exciting plot. However, film history does not consist of fiction films alone. And as soon as we turn to documentary and propaganda films, an entirely different picture presents itself.

We suddenly find a plethora of films aiming to convince us of their vision of a better society. The Future Is Utopia shows three such works. But this is totally unacceptable for a broker ranking website, which WikiFX claims to be, to mark NFA-registered futures brokerage as non-reliable.

Yet, this does not prevent WikiFX from claiming that the brokerage has only been providing its services for years only, instead of the factual 16 years of operations. We can long discuss the reasons that lie behind such selectivity of WikiFX but this random example clearly shows that any brokerage that provides access to non-forex derivatives trading or dares to suggest custom-developed software to its traders is in danger of receiving a negative review at WikiFX regardless of the factual reliability and regulations.

What lies beneath WikiFX selectivity? The methods used by these professionals remain unrevealed and as we see from the above comparison two similarly reliable brokerages can get any score from 1. The first thing that comes to mind is that WikiFX might be affiliated with some brokers.

The hypothesis gets even more realistic if we try to understand who sponsors WikiFX. There are no transparent built-in ads neither on the web-version of the website nor in its applications. There are no paid subscriptions for access to the database. This means that users sponsor the service with neither their attention to ads nor directly. The only option that we have left is that brokers sponsor this ranking system directly, which automatically makes the whole system non-reliable and highly biased.

The only transparent method that we know WikiFX uses to collect money is sponsorship fees they collect from their offline events participants. This fact does not prevent them from promoting the services of these companies at their offline events. This conspicuous fact tells a lot about the attitude of WikiFX to common traders looking for reliable partners.

It ignores the specifics of some brokerages lowering their scores due to non-standard derivatives they offer to trade or custom trading software. The rumors are that this company was also noticed blackmailing brokers with the purpose of making them pay for better reviews at WikiFX. There are also some signs that indicate suspicious promotion of WikiFX platform through social media and Quora.

Some of the WikiFX positive reviews also look highly suspicious. All of the above is a matter of further investigation. Nevertheless, thousands of users keep relying on the information provided by this scam ranking system. It may even look like all these users are satisfied. WikiFX has got 4. However, positive WikiFX reviews use similar semantics and are also highly suspicious. Trusted forex broker, daily forex rebate. Faster rebate payout.

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